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This Was: BigCityBeats’ WORLD CLUB DOME 2023

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The tenth edition of WORLD CLUB DOME took place from June 9th to 11th in Frankfurt Germany. WORLD CLUB DOME is one of Germany’s largest electronic music festivals hosting more than 180,000 attendees over the span of three days. Moreover, the festival is comprised of 25 stages with a stacked line up of more than 150 artists ranging from house music, to hardstyle, techno, and more!

Getting There
Of course, as I live in the Netherlands, getting to WORLD CLUB DOME was a bit of a journey consisting of multiple trams and trams. However, getting from Amsterdam direct to Frankfurt was about four hours. Then following that it took another 20 minutes or so to get to the hotel, which was about a 15-minute walk through a park (more like a spooky woods!) to get to the venue. We were lucky to be able to walk back and forth to the venue each day which allowed us the flexibility to arrive at the festival at our desired time without having to rush!

Venue
The festival venue, Deutsche Bank Park (also known as Waldstadion) is a sports arena located in the outskirts of the city. Despite the stadium being built on concrete there were various grassy areas and even a swimming pool! Notwithstanding the massive size of the stadium, everything was extremely well organized and easy to find. The festival grounds were very manageable and there were clear signs throughout the festival instructing people where to go in addition to the map incorporated within the festival app.

The stadium was your traditional professional sports stadium with tiered seating (which really came in handy when you got tired and still wanted to watch the show!). As with any major arena there were multiple entrances to enter and exit the stadium (which was the Mainstage). This came in handy as you could watch the Mainstage performances from various vantage points. Along the outside of the stadium were various smaller stages. For example, if you were to walk around alongside the stadium to let’s say go to the lockers you could pass by multiple small stages that although were technically part of the stadium, they faced outwards so that you could pass by while you dance.

The festival grounds went beyond the immediate stadium facility and into the surrounding wooded area. Which is surprising because if you look at the venue from the outside you would have no idea that there would be multiple stages nestled away in the forest.

Food & Drinks
There were a myriad of different types of food and drinks to choose from at the festival. The food was mostly what you would consider traditional festival bites (like hot dogs, burgers, and sandwiches) in addition to German delicacies like currywurst and my personal favorite… pretzels! According to my friend who attended with me, the currywurst, pretzel and burgers were the absolute best.

Prices were reasonable considering other festivals of the same caliper that I’ve attended in the last year. Rather than utilizing a token system (as most major festivals do in the Netherlands) or allowing people to pay by card or contactless, WORLD CLUB DOME implemented a chip system. Upon your receiving your festival wristband you can top up the chip on your bracelet either on the festival website, from a top up ATM type of a machine, or from a stand for those who preferred to pay in cash.

Regarding the drinks they had just about everything from summer cocktails to beer to “Shot Ice”. I’m embarrassed to say how many of those I ate but on a 30-degree day (86 Fahrenheit) nothing like sipping on a frozen watermelon vodka pop!

Additionally, there were multiple food areas, cocktail gardens, and lounge areas there were also multiple places to purchase festival merchandise. The festival sold fans, hats, shirts, lighters, and other paraphernalia sporting the logo. There were also small shops to buy sunscreen, sunglasses, and other summer festival essentials.

Stages
This year’s theme was Atlantis. Throughout the festival they had various nods to the theme including trippy underwater visuals and dancers.

As previously mentioned, there were in total 25 stages. Certain stages changed names and genres throughout the weekend. As we obviously we can’t dive deep into all 25, so here are a few notable ones!

Mainstage
The Mainstage was located inside of the arena. At the center of the stage were huge LED screens that projected images that corresponded with the DJ who was playing. There were also various images of the ocean and Atlantis flashing across the screen, fitting with this year’s theme. Inside the arena it was possible to enjoy the show from the floor or alternatively from the stands. There were times where it got pretty crowded (for example during Marshmello’s set) but with the stadium style seating and various levels there was plenty of space for everyone to see the show!

Outdoor Mainstage
In addition to the Mainstage inside the area, there was a second Mainstage outside located on a grassy field surrounded by various beer and cocktail gardens, hammocks, and inflatable areas. To the right of the stage was a hill with Hollywood sign style letters that said WORLD CLUB DOME. In the center of the grassy field outside the Outdoor Mainstage was a large fountain with statues that look like they were found underwater in the lost city of Atlantis. This was the perfect place to get that Instagram shot in addition to of course a double-sided photo wall.

