Editorial
We Ranked the Top 5 Best DJ Coaching Programmes In 2026. This is NOT What We Expected
We ranked the top five DJ coaching programmes of 2026 on one question: does this programme actually produce working artists with real, credible, long-term careers?
You’re sitting there, staring at your laptop screen. You know you need to invest in your DJing career and you’ve got some money to invest.
But one wrong decision and… unfortunately you’re back being the same as the other 3 million bedroom DJs with 200 Soundcloud followers.
So we looked at the top 5 major coaching programmes available in 2026 – and ranked them on one question: does this programme actually produce big name artists?
And does it produce artists with prospects for a real, credible, long-term career?
The results were more revealing than expected.
See, the DJ education market has never been bigger. Courses, academies, mentorship communities and coaching programmes have multiplied rapidly over the past decade, and for anyone serious about building a career, the options can feel overwhelming.
More choice sounds like a good thing, but…
It also means more chances to put your time and money into something that was never designed to get you where you actually want to go.
So, to make sure you make the right decision, here’s how we ranked them.
The Ranking Criteria (Brutal)
Each programme was assessed across five areas:
- The credibility and experience of the people running it
- The degree of personalisation on offer
- The quality of real-world outcomes
- How the programme approaches music production
- How directly it is built around career acceleration rather than general education
The truth is, when you’re looking to invest, you want to get booked and signed as a DJ and grow a massive following for your name and brand.
Not because you want to become a better student.
Real-world outcomes (actual bookings, actual releases, artists whose careers have visibly moved) are the most honest measure of whether a programme is working.
A programme that produces great students but no working artists is not delivering on what people are actually paying for.
Note: Public information on each programme was difficult to find, so we used a combination of what was available along with testimonials, internal success stories or brand association to make the comparison. The lack of information means your own experiences may vary from our findings. Leave a comment if they did!
The Results (Not What You’d Expect)
- [Winner] DJ Accelerator Best for: High-performing individuals serious about building an international DJ career
The DJ Accelerator came up repeatedly during the research for this piece.
Not through marketing, but in conversations with artists who had tried other routes and were looking for something that actually moved the needle.
The programme was founded by Bodalia, a practising doctor and signed artist who has performed at major festivals including Tomorrowland.
He built an international DJ career alongside one of the most demanding professions in the world, and the programme reflects that: built for people with serious ambition and commitment.
The framework at its centre, ArtistOS™, reverse-engineers what has worked in modern DJ careers and applies it specifically to each participant’s situation. This provides each day with a personalised plan of attack for their situation.
Because of the stringent vetting process, only around 2% of applicants are accepted. The environment is small, selective and designed for people who are ready to treat their career as a serious endeavour.
The outcomes are publicly documented and shared (via Bodalia’s page and online). Clients have performed at Ibiza Rocks, yacht parties and international festivals within months of joining. Ten artists from the programme were invited to play in Miami this year. Others have secured regular slots on platforms including Insomniac Radio, landed features in major dance publications, received international booking offers, and left full-time employment to DJ professionally.
Participants leave with a release-quality track developed with professional producers who carry credits with artists including Meduza, Deadmau5, John Summit and Tiesto. They also leave with a fully built artist brand positioned correctly for their market and real external placements arranged by the programme.
The community itself says something too. Members have attended events including Diplo’s Run Club together, invited VIP – running, networking, connecting. It reflects a cohort of high-performing, driven individuals rather than a passive online group.
By the end, participants are not just better students. They are high functioning, global artists.
- Toolroom Academy Best for: Producers wanting to learn house music production to label standard
Toolroom Academy is backed by Toolroom Records, one of the most respected house labels in the world, and the production education it offers is strong.
For someone who wants to understand how to make music that meets professional standards within the house and tech-house space, it is a credible option.
The programme’s most frequently cited success story is Carly Wilford, who completed a Toolroom Academy course and went on to release music on Toolroom, Armada and Nervous Records, playing Glastonbury and Radio 1’s Big Weekend.
It is a compelling trajectory, though worth noting that Wilford arrived with a decade of industry experience already behind her, including presenting at Rinse FM, A&R work for Skrillex’s label OWSLA, and an established DJ career at venues including Fabric and Ministry of Sound. The Academy filled a specific production gap for someone already deep in the industry. That is a different proposition from building a career from scratch.
The programme is production-focused and genre-specific, without a bespoke career strategy component. For house producers wanting to sharpen their craft within a credible label ecosystem, it earns its place. For artists wanting a full development system, it addresses one piece of a larger puzzle.
- Cosmic Academy Best for: Developing producers wanting artist-led mentorship and 1-to-1 support
Cosmic Academy operates as a mentorship platform featuring working producers and artists, with a focus on music production within a community learning environment. Notably for this tier, it does offer 1-to-1 calls alongside group learning, which puts it ahead of several better-known names in this ranking on the personalisation front.
The model has genuine appeal for developing artists who want direct access to working professionals and a degree of peer accountability. The production mentorship is hands-on and the coaching team brings real industry experience.
The limitations are around consistency and scope. Mentorship depth varies depending on which mentor a student works with and how actively they engage. The programme does not extend into career strategy, media placements or booking development. For motivated producers wanting guided craft development with personal support, it is a solid option. For anyone wanting a comprehensive system for building a touring career, the scope does not stretch that far.
- Tomorrowland Academy Best for: Beginners wanting a structured introduction to DJing and festival culture
Few brands in electronic music carry the weight of Tomorrowland, and the association gives this academy real appeal for aspiring DJs at the start of their journey. The structured learning pathway is well-produced, the global student community is extensive, and the in-person events and festival-linked opportunities are real.
The limitations become apparent when you look at the documented success stories. Artists who have gained visibility through the academy have largely done so through festival-linked contests and performances within the Tomorrowland ecosystem. Being selected to play as part of a branded student programme is a fundamentally different credential from being independently booked because a promoter sought you out. The industry understands that distinction clearly.
There is limited publicly available evidence of graduates building globally touring careers independent of the Tomorrowland brand. For beginners seeking structure and inspiration, it serves its purpose. For serious career acceleration, the ceiling becomes visible quickly.
View this post on Instagram
- Pete Tong DJ Academy Best for: Beginners and hobbyists wanting accessible education from a legendary name
Pete Tong’s reputation in dance music is unimpeachable. Decades of Radio 1, a profile that extends well beyond the DJ booth, and genuine influence in breaking new artists and sounds. The academy that carries his name benefits from that credibility and offers accessible online education covering the fundamentals of DJing and the music industry.
The format is primarily pre-recorded course material with limited personalised mentorship and no 1-to-1 element. It is a course rather than a development system, and positions itself accordingly. For someone new to DJing who wants to learn from a trusted name in a structured way, it has clear appeal. For an artist looking to build genuine momentum, the depth and personalisation are not there.
The Head-to-Head Breakdown

