Editorial
We Are On The Mission Festival 2024: The Ultimate 3-Day Pulsating Journey in Bangkok
Bangkok is about to witness an epic electronic music takeover from October 11 to 13, 2024, as the We Are On The Mission descends upon BITEC Bangna. Over the course of three days, the festival will spotlight different styles of electronic music, from techno to trance to hardstyle, bringing together some of the world’s most revered artists in a festival experience like no other.
The festival kicks off with Techmission 2024 – Immersive Reality on October 11, promising a futuristic techno experience that goes beyond just the music. With state-of-the-art production and a lineup packed with global techno powerhouses, Techmission will push the boundaries of what a festival can offer. One of the most anticipated sets comes from I Hate Models, whose genre-bending sound fuses techno with acid and industrial influences, delivering high-energy and emotionally charged performances. Also featured is Joris Voorn, renowned for his masterful, melodic techno sets that have captivated audiences worldwide. Lilly Palmer will make her long-awaited debut in Thailand, bringing her driving techno beats to the Techmission stage. Joining them are Nakadia, representing Thailand on the international stage, Space 92, known for his high-energy productions, and Philipp Straub, whose deep and melodic techno will captivate the crowd. This debut edition of Techmission promises an immersive and innovative techno journey that festival-goers won’t forget.
On October 12, Transmission 2024 – Elysium takes the spotlight, offering an unforgettable trance experience. Known for its stunning visual production and emotionally resonant performances, Transmission will transport attendees to a world of euphoria. Ben Nicky, presenting his Emotional Havoc set, is set to take fans on a rollercoaster of high-energy trance beats, while Driftmoon delivers his signature uplifting melodies. Key4050, the powerhouse duo of Bryan Kearney and John O’Callaghan, will perform a set that combines euphoric and hard-hitting trance, making it one of the festival’s highlights. Adding to the lineup are Maddix, known for blending big-room sound with trance elements, and the legendary Markus Schulz, whose Rabbit Hole Set will take fans on a deep and immersive trance journey. Rounding out the lineup are Rubén de Ronde, delivering emotive and progressive trance, and Moshic & Ozzyxpm, who will bring their atmospheric soundscapes to the event. Transmission promises to be a night of soaring melodies and unforgettable moments.
Closing out the festival on October 13, Hardmission 2024 – Destiny brings the harder styles of electronic music to Bangkok. With an explosive lineup of hardstyle and hardcore artists, this night will be all about relentless energy and earth-shattering beats. Leading the charge are D-Block & S-te-Fan, pioneers of melodic hardstyle, whose euphoric yet hard-hitting tracks make them fan favorites. Warface, known for his raw and aggressive style, is set to deliver one of the most intense performances of the festival. Radical Redemption and Miss K8 will both bring their signature hardcore and rawstyle beats, ensuring that the energy levels stay sky-high throughout the night. Joining them are Sickmode, whose hard-hitting drops and aggressive sound design will keep fans on their feet, and TNT (Technoboy & Tuneboy), legends in the hardstyle scene who will deliver a powerful set packed with anthems. The night will be rounded out by the likes of Devin Wild, Anime, and DJ Isaac, ensuring that Hardmission is a truly unforgettable conclusion to the We Are The Mission Festival.
In anticipation of the festival, the excitement builds up with exclusive pre-parties at Spaceplus Club, starting on October 8 with Jonnie B kicking things off for the Transmission crowd. On October 9, Kickcheeze x Papas JNR will bring the heat for Hardmission, followed by Lilly Palmer on October 10, setting the tone for Techmission with her signature driving techno beats.
And the excitement doesn’t end after the festival days — you can keep the energy going at the official after-parties. Nakadia, with support from Mr. Yang, will headline the Techmission after-party on October 11. Ben Nicky takes over for the Transmission after-party on October 12, while D-Block & S-te-Fan, supported by Ayrton L, will close out the after-parties on October 13 for Hardmission.
With three days of unmissable performances, cutting-edge production, and non-stop energy, We Are On The Mission Festival promises to be a defining moment in Bangkok’s electronic music scene.
For tickets and more information:
- Techmission: www.ticketmelon.com
- We Are On The Mission: https://weareonthemission.com/
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The Science Behind Why Dancing to EDM Can Feel Therapeutic
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Editorial
How The Music Industry Is Responding To The Rise Of AI
How streaming platforms, charts and music companies are responding to AI-generated music and introducing new protections for human artists
Artificial Intelligence has become an increasingly difficult subject for the music industry to ignore. AI-generated music, cloned voices and synthetic artist identities are becoming more common across streaming services and digital platforms. The industry once discussed AI mostly in terms of creative possibilities, but it now raises much bigger questions around ownership, transparency, royalties and the protection of human artists. No single industry-wide standard currently decides how platforms should treat AI-generated music.
That gap has left individual platforms and organisations to introduce their own responses. Apple Music, Spotify, Deezer, YouTube, ARIA, Billboard and Bandcamp have each taken different approaches to AI disclosure, recommendation systems, chart eligibility, artist impersonation and fraudulent streaming. These measures show how the music industry is beginning to establish clearer rules around AI, while also addressing what its rapid use could mean for the artists whose music, voices and identities sit at the centre of it.
Why AI-Generated Music Has Become an Industry-Wide Issue
AI-generated music has raised serious concerns across the electronic music industry, with producers increasingly questioning how tracks get created, credited and presented to listeners. Much of the criticism centers on platforms like Suno and Udio, particularly when tracks are released without clear disclosure or created using material connected to existing artists.
For producers who have spent years writing, producing and developing their own sound, this raises a bigger question: what happens when AI-generated releases compete for the same listeners, streams and opportunities while requiring far less human involvement in the creative process?
That question has become harder to ignore as more electronic music producers speak openly about what they are seeing. H4RRIS and Nihil Young have both called out tracks they believe were generated through Suno and presented as human-made releases, with Young also discussing how generative AI is affecting his work as a producer and engineer.
