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Vessbroz Talk Beginnings, Moving To The Netherlands, Staying Postive Through Difficulties & More

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Vessbroz (Armia and Arsham) are a Persian DJ/Producer duo based in the Netherlands. With releases on Spinnin’ Records, Revealed Recordings, Smash The House, and Warner Music, Vessbroz has made a name for themselves not only in Europe but across the globe. We sat down with the DJ duo to discuss what it’s like working together as brothers, their journey from refugees to being on the US Billboard Top 40, and their legendary viral prank videos.

How did you get into DJing and producing?

[Armia]: So basically, it was all my brother’s dream. That was his dream at the beginning, and I just wanted my brother to stay with me. So that’s how everything started because I was living in Malaysia, and Arsham came to visit me, and it was a way for me to convince him to stay with me. I started because it was his childhood dream. But then when we started to dive into DJing and music production, I also fell in love with everything about it.

[Ashram]: Well, I don’t know whether you know or not, we are originally from Iran. And in Iran, music, especially dance music, is illegal. So basically, you cannot hear this type of music on radio or TV. And the only way to listen to this type of thing was through illegal TVs or illegal CDs back in the day. So, I started to watch some of those illegal TV and listen to illegal CDs, all of my friends, they had it. And I started to love dance music, and I always wanted to be a DJ. I’ve seen some of the DJs’ videos in Iran, that was like even DJ Alligator way back, I think it was around the 20s, 2001, 2002, something like that.

How did you guys go from Iran to Malaysia to the Netherlands?

[Armia]: So, it’s a long story, but the short form is that I was a book writer in my country. My first dream job was to be a writer. So, I published a bunch of books in Iran and I was starting to become popular in Iran as a book writer. And one of the books that I wrote, it got me into trouble in Iran. And, you know, in Iran, there is no freedom of speech. And the government can put you in jail or even hang you if you say something wrong. So basically, one of the books had got me into that situation that I had to leave Iran over one night. So, I had only a few choices because in Iran with Iranian passport, you don’t have a lot of choices. And one of the choices was Malaysia. And so, I just went to Malaysia.

That’s how I left Iran to Malaysia and I became refugee in Malaysia at the beginning. And yeah, basically, I just lived there until my brother came like after three years of us being in of me being in

Malaysia, my brother came. And the reason was that our mom passed away during the time that I was in Malaysia and I could not get back to Iran because of the situation.

If I go back, I could be in jail or whatever. So, my brother came there to just be emotionally there for me, to support me. And then there we started our career. Things went well. And then, yeah, just five years ago, we moved to the Netherlands. That’s how our story starts. But basically, just to tell you a bit of background, this is not really into music, but Malaysia didn’t sign the contract with United Nations to accept refugees. So, we could not stay forever in Malaysia. So, we had to go to a third country.

And Netherlands was the country that we came to. And we started again in Netherlands from like from zero. Again, we lived in the refugee camp when we came to the Netherlands with zero money in our pocket. And we created our life all the way to now. We signed to our dream record label. We are driving our dream car. So, it took us five years to from Netherlands, five years and before that, also a few years in Malaysia to reach where we are right now.

First of all, thank you so much for sharing your story with me. That’s incredible. I’m sorry to hear about your mom. And it’s amazing what you guys have accomplished in five years. What does it feel like to have this journey? What would you had thought, five, six years ago that you guys would be here today living the dream?

[Armia]: Yeah, I mean, I think we are both very ambitious guys, so always knew that we could achieve whatever we want in our in our life. It was just things that happened in our life. It was kind of delayed. But yeah, I mean, now we feel proud of each other.

[Ashram]: We always had vision boards and we always believed that we could be here at some point. And of course, from here or so moving forward, we have a lot more vision boards, a lot of other dreams. So like if I look back five years ago, I knew that someday we would have this deal that we have if we drove the car that we wanted.

But just as my brother mentioned, some of the events that happened in our life delayed that.

[Armia]: For us now, we’re trying to just inspire other people and just show them no matter where you’re from, you can achieve your dreams. That’s what drives us the most to go as far as we can in our career, basically. And like people look at our funny stuff on social media and they think these guys are just being happy and they are like just always they are happy or whatever. But there are like a lot of stories that happened in our life. And I think we find humor in a way to just escape from all those dark moments. Everyone uses something. But luckily for us, we had each other. So, we chose humor to just escape from those moments. And we are happy with the result and we are making other people happy.