Also Notable
Several online coaching programmes occupy a different part of this market, focusing on areas like social media growth, mindset and consistency. Programmes in this vein offer real value for artists working on visibility and day-to-day accountability. They tend to focus less on developing release-ready music or generating the kind of booking momentum that defines a working touring career. Useful pieces of the picture, especially if you’re comfortable with what else it takes to be a big DJ, but they certainly do not provide the whole package.
The Final Verdict (No Lies)
We didn’t expect this result. Given that names like Pete Tong and Tomorrowland have so much credibility, it was surprising that a newer, more grassroots programme found its way to first place.
What we found is that several of the most recognised programmes in this space rely heavily on brand association. The appeal of being connected to Tomorrowland or a legendary DJ name is understandable, but association cuts both ways. Students in those programmes are not Tomorrowland DJs or Pete Tong’s DJs. They are students of a programme carrying that name.
Unless they are among the very few selected for genuine spotlight opportunities, the credential signals participation rather than credibility. For most, the famous name that drew them in becomes the ceiling rather than the launchpad.
In saying that, each programme on this list serves a purpose, and the right choice depends on where you are and what you actually need.
For beginners – the branded academies and technical courses offer genuine value. For production-specific development within a label context – Toolroom is a serious option. For community, motivation and social growth – the online coaching programmes have their place.
And that’s why the DJ Accelerator was crowned at first place. It operates from a different position entirely and incorporates the best of everything. Independent, unaffiliated, with no ecosystem for artists to rely on and no famous name doing the heavy lifting. The results it points to are not contest wins or branded showcase slots. They are publicly documented careers, built from scratch, by people who arrived as aspiring DJs and left as working artists. Real, grassroots DJs trying to make a name for themselves.
Whilst the rest are largely selling education, DJ Accelerator is selling the artist. Congratulations to Bodalia and his team on first place.
Subscribe to our Newsletter
Editorial
Seven Stars 2026: 7 Most Anticipated Sets at GRiZ’s Cosmic Campout
As the second annual Valley of the Seven Stars approaches, bass music fans across the country are prepping their gear and locking in their set times. Taking over the Oak Ridge Estate in Arrington, Virginia from October 8–11, this gathering marks the long-awaited payoff of GRiZ’s two-year hiatus. The event has quickly earned a reputation as one of the bass community’s premier “homie” festivals, trading commercial refinement for deep curation and authentic energy. Whether you are hunting for ground-shaking low end or sunset grooves, here are the 7 most anticipated performances to highlight on your schedule:
7. Richard Finger
Set Time: Saturday, 4:50 PM – 5:50 PM
Operating entirely behind anonymous masks, Richard Finger has become one of bass music’s most intriguing underground phenomena. The mysterious duo popped onto the radar with relentless sound design and uncompromisingly heavy drops, rapidly earning a rotation in festival sets worldwide. While internet investigators continue trying to uncover their true identities, the project lets the sheer sound of low end rhythm do the talking. Catching them in the afternoon heat on Saturday is guaranteed to wake up the crowd.
6. Hedex
Set Time: Sunday, 8:30 PM – 9:30 PM
Hedex has been at the forefront of the modern drum and bass explosion. He has been taking jump-up rhythms out of underground UK clubs and pushing them onto major American festival stages. This performance serves as the official launch for his North American “Nu Era” tour. Known for quick double drops and explosive crowd control, his Sunday slot will deliver a shot of pure adrenaline just as festivalgoers enter the final night.
5. GRiZ (Chasing The Golden Hour)
Set Time: Saturday, 6:05 PM – 7:20 PM
GRiZ has always known how to curate a vibe, but his Chasing The Golden Hour (CTGH) concept holds a legendary place in the scene. It was originally conceived as a mixtape series built around vintage samples, mellow hip-hop beats, and live sax riffs. CTGH offers a soulful counterweight to his heavy dubstep headline sets. Following packed-out demand at past events, this sunset window is made for collective unwinding. It is the defining emotional anchor of the weekend, best experienced surrounded by friends on an open hill.