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Gareth Emery has raised a related concern, criticizing the use of existing music as training data and questioning whether artists have enough control over how their work is used to generate new tracks, vocals or artist identities. His decision to launch a label focused specifically on human-created music reflects how some producers are beginning to respond directly to that issue.
The Debate Extends Beyond the Music Itself
What makes the conversation more complicated is that the same technology is also being used in ways that go beyond the music itself. deadmau5 criticized a DJ earlier this year for using an AI-generated version of his likeness to promote music without permission, bringing artist identity and consent into the same discussion around AI-generated releases.
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Diplo, meanwhile, has taken a different approach altogether, speaking openly about using AI-generated vocals in his own productions. That contrast, between artists pushing back on unauthorized use and artists actively embracing the tools, shows that electronic music does not share one position on how AI should be used, and it sets up a broader question about where the industry goes from here.
How Different Platforms Are Responding to AI-Generated Music
As AI-generated music becomes more common across streaming and digital platforms, companies are starting to make clearer decisions around transparency, discovery, artist identity and fraudulent activity. These responses are not identical, but they show how platforms are beginning to set their own rules around what listeners should be told, how artists should be protected and how AI-generated releases should be treated once they enter the wider music ecosystem.
1. Apple Music
Before a release even reaches listeners, Apple Music is already changing how that music gets documented. Labels and distributors can now disclose when AI has generated a material portion of a recording, composition, artwork or music video, adding that information directly to the metadata supplied with the release. This gives rights holders a clearer way to document significant AI involvement from the start.
2. Spotify
For Spotify, the questions extend well beyond disclosure once music reaches the platform. AI Persona badges are being rolled out to identify profiles representing AI-generated identities, and those profiles are generally kept out of editorial and algorithmic recommendations. The platform has also strengthened protections around unauthorized voice cloning and music being falsely uploaded to existing artist profiles.
3. Deezer
As the issue shifts from transparency to how fully AI-generated music is distributed and monetized, Deezer has taken a stricter stance. The platform labels those tracks and removes them from editorial playlists and recommendation systems, while excluding fraudulent streams linked to AI-generated music from royalty calculations. The scale of the issue is significant too: Deezer reported that fully AI-generated tracks accounted for more than half of daily uploads at their June 2026 peak.
4. Bandcamp
Rather than working within a disclosure framework, Bandcamp has drawn a much firmer line than most platforms. It does not allow music generated wholly or substantially by AI and also prohibits AI being used to impersonate another artist or imitate their style. Its policy stands apart from the disclosure-focused approaches used elsewhere, since certain forms of AI-generated music are not permitted on the platform at all.
5. YouTube
When an artist’s image or identity gets reproduced without permission, the debate moves beyond the music itself entirely. YouTube has expanded likeness detection tools that allow eligible artists and entertainers to identify AI-generated videos using their face and request removal. This gives creators another layer of protection as generative AI becomes increasingly capable of copying the people behind the music as well as the music itself.
What Comes Next for AI and the Music Industry
The differences between Apple Music, Spotify, Deezer, Bandcamp and YouTube suggest the industry is still some way from a shared standard, with each platform setting its own rules around disclosure, discovery and artist protection in the meantime. That patchwork is likely to keep shifting as AI tools grow more capable and more artists, labels and listeners push for clearer answers.
Disclosure, consent, royalties and identity remain the core pressure points, and none of them are likely to be resolved by any single platform acting alone. As more of the industry weighs in, the direction these policies take could determine how much control artists retain over their music, their voices and their likenesses in an increasingly AI-driven landscape.
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Editorial
UNTOLD ONE 2026: Our Top 5 Acts From an Unforgettable Weekend
UNTOLD ONE 2026 welcomed more than 500,000 festivalgoers to Cluj-Napoca, and narrowing the lineup down to five sets was no easy task.
There are festivals that put together a great lineup, festivals that build impressive stages, and festivals that become destinations in themselves. UNTOLD ONE 2026 managed to be all three. Earlier this August, our team went to Cluj-Napoca from August 6–9 for UNTOLD festival. More than 200 artists performed across the festival, with the event ultimately welcoming more than 500,000 festivalgoers over four days and four nights. But attendance figures only tell part of the story.
What made UNTOLD ONE particularly interesting was the way it continued to push beyond the conventional definition of an EDM festival. The Mainstage delivered the global superstars and enormous singalong moments expected from a festival of this scale, while Galaxy and the other stages offered everything from underground techno to melodic house, urban music and drum & bass. The tram stage provided up and coming artists to showcase their talent while the alchemy stage had some of the biggest hip hop acts of Romania and the world performing there. The result was a festival that could feel completely different depending on where you stood.
With so many incredible performances across the weekend, narrowing the lineup down to just five was an extremely difficult task. When names like Carl Cox, Solomun, Sara Landry and Swae Lee don’t even make the final cut, you know UNTOLD ONE delivered a weekend packed with exceptional music and unforgettable memories.
After four days of music, these are our top five acts from UNTOLD ONE 2026.
5.Flo Rida
Sometimes a festival set doesn’t need to be complicated, It just needs to be fun and Flo Rida delivered exactly that. Performing at the Mainstage with a catalogue packed with instantly recognizable and nostalgic hits, Flo Rida turned UNTOLD into one enormous party. Tracks like “Low,” “Whistle” and “GDFR” provided the kind of universal crowd reaction that few artists can replicate. In my personal opinion, the crowd was the loudest during his set
His performance also brought a completely different energy to the closing night. After four days of EDM, techno, house and live performances, Flo Rida’s combination of hip-hop, pop and dancefloor anthems felt like the perfect way to celebrate the end of the festival.
It was nostalgic, energetic and incredibly entertaining.

