Editorial
Tomorrowland Thailand Confirms Swedish House Mafia
Tomorrowland Thailand Confirms Swedish House Mafia as the legendary trio joins the festival’s Thailand debut this December
Tomorrowland Thailand has officially confirmed Swedish House Mafia for its debut in Pattaya, with the festival taking place from December 11 to 13, 2026 at Wisdom Valley. The trio joins a lineup that already includes Martin Garrix, Afrojack, NERVO, Lost Frequencies, Dimitri Vegas, and Alok, as Tomorrowland prepares to bring its first full festival in Asia to Thailand. The announcement also marks the first time Axwell, Steve Angello, and Sebastian Ingrosso are set to play in the country together as Swedish House Mafia, following past appearances in Thailand from members of the group and Axwell Λ Ingrosso. With songs like Save The World and Don’t You Worry Child still tied to some of the trio’s biggest festival moments, their Tomorrowland Thailand set adds a major legacy act to the festival’s debut lineup.
From One World Radio Mention To Tomorrowland Thailand Confirmation
Months before the official reveal, Axwell referenced Tomorrowland Thailand during an appearance on One World Radio, giving the first public indication that Swedish House Mafia could be linked to the festival’s debut in Pattaya. The mention drew attention because Tomorrowland Thailand 2026 had already been announced as the brand’s first full festival in Asia, with the event scheduled for December 11 to 13, 2026 at Wisdom Valley. At the time, it was not a formal lineup confirmation from Tomorrowland, but it placed Axwell, Steve Angello, and Sebastian Ingrosso firmly within the discussion around one of the country’s biggest upcoming dance music events.
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Tomorrowland has now confirmed the trio through its official reel, which stated that Swedish House Mafia will unite at Tomorrowland Thailand. The announcement confirms the full Swedish trio for the December 2026 edition in Pattaya, marking their first scheduled appearance in Thailand together as Swedish House Mafia. While the country has previously hosted members of the group through solo sets and Axwell Λ Ingrosso, this confirmation marks the first time Axwell, Steve Angello, and Sebastian Ingrosso are set to appear together in Thailand under the Swedish House Mafia name.
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Swedish House Mafia’s Long Running History With Tomorrowland
Swedish House Mafia’s connection with Tomorrowland goes back to one of the festival’s most important eras, when the trio helped soundtrack the early 2010s wave that pushed big room and progressive house onto mainstages worldwide. Their Tomorrowland 2012 appearance placed them on a lineup that also featured Avicii, David Guetta, Afrojack, Hardwell, NERVO, Skrillex, and Steve Aoki, during a year Tomorrowland later revisited as part of its own “Down Memory Lane” series. That period became a key part of the festival’s global identity online, with Swedish House Mafia records such as One, Save The World, and Don’t You Worry Child closely tied to aftermovies, livestream clips, and the era when Tomorrowland Belgium became a reference point for dance music audiences far beyond Europe.
After 2012, the trio spent more than a decade away from the Tomorrowland Mainstage as Swedish House Mafia, which made their 2024 return one of the key bookings of the festival’s 20th anniversary year. Tomorrowland published their full 2024 set from Weekend 2 on its official YouTube channel, while European dance music coverage noted that their Weekend 1 appearance marked their first time back at the festival together since 2012. The return also connected two different phases of the group’s career, bringing early records like Miami 2 Ibiza and Don’t You Worry Child back to the Mainstage alongside newer material from their post reunion era.
Their place in Tomorrowland history is also visible through One World Radio’s Tomorrowland Top 1000, where Swedish House Mafia have repeatedly ranked among the festival audience’s most recognised acts. In 2019, One reached number one on the countdown, while Tomorrowland’s 2025 ranking placed Don’t You Worry Child at number one ahead of Avicii’s Levels and Martin Garrix’s High On Life. For Thailand, this makes the booking more than a new international name on a festival poster, as Tomorrowland Thailand is bringing in a group already linked to the festival’s Mainstage history, audience voting, and some of the records most associated with the brand’s rise.
Other Confirmed Artists In The Tomorrowland Thailand 2026 Rollout
Tomorrowland Thailand 2026 has been revealing its early lineup through separate artist moments instead of one full poster drop, with each announcement tied to a specific teaser, stage reveal, or social clip. So far, the other confirmed names include NERVO, Dimitri Vegas & Like Mike, Lost Frequencies, Afrojack, Martin Garrix, and Alok, giving the festival’s Thailand debut a mix of long running Tomorrowland names and artists closely connected to its recent mainstage history.
