Music
6 Tracks You Won’t Believe Are Turning 6 Years Old!

“Dare You” – Hardwell ft. Matthew Koma
Recently crowned winner of the 2013 DJ Mag Top 100, Hardwell did not rest on any laurels. He returned alongside his close friend Matthew Koma, beckoning a new direction from the Dutch icon and his peak time powerhouse found at Revealed Recordings. This highly anticipated vocal record showed a new and melodically refined direction for Hardwell‘s own peak time aptitude. This single was released on the 13th of November.
“Flute” – New World Sound & Thomas Newson
A 50-second preview was unveiled prior to the official release hyping the video as a tantalising teaser for the track, which already hit #1 in the ADE Buzz Chart. The ID left everybody under the impression it was a new collab from W&W and Blasterjaxx. Originally keeping the artists a secret Spinnin’ revealed genius behind the track was New World Sound and Thomas Newson. Built around the haunting pan flute that leads into a thumping bass line, the track combines an intense riff at the core of the track layered with the classical flute to create a peak time dance floor filler. This big room banger was released on the 11th of November.
“G.I.P.S.Y.” – Dimitri Vegas & Like Mike vs Boostedkids
Only 1 week after winning the Beatport award for “Artist of the Year” and “Single of the Year” with the monstrous release of ‘Mammoth’, the Belgian superstar DJ’s Dimitri Vegas & Like Mike teamed up with upcoming Italian duo Boostedkids to introduce ‘G.I.P.S.Y.’. Broadcast for the first time during the 2013 Tomorrowland aftermovie, ‘G.I.P.S.Y.’ Is a mix of traditional gypsy music and a booming bass bursting with funk. This monster collaboration was released on the 11th of November.
“Revolution” – R3hab, NERVO & Ummet Ozcan
Now this is what we call a team-up made in heaven. Some of the most prolific producers of this day collaborated on what was a larger than life production. A true ‘Revolution’, huge vocals by the NERVO twins combined with stunning electro synths by Ummet Ozcan and fat beats by R3hab. What more could you possibly ask for? This epic collaboration was released on the 11th of November.
“Stampede” – Dimitri Vegas & Like Mike vs DVBBS & Borgeous
There was absolutely no let up in the tempo coming from Dimitri Vegas & Like Mike. After a sensational five Beatport #1’s in 2013 alone, the Belgian superstars got ready to let rip it up with their latest hit single ‘Stampede’. As ferocious and as unrelenting as the name implies, the track is a collaboration of mammoth proportions with Canadian producers DVBBS & Borgeous, who were currently conquering the charts with big room anthem ‘Tsunami’. This anthem was released on the 18th of November.
“Pallaroid” – Thomas Newson
Already racking a considerable output of cutting edge newcomers, Revealed Recordings had another secret weapon up its sleeve for 2013. This time, it came in the form of 19-year-old trailblazer Thomas Newson, who debuted on the label with ‘Pallaroid’. As one of the last ID’s to have teased fans in Hardwell‘s groundbreaking Tomorrowland 2013 set – the teaser came with the backstory from Hardwell himself as to how the track’s journeyed from Newson‘s mind to the labels safe hands. The track itself, rife with high octane drops and heavyset electro bass lines in full-effect, packs explosive energy into this inaugural offering from the young producer, asserting that The Netherland’s still has a few tricks up its sleeves where groundbreaking new talent is concerned. This single was released on the 18th of November.
Honorable mentions:
“Snake” – Blasterjaxx
“Live For The Night (W&W Remix)” – Krewella
“Stay The Night (Nicky Romero Remix)” – Zedd
“Save My Night” – Armin Van Buuren
“Origins” – Don Diablo
Stream all of these tracks and more in our 2013 EDM Essentials playlist below – follow here.
EDM
MR.BLACK, Steve Aoki & MARNIK Join On ‘Instant Moments’