[Ashram]: A happy ending.

How do you stay positive during these challenging times? I mean, what you guys went through was a lot. How do you stay positive and how do you stay focused on your goals, even in the darkest of times?

[Ashram]: I think music and ambition always drive us through even like me. And of course, the fact that both of us are fighting together for the same dream. And then if I’m down, he’s going to cheer me up or if he’s down, I can help him and I can give him motivation.

[Armia]: Having each other’s dreams. We just keep going, basically.

It’s amazing that you guys inspire each other. Is there anyone else that’s had an impact on your music or anybody else that you look to for inspiration?

[Armia]: Well, yeah, we have we have, of course, a lot of inspiration, both in content creation and in our music and to name a few, like I really love David Guetta and what he does, because like to me, he is like a real hero because staying on top of the industry for many years and breaking a lot of boundaries.

That’s something that I really like. We also don’t like to play safe, as you can see from our content, from everything in us and sometimes being the first in something, you get a lot of negative comments and a lot of people like maybe not taking you seriously and stuff. And to me, he was really brave and didn’t really care what people think, thought of him and look what he accomplished for all the dance music industry, basically.

He just took the whole dance music industry to the next level. We hope that we can do the same as well.

I think David Guetta won DJ Mag again this year and I think top 100 producers as well. And you guys were number 131 on DJ Mag, which is amazing. You’re also in the Billboard Top 40, you’re signed with Spinning Records. How do you guys feel about all of that and what’s next for you guys?

[Ashram]: We are now targeting for Grammy. That’s the biggest dream for us to win a Grammy one day. So, we are targeting that and the way that we started from beginning, like from where we started from, like all those like back in the day when the music was illegal, how far we’ve been from even music scene to us that way, took us so much energy and we saw that way, like quite difficult, rather than like from here going to Grammy is much easier.

[Armia]: Yeah. When we look back, what we have done for us now, Grammy is just piece of case. We’re going to get it one day.

This interview was originally published on the Drop Bass Not Bombs podcast and an excerpt has been transcribed for this article.

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David Guetta Crowned World’s No. 1 DJ

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David Guetta crowned World’s No. 1 DJ in DJ Mag Top 100 DJs 2026 for a record sixth time

The DJ Mag Top 100 DJs Awards 2026 returned to [UNVRS] Ibiza on October 6, bringing the annual public vote back to the island for its live reveal. After taking the No. 1 position in 2025, David Guetta has done it again, earning the title of World’s No. 1 DJ for a record sixth time. This year also saw a record number of verified votes cast from 234 territories worldwide.

David Guetta Sets A New Top 100 DJs Record

That sixth title places David Guetta ahead of every other artist in the history of the DJ Mag Top 100 DJs poll. His first win came in 2011, followed by further victories in 2020, 2021, 2023 and 2025. Last year brought him level with Martin Garrix and Armin van Buuren on five wins each, while the 2026 result now gives him the record outright.

Speaking about the win, David Guetta reflected on how much electronic dance music has grown, particularly with DJs now playing stadium shows that were once associated mainly with major pop and rock artists. He also pointed to the new generation of DJs coming through and said seeing people dancing, having fun and enjoying clubs again has made this period especially exciting for him.

His own year has reflected that growth. David Guetta’s music added another five billion streams, while he became the first artist to reach 22 No. 1s on the US Dance Airplay chart. He also remains the most-streamed DJ on Spotify and regularly ranks among the platform’s ten most-listened-to artists across all genres.

 

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David Guetta’s Huge Year On Tour

That success has also carried into some of the biggest shows of David Guetta’s career. His three sold-out dates at Stade de France in Paris shifted more than 240,000 tickets, with guests including Armin van Buuren, Afrojack, Black Coffee, Jennifer Lopez, Akon, Bebe Rexha and Black Eyed Peas.

His MONOLITH show also continued through major venues and festivals, including Red Rocks and Coachella, while Ibiza remained a major part of his summer. F* Me I’m Famous!** returned to Ushuaïa Ibiza, while Galactic Circus continued at [UNVRS], giving him two separate residencies on the island alongside his wider touring schedule.

