Calvin Harris News
Top 10 Tracks At Tomorrowland 2023
We’re still buzzing about this year’s edition of Tomorrowland in Boom, Belgium. From the whimsical castle that was the Mainstage to the innovation and creativity of the art installations and visuals to of course what we all came there for… the music.
With 300+ artists across 16 stages taking over two weekends there was something for everyone at Tomorrowland this year but what were the songs that were the most played? What tracks can we still not get out of our head? If you haven’t checked out our full review of Tomorrowland Weekend One get the full report HERE.
10) Alice Deejay – Better Off Alone
Taking us back to the 90’s to one of the songs that not only defined a generation of house music but remains a timeless classic it’s everyone’s favorite ‘Better Off Alone’. I bet the tune is stuck in your head already! This track takes us back to for a lot of us where it all began evoking memories of a simpler time while simultaneously reminding us to live in the moment.
9) Creeds – Push Up
I can’t count the number of times I heard this track at Tomorrowland with so many different artists putting their own spin on it but not going to lie, I danced my a** off every time. ‘Push Up’ by Creeds is a BANGER and is sure to get any crowd dancing no matter what stage or genre.
8) Fred Again x Swedish House Mafia – Turn on the Lights Again… (Feat. Future)
This track representing the synergy between Fred Again, Swedish House Mafia, and Future transported us to another dimension at Tomorrowland. This track is one to close your eyes to and feel the beat not through your ears but deep in your soul.
7) John Summit & Hayla – Where You Are
This collaboration between John Summit and Hayla ‘Where You Are’ encapsulated the essence of Tomorrowland reminding us that despite who you are, where you come from, what you do, we’re all united as one at Tomorrowland.
6) Calvin Harris, Ellie Gouding – Miracle
Since Ultra Music Festival we’ve been listening to ‘Miracle’ on repeat and Tomorrowland was no exception. As the enchanting melodies and ethereal vocals blasted through the speakers, we found ourselves swaying to the rhythm and for many was a reminder to keep believing in miracles.
5) David Guetta & Bebe Rexha – I’m Good (Blue)
We all know the classic 90’s hit by Eiffel 65 ‘Blue’ and of course we all know superstar DJ David Guetta and international popstar Bebe Rexha but all together with 400,000 ravers singing at Tomorrowland was really an experience.
4) Peggy Gou – (It Goes Like) Nanana
One of the hottest hits right now on social media now is ‘(It Goes Like) Nanana’ by Peggy Gou. This instant sensation was also extremely popular at Tomorrowland blending vocal hooks, deep house, and a captivating rhythm.
3) Skrillex & Boys Noize – Fine Day Anthem
The hallowing vocals of the classic song ‘Fine Day’ coupled with Skrillex and Boys Noize bass driven production took us on a euphoric journey at Tomorrowland. Whether you swayed, danced, or sung, this track electrified the crowd.
2) Mau P – Drugs from Amsterdam
This next one comes as no surprise as it is one of the hottest tunes at the moment. If you weren’t singing along to ‘Drugs from Amsterdam’ at Tomorrowland, not sure what festival you were at. This track reverberated through the audience igniting the dance floors regardless of what stage you were at!
1) Mau P – Metro (with Kevin de Vries)
Number one is ‘Metro’ by Mau P with Kevin de Vries. Coming at you like a train, ‘Metro’ is an electrifying ride that combines deep house and techno. Between the magnetic bassline and elaborate percussion, ‘Metro’ was played across many of the stages throughout Tomorrowland.
Understanding the Disputes Eric Prydz and Calvin Harris Have Filed Against Their Former Manager
The separate financial disputes involving Calvin Harris and Eric Prydz have drawn renewed attention after both artists filed claims against their former manager, Thomas St. John. The cases differ in scale but share similar concerns regarding how funds were handled during their time under his management. Public filings outline a substantial investment issue raised by Calvin Harris and a claim of unauthorized withdrawals reported by Eric Prydz, creating a clearer picture of why both artists have chosen to move forward through legal channels.
Calvin Harris’s Financial Dispute With Thomas St. John
The financial claim filed by Calvin Harris centers on his involvement in a planned Hollywood development promoted by his former manager Thomas St. John. Public documents state that Calvin Harris contributed a 10 million dollar loan and a 12.5 million dollar investment intended for the construction of a creative and commercial complex. According to the filings, the project has not progressed as expected, and a significant portion of the money appears to have been directed to entities linked to Thomas St. John. The information made available outlines concerns about the transparency of the project, the lack of detailed updates, and the absence of returns on the funds that were supplied.
The case is currently moving through arbitration, which limits the amount of material released publicly, although the available documents provide a clear view of why Calvin Harris submitted the claim. His statement highlights the unresolved status of the project and the limited explanations he received regarding how the funds were used. The filings describe unanswered questions about the management of the investment, the shift in the project’s direction, and the distribution of the money after it was transferred. These points form the basis of the ongoing dispute between Calvin Harris and Thomas St. John and set the foundation for the legal process now underway.