Zombie
It of course wouldn’t be an article written by me if we didn’t talk about the Hardstyle stage. The Zombie stage was in my opinion the most aesthetically impressive. Large columns surrounded the stage with statues aligning the top as if they were guarding the kingdom of Atlantis.

Pool Stage
The Pool Stage was the stage that surprised me the most! In my 13 plus years of raving I’ve never seen a pool stage so big! Traditionally pool stages are set up where the DJ booth is situated alongside side of the pool playing to a crowd of people dancing in and around the water. From the many festivals I’ve attended the pool stage or event hosted pool parties they are typically small and set off to the side. At World Club Dome however, the pool stage was HUGE and set upon a grassy field surrounded by vendors and then on the other side of the field was the large pool.

Pyramid/Masquerade
The Pyramid stage (Saturday) was in the same vicinity as the Pool Stage set aside almost in the forest. This stage was a bit hidden but once we found it, we’re glad we did! On Sunday this stage changed to the Masquerade stage.

Forest/Freud
One of the best hidden gems of the festival was by far the Forest stage (also known as the Freud stage on Saturday). Inside a tent in the forest was the place to go for techno (of course!). The pitch black tent was only illuminated by green and blue laser beams that transcended the crowd. Around the DJ booth were various plants giving it that real dark underground techno vibe.

Dixie Stage
It’s everyone’s favorite secret stage, the dixie stage! At one of the bathroom locations was a secret door leading to a secret stage! It’s not my first time discovering one of these types of stages but what set this one apart from other secret stages at festivals was how large it was inside. The stage was quite sizable for being nestled between porta-potties. Unfortunately there are no images of this stage (to keep it hidden!).

Visuals & Sound
Throughout the weekend the visuals were extremely high production. To lasers and fireworks to my personal favorite which was at the Zombie stage lines of fire shot through the air not only on the stage but on either side. This coupled with Hardcore and the energy of the crowd was a truly memorable experience.

One other notable moment was during the opening show at the main stage they had a visual presentation on the LED screens showing each of the ten years of the festival’s history up until today. This was a really memorable way to kick off the festival and to demonstrate how much the organization and the festival has grown.

The sound overall was crisp and clear with the exception of at certain times at the Zombie stage it was a bit quiet. Additionally, depending on where you were standing at certain stages there was sound bleed. For example, standing towards the back at the Zombie stage you could hear both the DJ performing at the Zombie stage and at the Outdoor Mainstage. There were a few times where I heard multiple stages at the simultaneously. There were also some technical problems during Timmy Trumpet’s set, but he kept the crowd going and engaged until the issues were fixed.

Atmosphere & Organization
WORLD CLUB DOME
is extremely well organized. The layout was easy to follow and the staff and security were extremely friendly and eager to assist. As this was my first German outdoor festival (I’ve only attended indoor raves in Germany) so I had no idea what to expect and I absolutely loved the vibes. Everyone there was clearly there for the music and was respectful of each other’s personal space.

Music
Moguai
The first full set of the weekend for us was Germany’s very own Moguai at the Mainstage. Even though it was early on day one of the festival, the crowd was vibing to house hits like In Motion and Ill Behavior. Moguai set the stage (literally and figuratively) for the rest of the weekend!

Steve Aoki
Next up for us was the very much anticipated man of cakes, Steve Aoki. Despite being in the scene for over a decade, I never had the opportunity to see Steve Aoki live and boy does he put on one hell of a performance. He threw not one, but I think seven or eight giant sheet cakes into the crowd. I knew the cake moment was coming of course but had no idea he would throw so many! Good thing I was sitting far away as I am severely lactose intolerant but love the concept! Throughout the set engaging visuals such as Steve Aoki dressed up as Rose from Titanic while My Heart Will Go On was playing is definitely an image that will forever be in my mind. Additionally, during the set Steve Aoki announced his love and support for ten years of World Club Dome, which is a true testament to why this festival is so exceptional.

Timmy Trumpet
Speaking on putting on a crazy performance, Australia’s trumpet yielding power-house Timmy Trumpet, can best be described as a firecracker on stage. The amount of energy that he produces between the jumping, dancing, mixing, crowd interaction and of course playing the trumpet live is what makes him one of the front runners in the scene. Timmy Trumpet dropped some fan favorites like Drugs from Amsterdam and Push It. My favorite moment from the set is when he dropped GPF and encouraged everyone to start a mosh pit.