More Highlights From The DJ Mag Top 100 DJs 2026

There was plenty of movement across the rest of the 2026 ranking too, with 13 new entries and three re-entries in the Top 100. Anyma climbed seven places to No. 3, Charlotte de Witte rose to No. 6, and Fred again.. jumped 17 places to No. 16.

Further down the list, John Summit, Mau P and Chris Stussy each climbed 22 places, becoming the first three artists to share the Highest Climber award. Indira Paganotto rose ten places into the Top 30 and became the first winner of the World’s No. 1 Psy DJ award, while Josh Baker entered at No. 40 as this year’s Highest New Entry.

Other awards went to Charlotte de Witte as World’s No. 1 Techno DJ, Armin van Buuren as World’s No. 1 Trance DJ, FISHER as World’s No. 1 House DJ and Sara Landry as World’s No. 1 Hard DJ. Dimitri Vegas & Like Mike were named World’s No. 1 DJ Group, while Luciano received Outstanding Contribution and ANASTAZJA was named Future Star.

Top 100 DJs LIVE At [UNVRS] Ibiza

The live awards night brought together David Guetta, Anyma, Charlotte de Witte, Vintage Culture, GORDO, Korolova and ANASTAZJA for performances throughout the ceremony, alongside the ranking and award reveals. [UNVRS] hosted the event for a second consecutive year after becoming the home of the Top 100 DJs ceremony in 2025.

The event also continued DJ Mag’s partnership with Bridges for Music for a second year. By the time the results were announced, the campaign had raised £120,000, enough to fund the education of 120 students at the Bridges for Music Academy in Langa, South Africa. DJ Mag had launched the fundraiser in September with an opening donation from David Guetta.

For David Guetta, becoming the first DJ to reach six wins gives the 2026 result a very different significance from last year’s tie. Fifteen years after his first No. 1, he now holds the record on his own, during a year that has also seen him reach some of the biggest audiences of his career.

 

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David Guetta Adds Final [UNVRS] Ibiza Show For 2026

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David Guetta performing at Galactic Circus at [UNVRS] Ibiza with both arms raised as orange visuals fill the stage behind him.

David Guetta adds final [UNVRS] Ibiza performance during 2026 Closing Weekend with new visual production and surprise guest

David Guetta will return to [UNVRS] Ibiza on Friday, October 9 for one final performance of the 2026 season, one week after his Galactic Circus residency closes on October 2. The additional date forms part of the club’s Closing Weekend and gives David Guetta another night in the Main Room before [UNVRS] ends its second summer in Ibiza. For the show, the club has confirmed a completely new visual production created specifically for October 9, alongside a special surprise guest who will be announced closer to the date. The night begins at 11:30 PM and follows a full summer of Friday performances from David Guetta at the venue.

David Guetta Returns After The Galactic Circus Closing

The October 9 date follows another full season of Galactic Circus, which returned to [UNVRS] in 2026 after debuting during the club’s opening year. David Guetta has played Fridays at the venue throughout the summer, joined across the season by artists including James Hype, MEDUZA, MK, Miss Monique, Alesso, MORTEN and Tchami B2B Malaa.

The residency closes on October 2 with James Hype and Liva K, before David Guetta comes back the following Friday for the Closing Weekend show. That final date shifts away from the weekly Galactic Circus concept and introduces a production created specifically for the occasion, giving October 9 its own identity within the closing programme.

New Visual Production For The Closing Weekend Show

For the final performance, [UNVRS] has confirmed a completely new visual production designed specifically for the Closing Weekend event. The change gives David Guetta a fresh setup for his last appearance of the year after spending the summer performing within the visual concept used for Galactic Circus.

The announcement also points towards music from several periods of David Guetta’s career, referencing tracks including Titanium, Memories, When Love Takes Over and I’m Good. Those releases span more than a decade of his catalogue, giving the October 9 set room to move between the crossover records closely associated with his career and the club music that has remained part of his recent Ibiza performances.

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David Guetta to Receive Hollywood Walk of Fame Star

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David Guetta performing in front of the towering illuminated Monolith structure during his large-scale live show.