NERVO
NERVO were revealed during Tomorrowland Winter, when Mim and Liv turned around on the MainStage to show shirts reading “She Is Playing At Tomorrowland Thailand.” The moment was later shared by Tomorrowland Thailand as part of the festival’s early artist rollout.
Dimitri Vegas & Like Mike
Dimitri Vegas & Like Mike were confirmed through another Tomorrowland Winter moment, with Dimitri Vegas using his set to reveal the Thailand connection before Tomorrowland Thailand confirmed the duo for the 2026 edition.
Lost Frequencies
Lost Frequencies was announced through a travel guide reveal at Tomorrowland Winter, where the Thailand guide pointed to his next Tomorrowland destination and connected him to the Pattaya debut.
Afrojack
Afrojack was confirmed through a studio teaser, where he was seen working on a project before the file name Tomorrowland Thailand intro v1 appeared on screen, linking him directly to the festival’s 2026 edition.
Martin Garrix
Martin Garrix was revealed through a Bangkok tuk tuk clip, where he appeared wearing a shirt featuring Tomorrowland’s Reflection of Love stage, connecting one of the festival’s best known stage designs with its upcoming Thailand edition.
Alok
Alok was confirmed through a hotel room teaser centred around a Thai food order, where the pad krapow delivery led into the Tomorrowland Thailand reveal and added a local detail to his announcement.
With Tomorrowland Thailand 2026 already officially sold out, the addition of Swedish House Mafia adds another major reason why the festival is being watched so closely ahead of December. Set across Wisdom Valley in Pattaya, the venue gives Tomorrowland a large open setting for its first Thailand edition, bringing its stage production, international lineup, and global festival audience into one of the country’s most active tourism destinations. More artists are still expected to be announced in the coming months, but with names like Swedish House Mafia now confirmed, the sold out debut is already set to be a historic moment for Thailand’s electronic music scene. Keep following EDM House Network for more updates on the Tomorrowland Thailand 2026 lineup as the festival continues toward December 11 to 13, 2026.
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Chris Candela becomes the first Venezuelan artist to release on mau5trap with debut single ‘Move Your Feet’ alongside AOSM.
Chris Candela and AOSM debut on mau5trap with the single ‘Move Your Feet’, making Candela the first Venezuelan artist to release music on deadmau5‘s iconic label. Marking a significant milestone and the beginning of a new chapter in his career, the record introduces a darker, more club-oriented sound from Chris Candela.
Discussing the track’s sonic identity, the Venezuelan artist says: “When AOSM first sent me the initial idea for ‘Move Your Feet,’ I immediately felt the track had something special. I’ve always been inspired by artists like Justice, Wolfgang Gartner, and even Knife Party, so bringing those influences together felt completely natural.”
Drawing on those influences, the two artists created a record that fits naturally within mau5trap’s darker, experimental sound. Blending gritty electro-house energy with cinematic sound design, “Move Your Feet” establishes a strong narrative identity. Built around distorted synths, driving grooves and atmospheric textures, the single delivers a modern club sound filled with raw energy.
Chris Candela not only produced the instrumental with AOSM, but also wrote and performed the track’s vocals.
“One of my favourite parts of the process was writing and recording my own vocals. The lyrics explore the overwhelming feeling that can sometimes come with being in a crowded club, until you realize the only thing that really matters is letting go and moving your feet,” says the artist.
Who Is Chris Candela?
Currently based in Mallorca, Spain, Chris Candela is an Italo-Venezuelan artist with more than 15 years of experience in the electronic music industry. Beyond the studio, he has built a substantial Spanish-speaking EDM community through his CDCVLOGS platform, before launching the Chris Candela alias project in 2025.
Throughout his career, Candela has received support from artists including Don Diablo and Fedde Le Grand, but also reached No. 44 on Beatport’s Bass House Top 100 with “Lost To The Rhythm”, his collaboration with RE-KA. Now, with his mau5trap debut, Candela reaches another major career milestone.
Reflecting on the significance of the release, he says: “Releasing on mau5trap has been a dream of mine for years. deadmau5 has been one of the artists who has influenced me the most, both creatively and personally. To become the first Venezuelan artist to sign with the label, alongside my good friend AOSM, who becomes only the second Mexican artist to do so, makes this milestone even more meaningful.”