4. Mersiv
Set Time: Saturday, 8:30 PM – 9:30 PM
DJ & producer Anderson Gallegos, known professionally as Mersiv, has carved out a dedicated subculture with his trademark “Pretty Dark Loud” sound design. Mersiv crafts sets that feel simultaneously meditative and heavy by combining hypnotic downtempo atmospheres with distortion-heavy basslines. Dropping into Saturday prime time, his set will steer the valley into its deepest, most psychedelic sonic territory.
3. Seth David (R&Bass)
Set Time: Friday, 1:00 AM – 2:00 AM (After Hours)
Returning to the Seven Stars lineup for a second run, Seth David brings his signature R&Bass sound to the Satellite Stage. The project fuses classic 90s and 2000s R&B vocals with sub-bass frequencies. This set gives night owls a refreshing alternative to the standard festival sound anding directly in the after-hours slot,
2. Distinct Motive
Set Time: Sunday, 6:50 PM – 7:50 PM
Hailing from Ontario, Distinct Motive has spearheaded the revival of pure 140 BPM sound system culture in North America. His productions emphasize sub-bass, surgical mixing, and deep roots in old-school UK dubstep. Since his anthem “Wait A Minute” dominated stages everywhere, his profile has skyrocketed. Sunday evening marks his debut on the mainstage, bringing chest-rattling low frequencies to the festival’s largest sound system.
1. Kaleena Zanders
Set Time: Thursday, 8:00 PM – 9:00 PM
Revered as one of modern dance music’s most captivating vocal powerhouses, Kaleena Zanders channels gospel roots through classic house grooves. With major collaborative releases alongside fellow headliners, her live sets go far beyond ordinary DJ performances. Slotted into Thursday evening, she will set an uplifting, soulful tone for the entire cosmic campout before the heavier bass takes over.
With four days of music spread across The Valley, pacing is going to be everything. Set conflicts are inevitable when a lineup has this much variety. Be sure to leave room in your schedule to wander between stages and stumble onto artists outside your radar.
Grab the official festival app to stay updated on any last-minute schedule shifts and look out for your crew.
View this post on Instagram
Subscribe to our Newsletter
Editorial
MiNT XL: Leeds’ Newest Nightclub Opens With A Bang
MiNT XL opens its doors in Leeds with a sold-out party for 2,500 ravers, as Craig Richards, Enzo Siragusa and Sonja Moonear launch the new nightclub
MiNT XL officially opened its doors on Friday, 25 September, with a sold-out opening party featuring names like Craig Richards, Enzo Siragusa and Sonja Moonear. 2,500 ravers gathered in the heart of Leeds city centre to experience the latest addition to the city’s rich rave culture, marking a memorable beginning for MiNT XL.
Taking over the former nightclub, PRYZM Leeds, MiNT set themselves the challenge of giving the venue a new identity through their own production and iconic signature. In an interview with EDM House Network earlier this year, MiNT marketing manager, Mikey McMahon said they wanted people to walk into MiNT XL and feel like they were part of something forward-thinking. There is no doubt they have achieved this, with the opening night already setting MiNT XL apart from other venues in Leeds.