4.Lost Frequencies
Lost Frequencies delivered one of the weekend’s most versatile sets, combining his melodic house sound with the kind of accessible festival energy that has made him a global name.
His performance was filled with familiar records, emotional melodies and moments designed perfectly for a crowd of tens of thousands.
One of the highlights came when Loredana Groza joined him on stage for their collaboration, bringing an unmistakably Romanian element to an otherwise international festival programme.
That moment summed up what UNTOLD does particularly well: bringing global electronic music together with the local culture and identity of Romania.
Lost Frequencies also demonstrated that you don’t necessarily need the hardest drops or most aggressive production to command a festival crowd.
Melodic, emotional and perfectly suited to the UNTOLD atmosphere.

3.Sebastian Ingrosso
Few artists understand the DNA of a festival quite like Sebastian Ingrosso.
With decades of experience performing on some of the world’s biggest stages, Ingrosso knows exactly how to build anticipation, when to release the energy and, most importantly, which records can turn a massive crowd into one voice.
His UNTOLD set delivered that familiar combination of progressive melodies, huge festival moments and Swedish House Mafia nostalgia, while still feeling relevant to a modern festival audience.
There is something particularly satisfying about listening to whole crowd singing along to “Dont you worry child”, It is one of those festival moments that words cannot really describe. You simply have to be there.

2.The Chainsmokers
It feels unfair to pick top five when there were so many artists pouring their heart out in their performances, one of them was the returning duo of the Chainsmokers, who played their ever green hits such as Dont let me down, Closer and Something just like this but also sharing a tribute to their late friend Juice wrld with “Sugarfish” and their emotional performance of the unreleased ID “Used to call”.
The Chainsmokers have always had a special relationship with festival crowds, and their UNTOLD return showed exactly why. Their set managed to balance nostalgia with the energy of a modern festival performance, taking the audience through some of the biggest records of their career while still keeping the show feeling fresh.

- MEDUZA³ LIVE
MEDUZA have become synonymous with some of the biggest house records of the past several years, but MEDUZA³ LIVE took the Italian trio’s sound into a different dimension.
Rather than simply delivering another DJ set, the live concept gave their music a larger, more immersive presentation. Their biggest records such as “Bad memories”, “Piece of your heart” and “Paradise” sounded particularly powerful in the UNTOLD environment, with the combination of live elements, vocals and festival-scale production creating a show that felt closer to a concert than a conventional club set.
It was also one of the weekend’s strongest examples of how electronic music continues to evolve, A polished, energetic and genuinely impressive live electronic performance.

UNTOLD ONE 2026 was a reminder of why the festival has become one of Europe’s most important electronic-music destinations.
It wasn’t simply about having the biggest names on the poster. It was about creating a festival where Lewis Capaldi could deliver an emotional singalong, MEDUZA³ could transform a DJ show into a hybrid live spectacle, Kygo could bring his tropical house vibes to a stadium crowd and R3JACK (Afrojack & R3HAB) could turn the mainstage in a dance floor.
And somewhere else on the festival grounds, Carl Cox, Solomun, Sara Landry, Denzel Curry and hundreds of other artists were creating their own unforgettable moments.
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