James Hype
James Hype on the Outdoor Mainstage was just what we needed on Saturday afternoon. The sun shined down on the crowd as we sang along to Kernkraft 400 (Zombie Nation) and Everybody’ Free. The great thing about the Outdoor Mainstage was that there was ample space to dance in the crowd or to relax on the lawn or on the hill.

Marshmello
A packed house as always for Marshmello. The stadium was wall to wall packed. From big room classics like Happier, Levels, and Sandstorm mixed in of course with plenty of headbanging dubstep. Since his back-to-back performance with Svdden Death at EDC Las Vegas this year, Marshmello has been dropping harder and harder dubstep and the crowd is all for it!

Miss K8 and Anime
Hands down my favorite set of the weekend, the queens of Hardcore destroyed the Zombie stage. As the sun went down the music got harder, fire shot into the air and there was so much confetti that exploded it became wrapped around our legs as everyone tried to hakken. This set was straight banger after banger. I would expect nothing less from Miss K8 and Anime and they once again did not disappoint.

Angerfist
As the weekend came to a close it was time for the one and only Angerfist! Dropping bombs like The Fist and the Hammer and Breinbreker we didn’t want it to end.

Peggy Gou
The very final set of the weekend was Peggy Gou B2B Ryan Elliot at the Pool Stage. I’ve been a fan of Peggy Gou for quite some time now but just discovered Ryan Elliot and am now hooked! What a way to close out the weekend.

Overall Impressions
I would 100% recommend World Club Dome to anyone who wants to experience a multi genre electronic music festival that is big enough to give you that fairytale land escape from reality experience but not so big that its unmanageable. The festival was also very clean, organized, and I really enjoyed the theme and diversity of the line up. I’m looking forward to attending another edition in the future!

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Juliana Bonde Steals ELF Stage

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Juliana Bonde steals ELF stage

With over 80 million views, more than 40 videos, and a meticulously crafted performance on the Electric Love Mainstage, Brazilian influencer and singer Juliana Bonde has been making waves – despite never having set foot at the festival. The Salzburg-based festival is taking the situation in stride with a dose of humor.

Juliana Bonde steals ELF stage

Juliana Bonde Steals ELF Stage

What connects Electric Love Festival in Salzburg to a Brazilian pop singer? At first glance, not much. However, it seems the iconic Electric Love Mainstage has crossed the Atlantic – at least virtually. For months now, Juliana Bonde, a popular Brazilian singer and influencer with over 10 million
followers, has been posting videos on her social media channels showing herself and her band performing on the Electric Love Mainstage. The incredibly realistic footage, entirely digitally edited, has left fans amazed. However, Bonde has never performed at the festival. “We had to do a double take and even checked our lineup just to be sure,” the Electric Love organizers joked. “But no – Juliana Bonde has never been here. What she’s created is undeniably impressive, though!”

A Humorous Response

Festival host Jules Hardy (UK) was equally amused. “Someone has stolen Electric Love’s mainstage – you won’t believe where I found it!,” Hardy quipped in a video that recounts the entire story and even extends an invitation to Bonde for Electric Love 2025. “She must be a huge Electric Love fan. We’re gonna invite her to the next Electric Love!” Hardy added. The festival team added: “She virtually already knows our stage inside and out. It’s time for her to experience it live!”

Electric Love 2025
Electric Love Festival will take place from July 3–5, 2025, at the Salzburgring in the picturesque Fuschlsee region. Featuring over 200 artists across seven stages, the festival promises musical diversity with performances by international stars such as Major Lazer, Dom Dolla, Timmy Trumpet, Hardwell, Alan Walker, John Newman, Marlon Hoffstadt, Lilly Palmer, Bibiza, Holy Priest, and more. For tickets and more information, visit www.electriclove.at.

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Sea You Festival Announce 150 Artists For 2025

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Sea You Festival returns to Lake Tunisee in Freiburg from July 18 to 20 with an expanded edition that stretches across six distinct stages and more than 150 acts.

Sea You Festival is known for combining open-air dance floors with lakeside views and playful summer elements, the event continues to grow while staying rooted in its laid-back yet upbeat dentity.

The 2025 Sea You Festival edition follows back-to-back wins at the Heavent Awards for Best Festival in Western Europe. With redesigned stages, a bigger Main Stage, and the addition of a sixth stage focused on hard groove and ghetto tech, this year brings in more variety without losing its flow. New art installations, more food options, and improved camping conditions are also in place.

