David Guetta News
Vessbroz Talk Beginnings, Moving To The Netherlands, Staying Postive Through Difficulties & More
Vessbroz (Armia and Arsham) are a Persian DJ/Producer duo based in the Netherlands. With releases on Spinnin’ Records, Revealed Recordings, Smash The House, and Warner Music, Vessbroz has made a name for themselves not only in Europe but across the globe. We sat down with the DJ duo to discuss what it’s like working together as brothers, their journey from refugees to being on the US Billboard Top 40, and their legendary viral prank videos.
How did you get into DJing and producing?
[Armia]: So basically, it was all my brother’s dream. That was his dream at the beginning, and I just wanted my brother to stay with me. So that’s how everything started because I was living in Malaysia, and Arsham came to visit me, and it was a way for me to convince him to stay with me. I started because it was his childhood dream. But then when we started to dive into DJing and music production, I also fell in love with everything about it.
[Ashram]: Well, I don’t know whether you know or not, we are originally from Iran. And in Iran, music, especially dance music, is illegal. So basically, you cannot hear this type of music on radio or TV. And the only way to listen to this type of thing was through illegal TVs or illegal CDs back in the day. So, I started to watch some of those illegal TV and listen to illegal CDs, all of my friends, they had it. And I started to love dance music, and I always wanted to be a DJ. I’ve seen some of the DJs’ videos in Iran, that was like even DJ Alligator way back, I think it was around the 20s, 2001, 2002, something like that.
How did you guys go from Iran to Malaysia to the Netherlands?
[Armia]: So, it’s a long story, but the short form is that I was a book writer in my country. My first dream job was to be a writer. So, I published a bunch of books in Iran and I was starting to become popular in Iran as a book writer. And one of the books that I wrote, it got me into trouble in Iran. And, you know, in Iran, there is no freedom of speech. And the government can put you in jail or even hang you if you say something wrong. So basically, one of the books had got me into that situation that I had to leave Iran over one night. So, I had only a few choices because in Iran with Iranian passport, you don’t have a lot of choices. And one of the choices was Malaysia. And so, I just went to Malaysia.
That’s how I left Iran to Malaysia and I became refugee in Malaysia at the beginning. And yeah, basically, I just lived there until my brother came like after three years of us being in of me being in
Malaysia, my brother came. And the reason was that our mom passed away during the time that I was in Malaysia and I could not get back to Iran because of the situation.
If I go back, I could be in jail or whatever. So, my brother came there to just be emotionally there for me, to support me. And then there we started our career. Things went well. And then, yeah, just five years ago, we moved to the Netherlands. That’s how our story starts. But basically, just to tell you a bit of background, this is not really into music, but Malaysia didn’t sign the contract with United Nations to accept refugees. So, we could not stay forever in Malaysia. So, we had to go to a third country.
And Netherlands was the country that we came to. And we started again in Netherlands from like from zero. Again, we lived in the refugee camp when we came to the Netherlands with zero money in our pocket. And we created our life all the way to now. We signed to our dream record label. We are driving our dream car. So, it took us five years to from Netherlands, five years and before that, also a few years in Malaysia to reach where we are right now.
First of all, thank you so much for sharing your story with me. That’s incredible. I’m sorry to hear about your mom. And it’s amazing what you guys have accomplished in five years. What does it feel like to have this journey? What would you had thought, five, six years ago that you guys would be here today living the dream?
[Armia]: Yeah, I mean, I think we are both very ambitious guys, so always knew that we could achieve whatever we want in our in our life. It was just things that happened in our life. It was kind of delayed. But yeah, I mean, now we feel proud of each other.
[Ashram]: We always had vision boards and we always believed that we could be here at some point. And of course, from here or so moving forward, we have a lot more vision boards, a lot of other dreams. So like if I look back five years ago, I knew that someday we would have this deal that we have if we drove the car that we wanted.
But just as my brother mentioned, some of the events that happened in our life delayed that.
[Armia]: For us now, we’re trying to just inspire other people and just show them no matter where you’re from, you can achieve your dreams. That’s what drives us the most to go as far as we can in our career, basically. And like people look at our funny stuff on social media and they think these guys are just being happy and they are like just always they are happy or whatever. But there are like a lot of stories that happened in our life. And I think we find humor in a way to just escape from all those dark moments. Everyone uses something. But luckily for us, we had each other. So, we chose humor to just escape from those moments. And we are happy with the result and we are making other people happy.