David Guetta to receive Hollywood Walk of Fame star following decades of dance music impact and the growth of his Monolith shows

The Hollywood Chamber of Commerce has selected David Guetta to receive a star on the Hollywood Walk of Fame as part of its Class of 2027. The recognition follows a career that has played a major role in dance music’s global growth. From early club releases to worldwide hits such as When Love Takes Over and Titanium, David Guetta helped bring electronic production into mainstream pop on a scale few DJs had achieved before him. More than two decades later, his releases, festival appearances and Monolith shows continue to reach audiences around the world. The honour offers an opportunity to look back at his influence and the different stages of his career.

What the Hollywood Walk of Fame Honour Recognises

The Hollywood Walk of Fame named David Guetta in the Recording category alongside Karol G, Sia, Lil Wayne, Linkin Park, The Ramones, Smashing Pumpkins, Grandmaster Flash, Marc Shaiman and the late Waylon Jennings. The list spans several generations and genres, placing electronic music alongside pop, hip-hop, rock and musical composition. It also places David Guetta among artists whose work has influenced how their respective genres are represented across the wider music industry.

For dance music, his inclusion has particular significance when considering how the industry presented DJs before David Guetta’s commercial rise. Producers often remained in the credits, while vocalists became the names most listeners associated with a track. David Guetta changed that relationship through collaborations where his name received equal prominence alongside globally recognised singers. This made the producer part of each release’s public identity and helped establish the DJ as a recording artist in his own right.

David Guetta’s Impact and Influence on Dance Music

David Guetta’s influence began long before electronic music became a regular presence on pop radio. His early career developed through the Paris club scene during the rise of house music in France. After establishing himself as a DJ, he focused more closely on production and released Just a Little More Love in 2002. His international profile increased throughout the decade before One Love marked a major turning point in 2009. When Love Takes Over with Kelly Rowland and Sexy Bitch with Akon paired house production with vocalists already known to mainstream audiences. Those releases also placed David Guetta’s name at the front of songs heard far beyond dance music.

That crossover reached a larger scale through Nothing but the Beat, which featured Sia, Usher, Nicki Minaj, Flo Rida and Taio Cruz. Tracks including Titanium, Without You and Turn Me On succeeded across clubs, radio and international charts. They kept the producer central to each release instead of pushing him behind the featured vocalist. As EDM expanded during the early 2010s, more DJs received top billing and worked with major pop and hip-hop artists. David Guetta did not create that change alone, but the reach of his releases gave the model global visibility. His work showed that a producer could become one of the most recognisable names attached to a song.

His career continued to develop after that period through projects connected to different parts of electronic music. Jack Back gave David Guetta a separate outlet for house and club releases. His work with MORTEN introduced Future Rave, adding a darker direction to their festival music. More than a decade after his first crossover success, I’m Good (Blue) with Bebe Rexha returned him to the top of charts around the world. The track earned a Grammy Award nomination and later passed two billion streams on Spotify. Its success showed that David Guetta could still lead one of the world’s biggest dance-pop records years after the early-2010s EDM boom.

 

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The Growth of David Guetta’s Monolith Shows

The growth of David Guetta’s Monolith shows has carried that longevity into his live career. What began as a production concept for club settings later expanded into large stadium events centred on his catalogue. In June 2026, David Guetta played three consecutive sold-out Ultimate Monolith Show dates at the Stade de France. The run sold approximately 240,000 tickets across the three nights.

The production featured a 32-metre monolith structure and a 60-metre curved screen. This gave the show a scale far beyond his regular festival and Ibiza appearances. Early club records, global pop collaborations and newer releases all appeared across the stadium run, connecting the different phases of his career within one performance. For an artist who began in Paris clubs, selling out one of France’s largest venues for three nights showed how far his live career had progressed.

 

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What the Hollywood Walk of Fame Star Means for David Guetta

The Hollywood Walk of Fame star recognises more than the commercial success of individual releases. David Guetta’s career also contributed to a wider change in how the music industry views DJs and producers. By placing his name alongside major vocalists and sustaining success across clubs, festivals, radio and international charts, he helped establish a career path that became increasingly common as dance music entered popular culture.

The recognition follows a period in which David Guetta has continued to expand both his musical output and live shows. His journey from Paris clubs to global collaborations, Jack Back, Future Rave and the stadium scale of Monolith shows why the honour comes at a fitting point in his career. The star will acknowledge his own history while also recognising the larger place dance music now holds within the recording industry.

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