Main Names Across All Corners of the Scene

This year’s lineup pulls in artists across techno, melodic house, trance, and EDM. Paul Kalkbrenner (live), Nina Kraviz, James Hype, Deborah De Luca, Sven Väth, Reinier Zonneveld (live), Nora En Pure, and Neelix stand out across various stages during Sea You Festival.

Also on board are Kölsch, Len Faki, BUNT., Alle Farben, Jan Blomqvist (live), Klangkuenstler, Kevin de Vries, Lilly Palmer, Dirty Doering, Nora En Pure, Silver Panda, NTO (live), and Lexy & K-Paul (live). From the progressive side, Raumklang brings in Bliss, Liquid Soul, Phaxe, Berg, Ghost Rider, and Vegas, alongside newer names like Jilax, Hatikwa, and Reality Test.

B2B sets include Adrian Mills B2B PRADA2000, Callush B2B Dasstudach, and Koboyo B2B Fjusha. The full range spans from big room to underground, with local names and emerging talent spread throughout the Sea You Festival.

Six Stages with Different Directions

Each stage at Sea You Festival takes on its own musical identity.

  • The Main Stage leans toward large-scale live sets and high-impact melodic acts

  • The Techno Dome focuses on industrial, driving rhythms

  • The Sea View Stage mixes dance-pop, commercial house, and upbeat electronic

  • The Hard Dome hosted by Gotec is darker, faster, and more raw

  • Stage 5, restructured for progressive trance and psychedelic sounds

  • The newly introduced Stage 6 brings harder, hybrid sets and Lake View sounds

This range gives room for long-time Sea You festivalgoers to drift between scenes without losing momentum, and it invites new listeners to explore genres they might not usually hear.

A Summer Setting Few Can Match

What defines Sea You Festival is its balance between world-class music and its natural setting. Floating dancefloors, inflatable flamingos, watersports, shaded lounges, and that long stretch of shoreline all play a part in the atmosphere. It’s built to be as much about the experience as it is about the sound.

With music running daily from afternoon into late night, and camping open until Monday, Sea You 2025 offers a weekend built around freedom, movement, and summer energy.

Tickets for Sea You Festival are now available at www.seayou-festival.de, with past editions often selling out ahead of time.

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Martin Garrix Confirms His Second Album Is Coming in 2026

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Martin Garrix has officially confirmed that his second album is in progress and expected to arrive in early 2026.

Martin Garrix made the announcement during a live segment on Fun Radio, where he explained that the majority of the material is already finished. What remains is the last round of refinement, which he described as the most time-consuming part. His goal is to have everything wrapped up by November.

This will be his first full-length record since Sentio, which was released in 2022. That album brought together several collaborations and included songs he had already tested out during festival sets. Since then, Garrix has been focused on releasing one-off singles and smaller projects. His recent output, including the IDEM EP and songs like “Breakaway” and “Weightless,” has shown a shift in tone. Some of the newer material leans more experimental, while still keeping a strong connection to the sound that shaped his earlier career. Martin Garrix’s evolution in these projects is quite intriguing.

Tomorrowland Will Preview What Comes Next

Martin Garrix also shared that he has completed a brand-new club-oriented song that will be premiered during his Tomorrowland set this summer. He described the production as more aggressive than usual, suggesting that the upcoming album may explore a heavier direction than his previous body of work. Given his history of using major festivals as a platform to debut unreleased material, Tomorrowland is likely the first place fans will get a sense of how the album sounds, echoing Martin Garrix’s pioneering approach to live performances.

 

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While no details were given about featured artists or the final lineup of songs, this new approach to performance and pacing hints that the album may not follow the structure of Sentio, which leaned heavily on vocal collaborations. Instead, it seems like Martin Garrix is exploring a format that reflects the kind of music he builds specifically for his live sets, demonstrating Martin Garrix’s intent to innovate.

A Different Kind of Album Rollout

Unlike his first album, which was promoted over several months with visuals and teasers tied to each single, this next phase feels more grounded in the moment. Rather than building an extended campaign around each individual release, Garrix appears focused on finishing the record as a whole and presenting it when it’s ready. The fact that he is premiering new material live rather than on streaming platforms shows that this process is being driven by instinct and audience feedback, not just marketing cycles, showcasing the practical and instinctive side of Martin Garrix.

With his timeline now set, fans can expect a gradual rollout beginning later this year. If the new club piece receives strong reactions at Tomorrowland, it may end up as one of the album’s lead singles. Either way, 2026 looks set to mark Martin Garrix’s return to full-length format, something his listeners have been anticipating since his last studio release, furthering Martin Garrix’s reputation for excellence.

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