[Ashram]: A happy ending.
How do you stay positive during these challenging times? I mean, what you guys went through was a lot. How do you stay positive and how do you stay focused on your goals, even in the darkest of times?
[Ashram]: I think music and ambition always drive us through even like me. And of course, the fact that both of us are fighting together for the same dream. And then if I’m down, he’s going to cheer me up or if he’s down, I can help him and I can give him motivation.
[Armia]: Having each other’s dreams. We just keep going, basically.
It’s amazing that you guys inspire each other. Is there anyone else that’s had an impact on your music or anybody else that you look to for inspiration?
[Armia]: Well, yeah, we have we have, of course, a lot of inspiration, both in content creation and in our music and to name a few, like I really love David Guetta and what he does, because like to me, he is like a real hero because staying on top of the industry for many years and breaking a lot of boundaries.
That’s something that I really like. We also don’t like to play safe, as you can see from our content, from everything in us and sometimes being the first in something, you get a lot of negative comments and a lot of people like maybe not taking you seriously and stuff. And to me, he was really brave and didn’t really care what people think, thought of him and look what he accomplished for all the dance music industry, basically.
He just took the whole dance music industry to the next level. We hope that we can do the same as well.
I think David Guetta won DJ Mag again this year and I think top 100 producers as well. And you guys were number 131 on DJ Mag, which is amazing. You’re also in the Billboard Top 40, you’re signed with Spinning Records. How do you guys feel about all of that and what’s next for you guys?
[Ashram]: We are now targeting for Grammy. That’s the biggest dream for us to win a Grammy one day. So, we are targeting that and the way that we started from beginning, like from where we started from, like all those like back in the day when the music was illegal, how far we’ve been from even music scene to us that way, took us so much energy and we saw that way, like quite difficult, rather than like from here going to Grammy is much easier.
[Armia]: Yeah. When we look back, what we have done for us now, Grammy is just piece of case. We’re going to get it one day.
This interview was originally published on the Drop Bass Not Bombs podcast and an excerpt has been transcribed for this article.
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David Guetta News
EDC Orlando Reveals Massive Lineup
EDC Orlando Reveals Massive Lineup for November 2026 With Martin Garrix, Hardwell, David Guetta, Alesso, and more
EDC Orlando has revealed its massive lineup for November 2026, with the festival returning to Tinker Field in Orlando, Florida from November 6 to 8. Marking its 15th edition, EDC Orlando will bring more than 100 artists across three days, led by names including Martin Garrix, Hardwell, David Guetta, Alesso, Kaskade, SLANDER, Alan Walker, and Mau P. The lineup moves across mainstage names, house, techno, hard dance, bass music, dubstep, sunset sets, b2b sets, and curated stage takeovers, giving the 2026 edition one of its biggest artist spreads so far. It also follows the 30th anniversary of Electric Daisy Carnival in Las Vegas, with the kineticJOURNEY theme continuing into Orlando for the festival’s next chapter under the Florida sunshine.
Breaking Down The EDC Orlando November 2026 Lineup
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The EDC Orlando November 2026 lineup brings the festival back to Tinker Field in Orlando, Florida with more than 100 artists across three days, covering mainstage names, house, techno, hard dance, bass music, dubstep, b2b sets, sunset sets, and branded stage takeovers. The lineup features Martin Garrix, Hardwell, David Guetta, Alesso, Kaskade, SLANDER, Alan Walker, Mau P, Afrojack, Alok, Steve Aoki, Meduza, and Alison Wonderland, placing several major international acts alongside artists from more genre specific corners of the electronic music scene. For its 15th edition, that range gives EDC Orlando more structure than a standard headliner led reveal, especially with Factory 93, Bassrush, and Insomniac Records also part of the November 2026 lineup.