MR.BLACK teams up with Steve Aoki and MARNIK for a genre-blending banger that reimagines a trance classic for today’s mainstage generation.
With collaborations common in the electronic dance scene, it’s always exciting when a new track arrives from not one, but three trailblazing acts. Steve Aoki, MARNIK, and MR.BLACK have joined forces to deliver ‘Instant Moments’, a hard-hitting production that blends each artist’s signature sound into one explosive anthem. Every musical element lands with precision, creating a result that’s impossible to ignore.
Old-school trance fans will immediately recognize the infectious melody, as the track reimagines R.O.O.S.’s iconic late-90s hit ‘Instant Moments’. While the updated version stays true to the original’s addictive hook, the trio injects it with a faster BPM, renewed energy, and cutting-edge modern sound design built for today’s mainstages.
Throughout the track, they blend elements of psy-trance, hard techno, and high-energy festival sounds, crafting a hybrid built for peak-time impact. Already igniting dancefloors as a sought-after ID at major events, ‘Instant Moments’ lives up to the hype with relentless energy and modern intensity. This release marks a bold statement from three powerhouses operating at full throttle.
Stream this single below and on all other platforms here.
Music
Petersky (PL) Unleashes New Single, ‘Take It’

Released on LVLD Music, ‘Take It,’ is Petersky’s latest record, delivering a deep tech-house sound to nightclub dancefloors. Its rolling groove has the power of keeping crowds on the move, providing a hot atmosphere to ravers.
The bassline is probably this song’s most important aspect, giving life to the production in a fun way, while maintaining the underground vibe of ‘Take It.’ Think of the famous sound of Chris Stussy tracks, but reimagined in Petersky’s own fashion.
Simplistic but catchy, the song can be the highlight of a set. Its punchy bass adds to the funky bassline, while hypnotic stabs join during the breakdowns, tingling the eardrums of listeners.

Petersky (PL) – Take It (Cover)
Petersky And What’s To Come
Following the release of ‘Take It,’ Petersky plans a series of fresh tech-house records, focusing on percussive energy, analog textures, and a club-ready bounce.
Additionally, a collaboration with fellow Polish artist, Lina Rash is in the works. Together, they are building Groove Garden, a project that will include deep tech and tech house productions, DJ performances, and live events that will allow their music to expand over multiple crowds.
Stream ‘Take It’ right now, available worldwide.
Follow Petersky:
Spotify
Drum & Bass
DJ Madam Filth Drops Drum and Bass Track ‘Got That Blow’

DJ Madam Filth Returns With Drum and Bass Track ‘Got That Blow’
Las Vegas-based DJ Madam Filth has released her second track on the Dancefloor Mafia label, titled Got That Blow. Known for her presence in the U.S. drum and bass scene, she brings another fast-paced offering that reflects her commitment to building both her sound and her label’s direction.
The track runs for just under four minutes and wastes no time setting its pace. It opens with a rhythmic pattern that leans into familiar DnB territory like quick tempo, tight percussion, and minimal melodic distractions. There’s a focus on keeping the structure clean and the transitions purposeful. Instead of throwing in multiple breaks or sound detours, the song keeps the listener on a straight course with steady layering and repetition.
There’s a vocal sample running through the main progression, acting as both a hook and a rhythmic anchor. Rather than relying on dramatic builds, the track maintains a linear intensity. That choice gives DJs room to use it mid-set to either maintain drive or transition without losing pace.
More Than Just a Single
Got That Blow is not just another release. For DJ Madam Filth, this marks another step in solidifying her platform. As a resident on Vibe 99.7FM’s Bass Nation and co-founder of the Konkrete Jungle event series, she’s not new to the genre or its surrounding community.
The Dancefloor Mafia label, which she launched independently, serves as a space for her to release her own music and to experiment with tracks built directly for the kind of dancefloors she plays regularly. Her style often leans toward straightforward arrangements that favor flow over theatrics. Got That Blow fits into that catalogue clearly.
For Listeners and DJs Alike
This track isn’t trying to reinvent the genre. It’s meant for settings where speed, precision, and familiarity matter. The production is tight, with all elements serving the rhythm rather than competing for attention. For fans of minimal, high-speed DnB, it’s a track that can slot comfortably into playlists or live sets without dominating them.
DJ Madam Filth continues to approach her releases with intention. Got That Blow may not be overly complex, but it’s well-built for the purpose it serves. If you follow her work—or just want a no-frills DnB addition to your library as it’s worth a listen.#
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