Credit: David Dumitru
Exploring The Venue’s Layout
Arriving at the venue, you could feel the excitement in the air as people made their way into the club. Music was bumping through the walls and the night was just getting started. Walking inside, the dark environment immediately made it feel like a rave and not a regular nightclub.
Heading up the stairs from the entrance, we reached the main hall of the venue, which houses two of the three rooms at MiNT XL, as well as an open-air terrace. The ‘Clubroom’ was the first room people encountered on the floor, while the main room, also known as the ‘Ballroom’, sits to the left of the hall.
The second floor is a great extension of what the main floor has to offer, hosting the venue’s third room, ‘Cage’, as well as an additional bar with sofas and seating for those wanting a quick break from the dancefloor. The VIP area is also located on this floor, providing a comfortable chill-out space with its own bar and seating area.

Credit: David Dumitru
The Rooms at MiNT XL
1. Ballroom
The largest of the three rooms, the ‘Ballroom’ is a warehouse type of space hosting the headlining names on MiNT XL’s line-ups. Some of the lighting features that stood out as soon as we walked into the room included the large ring structure above the dancefloor, as well as the linear rigs placed horizontally across the ceiling, which rotate to create a wave-like effect through light.
Another standout piece of the room is the newly installed Funktion-One Vero sound system, delivering bass that pumps through your body and an overall premium sound quality. The same system can also be found in the other two rooms, where its impact is even greater due to their smaller capacities.

Credit: @elliotyoungphoto
2. Cage
Probably the most interesting room of the three, and our personal favourite, ‘Cage’ delivers an experience like no other. Its design feels unique and fresh out of the box, while still maintaining a lush feel. Throughout the opening night, the room was lit up with orange lighting, creating a somewhat comfortable atmosphere amid all the chaos going on.

Credit: David Dumitru
‘Cage’ also has a few sofas placed around the room, helping complete its luxurious feel. The cherry on top, however, is the fact that the space will often welcome DJs playing on vinyl. We had the chance to witness this live, and let me tell you, seeing the artists flip and swap records behind the decks totally elevates the experience.

Credit: David Dumitru
3. Clubroom
With a large light panel on the ceiling covering the centre of the dancefloor, ‘Clubroom’ is an ode to MiNT Warehouse, the brand’s second ever venue. Sharing similar characteristics, the room brings the MiNT Warehouse spirit to MiNT XL, carrying over the energetic vibes that have become a trademark of the brand.
While the room has a great design from a production perspective, the air conditioning isn’t felt as well in some corners, often making it a very hot space.

Credit: David Dumitru
4. Terrace
An open-air space with a nice view of some of Leeds city centre’s tallest buildings, the terrace is a well-arranged spot for those who want to unwind a little and take a breath of fresh air. Located close to the ‘Ballroom’, the path to the terrace can, however, become very busy at times.

Credit: David Dumitru
The Music at MiNT XL
The venue opened with the brand’s own event series, ‘system.’, taking over the decks. Across the three rooms, a well-curated line-up delivered the soundtrack to MiNT’s new beginning.
From the perspective of EDM House Network, our highlights were Foehn & Jerome at the ‘Cage’, Craig Richards B2B Francesco Del Garda at the ‘Ballroom’, and then back to the ‘Cage’ for a vinyl session with Fumiya Tanaka.