With “Move Your Feet”, Candela enters a new chapter in his career, defined by a darker and more club-focused sound. “Move Your Feet” is out now on all major streaming platforms. Listen to Chris Candela and AOSM’s latest track below.
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Spotify / Apple Music / Instagram / YouTube / X (Twitter) / TikTok / SoundCloud
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Skrillex Says AI Songs Can Go Viral, But His Comments Point To A Bigger Issue Around Human Connection In Dance Music.
The debate around AI music has often focused on fake vocals, copied artist styles, copyright issues, and whether machine made songs should be labeled clearly, but Skrillex has brought the subject back to something more human. In his first formal interview in over a decade, published in 032c Issue #49 Summer 2026, Skrillex spoke with Ecco2K about creativity, rave culture, and the limits of AI in music, including the idea that AI songs can go viral while still missing the feeling of being seen by another human being. That distinction gives the topic more depth because he is not only questioning whether AI can generate music that performs well online. He is asking what happens to dance music when a song can reach listeners quickly, but the person, history, and lived experience behind it become harder to find.
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Why Skrillex’s View On AI Is Not About Rejecting Technology
Before Skrillex became known as a producer and DJ, he was the vocalist of From First To Last, a post hardcore band that already placed him in a scene where live emotion, distortion, and internet era fandom were closely connected. His move into solo production did not erase that background; it carried some of that intensity into songs like Scary Monsters And Nice Sprites and Bangarang, where chopped vocals, aggressive bass design, sharp edits, and software based production became part of the identity of the record. The same artist who helped make those sounds reach a wider audience is now saying that AI songs can go viral, which is why the point cannot be reduced to fear of computers in music.
His own career shows the opposite: technology can still carry feeling when there is a real person making the decisions behind it. In the 032c interview, Skrillex discussed making Mora in GarageBand before moving into Pro Tools and Ableton, along with ideas like Bangarang beginning from rough recordings on Snowball mics or laptop mics. Those details show that electronic music does not lose its human side just because it starts from rough digital material, software, or imperfect recordings. The difference is that an artist is choosing what to keep, cut, distort, rebuild, or leave imperfect, while a generated song can imitate the texture of those choices without carrying the bands, scenes, failed ideas, studio accidents, and years of taste that came before the final record.
Why Viral AI Songs Do Not Prove Listeners Are Connecting
When Skrillex talks about AI songs going viral, the point is easy to connect to cases the music industry has already dealt with. Heart On My Sleeve, the fake Drake and The Weeknd song made with AI vocals, did not become a talking point because listeners had discovered a new artist with a real story. It went viral because people were trying to work out how close the vocals sounded, whether the artists had approved it, and what it meant if a fake collaboration could travel that quickly. That kind of attention can make a song look successful on the surface, but the reaction is tied to the stunt, the confusion, and the technology behind it, not to a real connection between artist and listener.
Dance music has its own version of that problem because records often gain meaning before they are officially released. Rumble by Skrillex, Fred again.., and Flowdan was already circulating through DJ set recordings and crowd clips before its official release, while Baby again.. by Fred again.., Skrillex, and Four Tet gained more attention after being played live, including during their back to back set at Madison Square Garden. That path is different from an AI song going viral because it sounds close to an existing artist or copies a familiar vocal style. In dance music, the memory around a song is often tied to the DJ who tested it, the crowd that reacted to it, the festival or club clip that kept circulating, and the months of people asking for the release. AI can copy the sound of a viral record, but it cannot recreate the human trail that makes people care about where the song came from.
What This Means For AI Music Going Forward
The next stage of AI music will probably come down to what artists, labels, and platforms are willing to make clear before a song reaches listeners. John Summit’s call for human made music labels points to one possible response, especially as fake vocals and copied artist styles become harder to spot at first listen. David Guetta’s experiment with an AI generated vocal in the style of Eminem showed how quickly a technical demo can raise bigger questions about likeness and consent, while deadmau5 has already warned about deepfakes and false endorsement. Once a voice, image, or artist identity can be copied well enough to confuse people, the problem is no longer only about whether the song sounds convincing; it is about whether listeners know who actually made what they are hearing.
Skrillex’s point is closer to what listeners may start caring about as AI music becomes more common. AI may keep producing songs that go viral, especially when the hook feels familiar, the voice sounds close to someone famous, or the curiosity around the technology is strong enough to push the clip online. But dance music has always depended on more than a first reaction. People remember the DJ who played a song before release, the set where they first heard it, the crowd clip that made them search for the ID, and the artist history that made the record feel connected to something real. AI can copy parts of that format, but without a person behind the choices, the trust becomes weaker, and that may be the difference between a song people click on once and a record they keep returning to.