Eric Prydz’s Claim Against His Former Manager
The filing submitted by Eric Prydz outlines a separate set of financial concerns involving his former manager Thomas St. John. According to the publicly available information, Eric Prydz reported a series of withdrawals that he did not authorize, totaling more than 269,000 dollars. His complaint also states that important tax documents were withheld during the preparation of his return, which created further issues and prompted him to seek independent assistance. These details form the core of his claim and show that his dispute is focused on personal account activity rather than investment matters.
The information released so far presents a clear picture of why Eric Prydz chose to move forward with legal action. The filings describe discrepancies in payments, concerns about access to financial records, and unresolved questions about the handling of his accounts. While the amount involved is smaller than the figure associated with Calvin Harris, the nature of the complaint adds another layer to the ongoing discussions surrounding the financial management provided by Thomas St. John. The case remains active as additional information continues to surface through the legal process.
How the Two Cases Connect
Although the cases involving Calvin Harris and Eric Prydz differ in scale and detail, they point to a shared concern about how their finances were managed under Thomas St. John. Both filings describe difficulties in obtaining clear information, unresolved questions about account activity, and disputes regarding the use or movement of funds. The available documents also show that each artist chose to pursue their claims separately, which confirms that the situations developed independently rather than as part of one combined action. These points create a clearer understanding of why both artists elected to move forward through formal channels instead of informal negotiation.
Together, the two cases have brought attention to the broader issues surrounding high-level financial management in the music industry, especially for artists who rely on long-term advisors to oversee complex portfolios. The information currently released reflects the individual circumstances of Calvin Harris and Eric Prydz, without extending beyond what has been confirmed in public filings. As both matters continue through the legal process, further updates are expected to provide additional clarity regarding the outcomes of their disputes with Thomas St. John.
Calvin Harris will debut in India this November with two performances confirmed in Mumbai and Bengaluru
Calvin Harris will perform in India for the first time with shows scheduled in Mumbai on November 8 and Bengaluru on November 9, 2025. This debut appearance adds two of India’s biggest cities to his global schedule and marks a major moment for the country’s electronic music scene.
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These India dates are being produced by Sunburn in partnership with BookMyShow Live, two of the country’s biggest names in live entertainment. Sunburn, which began in Goa in 2007 and has since grown into one of Asia’s largest electronic music festival brand, has been instrumental in bringing global dance music acts to Indian stages. Its collaborations with BookMyShow have expanded international lineups across cities, giving audiences access to performances that previously skipped the region. Calvin Harris joining that roster underlines how India is now firmly on the global map for major electronic shows.
Calvin Harris India Tour: What We Know So Far
Calvin Harris will make his India debut across two back-to-back dates this November. The tour opens in Mumbai on Saturday, November 8, before moving to Bengaluru on Sunday, November 9. Both performances are being staged as large-scale outdoor concerts and are expected to draw audiences from across the country.
For those planning to attend, a few practical details have already been confirmed:
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Free-standing format with no reserved seating
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Designated smoking areas within the venue
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Portable toilets on site for accessibility
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Outside food and beverages will not be permitted
While venue names are still to be announced, these shows underline how Mumbai and Bengaluru continue to be chosen as anchor cities for the biggest international tours. The scale and structure of the events signal how far India’s live music scene has progressed, with infrastructure and promoters now capable of hosting world-leading talent at par with other global markets.
Tickets for Calvin Harris’s India shows will be available exclusively on BookMyShow. An early pre-sale for RuPay cardholders opens on October 6, followed by the general public sale starting October 8. With two dates confirmed for Mumbai and Bengaluru, this November marks the arrival of one of electronic music’s biggest names on Indian soil.
Rockstar Energy presents Creamfields 2026 celebrate 20 years at Daresbury with Calvin Harris as the first headliner on the Arc Stage.
Following a record-breaking edition last month, Rockstar Energy presents Creamfields is already looking ahead to a landmark year in 2026, when one of the world’s biggest electronic music festivals celebrates 20 unforgettable years at its iconic home in Daresbury.
To kick off the celebrations, Cream HQ has just announced its first headliner – GRAMMY Award Winning DJ & Producer Calvin Harris. A firm Creamfields favourite, Calvin makes his highly anticipated return to the festival, headlining the legendary Arc Stage on Saturday 29th August Bank Holiday weekend.
Since his 2009 debut, Calvin Harris has risen to become one of the biggest names in electronic music, most recently dominating the charts with his Track of the Summer hit ‘Blessings’ and over the years, he has delivered some of the most iconic and talked about performances in Creamfields history, making his return for this milestone edition even more fitting.
Taking over the August Bank Holiday weekend from Thursday 27th – Sunday 30th August 2026, Creamfields is set to once again welcome 80,000 fans from across the globe for four days of groundbreaking production, a world class line up and the electric atmosphere that has cemented its position as the highlight of the dance music calendar.
With unbeatable lineups, legendary moments, and 20 years of Creamfields magic at Daresbury, Rockstar Energy presents Creamfields 2026 is set to be a celebration like no other.
Tickets on sale now www.creamfields.com
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