House and tech house take up a major part of the EDC Orlando November 2026 lineup, with Prospa B2B Josh Baker, Max Dean B2B Luke Dean, Chris Lorenzo, Dennis Cruz, Franky Rizardo, Omar+, Rossi., Brunello, Kinahau, AYYBO, Joshwa, and Disco Lines included across the three days. The techno and hard dance side is also clearly represented through Klangkuenstler, KI/KI, Nico Moreno, I Hate Models, Boys Noize B2B Brutalismus 3000, Marlon Hoffstadt, and Adrián Mills, adding several names that sit closer to warehouse, rave, and faster club sounds within the festival lineup. Bass music and dubstep have a large presence as well, with Wooli, Levity, Ray Volpe, ALLEYCVT, ATLiens, Of The Trees, LAYZ, Level Up, Jessica Audiffred, and Skull Machine all on the bill. Sets such as Deorro B2B DIESEL and San Holo’s Wholesome Riddim Set also make the lineup feel more specific than a simple list of big names, giving EDC Orlando several back to back and special set moments across the weekend.
The branded stage takeovers add more detail to the EDC Orlando November 2026 lineup, with Factory 93, Bassrush, and Insomniac Records helping separate the weekend by sound without making the lineup feel split into isolated genre sections. Factory 93 points toward the house and techno names on the bill, while Bassrush connects directly to the bass, dubstep, drum and bass, and heavier electronic acts already included in the lineup. Insomniac Records also brings the label side into the weekend, adding another link between the festival and the wider Insomniac catalog. With the kineticJOURNEY theme continuing from the 30th anniversary of Electric Daisy Carnival in Las Vegas, the November 2026 edition sits inside a bigger EDC year, while Hotel EDC Orlando at Margaritaville Resort Orlando adds a new travel focused part of the festival for attendees staying in Florida.
EDC Orlando Returns To Tinker Field For Its 15th Edition
EDC Orlando returns to Tinker Field in Orlando, Florida from November 6 to 8, 2026, bringing its 15th edition back to the venue connected to the festival’s Orlando history since 2011. Located at 287 S Tampa Ave, Tinker Field dates back to 1914 and became part of the United States National Register of Historic Places in 2004, giving the festival a setting with more local history than a standard event site. Its location also keeps the festival close to Downtown Orlando and within reach of Orlando International Airport, which matters for a three day event that brings both local attendees and international travelers into Florida. For the 2026 edition, that return keeps EDC Orlando tied to the same city and venue where it has grown across more than a decade.
The 15th edition also expands the weekend beyond the festival grounds, with Hotel EDC Orlando making its debut at Margaritaville Resort Orlando from November 6 to 9. The resort takeover marks the first East Coast edition of Hotel EDC, adding EDC themed rooms, on site Vibee concierge, daytime parties, after parties, and package options that can include GA, GA+, or VIP festival passes. Alongside the kineticJOURNEY theme continuing from the 30th anniversary of Electric Daisy Carnival in Las Vegas, the November 2026 edition connects the Orlando festival to a wider EDC year while giving attendees another way to turn the weekend into a full Florida trip.
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Afrojack News
New EDM Friday May 29: Tiësto, Skrillex, David Guetta & More
New EDM Friday May 29 brings new music from Tiësto, Skrillex, David Guetta, Frank Walker, and more.
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David Guetta News
The AI Music Debate: John Summit, Diplo and More Weigh In
The AI Music Debate: John Summit, Diplo and More Weigh In as EDM artists discuss AI tools, human-made music, and creative credit
The debate around AI music is becoming harder to separate from dance music’s wider industry discussions, especially as major producers begin treating the technology in completely different ways. John Summit recently suggested that streaming platforms should have a clearer label for music made without AI, comparing it to an “organic” label for listeners, while Diplo took the opposite position by saying musicians need to adapt to tools like Suno and Udio as AI-generated vocals and production ideas become easier to access. The issue is no longer limited to one exchange between two artists. Steve Aoki has spoken about using AI for lyric generation when writing ideas slow down, David Guetta previously tested an AI-generated Eminem-style vocal in a live set, and Black Tiger Sex Machine have criticized the use of AI artwork and warned that weak regulation could hurt human artists. Streaming platforms are also being pulled into the discussion, with Spotify moving toward AI disclosure credits and Deezer reporting tens of thousands of AI-generated uploads per day, placing artist consent, creative credit, and human-made music at the center of the conversation.
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