As AI music becomes easier to make and harder to identify, the future of dance music may depend less on whether listeners reject the technology and more on whether they still trust the people attached to the songs. Skrillex’s comments point to a problem that goes beyond one viral record or one copied vocal, because the deeper risk is a culture where the source of a song becomes unclear and the relationship between artist and audience starts to feel less certain. Dance music has always moved through clubs, festivals, IDs, edits, and shared recordings, but those moments only last when people believe there is a real person behind the choices, the risk, and the history of the record. AI may continue to create songs that travel quickly online, but the harder question for artists, labels, platforms, and listeners is whether speed can ever replace trust, and whether a song can still mean something long after the first reaction if no one can feel the human life behind it.
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Electrisize Festival Returns With Turbo Takeover and Fireworks as the 2026 Edition Brings Artist Signings, New Areas, Valley of Sound and 55,000 Visitors to Haus Hohenbusch.
Electrisize Festival returns from August 7 to 9, bringing the 2026 edition back to the historic grounds of Haus Hohenbusch near Dusseldorf. Presented by 1LIVE, Europe’s second largest youth radio station, the festival is expecting 55,000 visitors for a weekend built around new experiences, expanded stage production, artist signings and fireworks across all three days.
More than 150 artists will play across the three day event, covering EDM, hardstyle, techno and Mallorca party anthems. This year’s lineup includes Alle Farben, Brennan Heart, Showtek, David Puentez, Eko Fresh and Mia Julia, alongside rising names OSWALD and Yung Saint Paul, both featured on the 2026 New Music Hotlist. They join Gestört aber GeiL, Glockenbach, Paul Elstak and Kati K to round out the bill.
Meet the Artists Up Close
Festival founders Raphael Meyersieck and Michael Frentzen are introducing a handful of new experiences this year. For the first time, fans will get the chance to meet their favorite artists in person through dedicated Artist Signing Sessions, collecting autographs and photos to remember the weekend by. There’s also a new Ferris Wheel Flat Rate giving guests unlimited rides and sunset views all weekend long, and for those craving a cold beer with some rock energy, the new pub “The Thunder” offers a campfire setting built for tribute bands and karaoke nights.
Photography by janheesen.com
Winter Vibes in the Middle of Summer
Austria’s Valley of Sound is bringing its own stage to Haus Hohenbusch for all three days, adding a mountain inspired setup to the festival site during the summer weekend. Another new addition is The Source, an area tucked into nature and designed around yoga, music and mindfulness, giving festivalgoers a place to reset before heading back to the stages. The main stage production is also expanding this year, with lights, lasers and fireworks running across all three festival days instead of just one.
Turbo Takeover on the Mainstage
Electrisize’s Turbo Stage continues to be the home base for singalongs and Mallorca party hits, with artists like Calvin Kleinen, Caro Winter, Eko Fresh, Frenzy, Kreisligalegende and Van Keeken bringing the confetti and party focused sets attendees expect. Friday kicks off with a special Turbo Takeover as Frenzy and Rumbombe bring Turbo straight to the Mainstage, while Sunday closes out with Mia Julia taking over the Mainstage to wrap the weekend.
Beating the Summer Heat
Electrisize has come prepared for high temperatures, with free drinking water, complimentary sunscreen, shaded areas, sun sails and multiple chill out zones spread across the grounds. Water cannons will help cool down the crowd, and thanks to the festival’s partnership with Valley of Sound in Austria, snow machines can even be activated across the site if temperatures rise during the weekend.
Non Stop Action at Electricity
The Electrisize campsite, known as Electricity, comes with its own schedule of activities, from the Runners Club on Friday morning and the After Runners Club Party that follows, to Beer Yoga, Shuffle and Hakken workshops, Beer Pong tournaments and a full lineup of DJ sets. Paved walkways connect the campsite to the festival grounds, and campers can look forward to complimentary premium showers and sanitary facilities, along with a 24/7 supermarket stocked with Dutch snacks and camping essentials.
Photography by janheesen.com
Electrisize is also making the festival more accessible this year with the launch of NextGen Tickets, aimed at attendees aged 16 to 19 and starting at just 55 euros. The festival’s popular Group Deals are back too, letting groups of four or more save on tickets. More info and tickets are available at www.electrisize.de.
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