Anyma x Lisa – Bad Angel

With his Coachella performances set for the same week, Anyma teams up with Lisa on ‘Bad Angel’, releasing the track just days before introducing his ÆDEN show on that stage. The record is positioned as part of that rollout, with Lisa moving into a different direction outside her recent solo work, placing her vocal within Anyma’s melodic techno approach, making it one of the more notable releases on New EDM Friday April 10.

EDM is now a global scene with festivals happening across Europe, North America, Asia, and beyond, each drawing large crowds throughout the year and turning cities into major event destinations. With so many festivals on the calendar, names like Electric Daisy Carnival Las Vegas, Tomorrowland Belgium, and UNTOLD Festival come up constantly, but they don’t all operate at the same level when you look at how many people are actually there each day. Some events bring in crowds that go past 100,000 people in a single day, creating a very different on-site experience compared to festivals that reach their numbers over multiple days or extended formats. There are also festivals that have grown quickly in recent years, expanding into new regions and adding to the overall scale of the scene, which makes comparisons even less clear at first glance. Looking at daily attendance puts everything on the same scale and makes it easier to see how these festivals compare, how big they actually are in real terms, and where each one sits globally today.

10. Tomorrowland Belgium

Location: Boom, Belgium
Daily Attendance: 66,667 per day

Tomorrowland Belgium sees around 400,000 attendees across two weekends, which works out to roughly 66,667 people per day across six festival days. The event takes place in Boom, Belgium, where the site at De Schorre is transformed into a large multi-stage festival space with areas spread across forests, open fields, and waterfront sections. The Mainstage is one of the most recognisable in electronic music, holding tens of thousands at once, while stages like Freedom Stage, Atmosphere, and Crystal Garden run at the same time across the grounds. Recent editions have featured artists such as Swedish House Mafia, Eric Prydz, Charlotte de Witte, and Amelie Lens, reflecting how the lineup is split across mainstage and underground electronic acts. With 66,667 people attending each day, the scale is shaped by the two-weekend format, where the same capacity is repeated across both weekends instead of being concentrated into a single run. The layout of De Schorre allows multiple large crowds to exist across different stages at once, which keeps movement steady across the site throughout the day.

9. EXIT Festival

Location: Novi Sad, Serbia
Daily Attendance: 70,000 per day

EXIT Festival brings in around 200,000 attendees across four days, which comes out to roughly 70,000 people per day. It takes place at Petrovaradin Fortress in Novi Sad, where the site is spread across different sections of the historic structure, with stages set up across courtyards and open spaces instead of a flat festival ground. The Dance Arena is one of the key areas, running late into the night with techno and house artists, while the mainstage and other stages operate at the same time across the site. Recent editions have included artists such as Carl Cox, Solomun, Nina Kraviz, and Black Coffee, which reflects the festival’s focus on electronic music within a wider lineup. With this level of attendance, the crowd is spread across different parts of the fortress throughout the day, with each stage holding its own audience instead of everything happening in one place. The layout of the fortress also shapes how people move through the festival, with different areas filling up at different times across the schedule.

8. Creamfields

Location: Daresbury, United Kingdom
Daily Attendance: 70,000 per day

Creamfields sees around 70,000 people on site each day, making it one of the largest electronic music festivals in the United Kingdom. The festival takes place in Daresbury, England, where the site covers a large outdoor area that includes multiple stages, indoor arenas, and tent structures operating at the same time. Stages such as Arc Stage, Steel Yard, and Horizon host different parts of the lineup across the weekend, with techno, house, and mainstage acts running in parallel. Recent editions have included artists such as Calvin Harris, Swedish House Mafia, Eric Prydz, and Amelie Lens, reflecting a lineup that spans both large-scale headline sets and more focused underground bookings. With 70,000 people attending each day, the scale is clear in how multiple arenas fill up at the same time, while other parts of the site remain active throughout the day and night. The mix of outdoor stages and enclosed structures also allows the festival to maintain consistent crowd flow, even as different sets overlap across the schedule.

DJ Isaac begins the year with Let Yourself Go on Scantraxx, a solo release following collaborations including Spaceman with Showtek and Berlin with D-Block & S-te-Fan. It comes after a period where much of his output involved working with others, making this release a more direct reflection of his own direction at this stage in his career. The track draws from the early rave and techno records he first heard growing up in the north of Holland in the late 80s and early 90s, while still keeping the harder sound he has been associated with for decades. That same mindset was clear at Defqon.1 2024, where he closed the mainstage with TNT and changed the set minutes before going on, choosing to respond to the crowd instead of following what had been prepared. Outside of touring and releases, he also speaks about valuing time with family more as the years go on, even as constant travel and jet lag remain part of the routine after 30 years behind the decks.