Credit: @elliotyoungphoto
Beyond the opening night, a wide range of renowned DJs are set to follow at MiNT XL, with the likes of Ewan McVicar, Riordan, Morgan Seatree and a Worried About Henry (WAH) takeover among those already announced. While so far only electronic music events make up the calendar, organisers have said they are excited to expand into new genres and live music.
Atmosphere Inside The Venue
MiNT XL operates a no-phones policy at all events, meaning attendees can fully immerse themselves into the music. Having experienced an event with such policy for the first time, it was impressive to see how big of a change it makes.
Seeing people living in the moment and having fun truly gave everyone a taste of what some mean when they say ‘raving was better in the 90s’. The no-phones policy genuinely made the night feel like a time machine that teleported us back to a time when people used to socialise and not chase Instagram clout at raves.

Credit: @elliotyoungphoto
With three state-of-the-art rooms, a 2,500-capacity venue, a sound system that blows the roof off and a no-phones policy, MiNT XL has real potential to become one of the best nightclubs in the entire UK. The opening party was not just the green light for a new venue in Leeds, but felt more like a statement that MiNT XL is here, and for good.
The club season is only just getting started, with a packed list of upcoming events already lined up at MiNT XL.
Friday 9 October – Marsolo Invites: Marsolo + more TBA
Saturday 10 October – Airspace: Notion, Kyle Starkey, Camille Doe + more
Saturday 17 October – Mint XL Presents: Cam Stockman b2b Tommy Phillips
Friday 30 October – Airspace: Riordan, Stef Davidse + more
Saturday 31 October – Ewan McVicar Presents: Halloween – Ewan McVicar, Special Request, Olive F
Saturday 7 November – Mint XL Presents: ALISHA, Robbie Doherty + more
Saturday 14 November – Mint XL Presents: Morgan Seatree + more TBA
Friday 20 November – Framework Presents: Ben UFO, Papa Nugs + more
Saturday 21 November – Jampacked Would Tour Leeds Edition: Jamback, Anil Aras, A For Alpha
Saturday 19 December – Framework x Mugpie Presents: Christian AB, Unai Trotti + more
Subscribe to our Newsletter
Amsterdam Music Festival News
EDM Festivals October 2026: Festivals We Can’t Miss
EDM Festivals October 2026: Festivals We Can’t Miss worldwide as major events fill the month across North America, Asia, Europe, and South America
October 2026 brings another busy month for the EDM festival calendar, with events taking place across North America, Asia, Europe, Africa, and South America. In the US, 808 Festival, Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, Niteharts, Head Trip, III Points Miami, Escape Psycho Circus, BOO! Seattle, BOO! Arizona, and Hocus Pocus Miami fill the month. Meanwhile, EDC Korea and Chill O’posite Festival add major dates in Asia and Africa. No Art Lisbon and AMF represent Europe, while EDC Colombia and Ritvales bring two large weekends to South America. Here’s a full look at the EDM festivals taking place throughout October 2026.
808 Festival
Dates: October 2–3, 2026
Location: BITEC, Bangkok, Thailand
808 Festival returns to BITEC in Bangkok from October 2–3, 2026 for two days across two stages. The Phase Two lineup includes ILLENIUM, SLANDER B2B NGHTMRE, W&W, Argy, Ben Nicky, 999999999, Mesto, and KAAZE. Meanwhile, JUSTUS, RIVO, Dorian, Ian Asher, and Mary Droppinz are also confirmed. Several special performances are scheduled, including Adam Beyer B2B Chris Avantgarde and Nifra B2B Will Atkinson. Giorgia Angiuli will also perform live. More artists are still due to be announced before the festival returns to Bangkok in October.

Subscribe to our Newsletter
-
EDM Music3 weeks agoNew EDM Friday Sep 18: HALŌ, HUGEL, Sara Landry & More
-
EDM Festival News3 weeks agoLost Lands Announces Full Set Times and Streaming Details
-
EDM Festival News4 weeks agoTomorrowland Winter 2027 Dates and Ticket Sales Announced
-
EDM Music2 weeks agoNew EDM Friday Sep 25: Charlotte de Witte, Armin van Buuren & More
-
EDM Music4 weeks agoNew EDM Friday Sep 11: David Guetta, Armin van Buuren, Skrillex & More
-
EDM news4 weeks agoTiësto Revives ‘In Concert’ for 2027 Stadium Show
-
EDM Festival News4 weeks agoDjakarta Warehouse Project Unveil First Lineup Phase For DWP 2026
-
EDM news3 weeks agoNoisia Announces Return with Amsterdam Comeback Show


















