Music
Zen/It Teams Up With VHS Collections James Bohannon For Part II Of Song Trilogy ‘Ocean’!

Taking his inspiration from film and video game music, Zen/It transfers his creative tastes to his music; energetic and beautiful, sometimes brutal, but always with always full of heart. Refusing to remain stuck in one genre, his music pushes boundaries in order to shed light on his deep and dark universe. “I want to tell my stories – regardless of the genre” Zen/it explains. Establishing his “retro-futuristic” sound through a love of cinematic ambiences, video games, comics, and wider pop cultural influences, his new single ‘Ocean’ follows on from ‘Ashamed’ as the second chapter in a song trilogy concept being released on Sony Music.
Discussing the new single, Zen/it explains: “‘Ocean is a very special record to me. I wanted to make something different from what I used to come up. It’s a mixture between a nostalgic feeling and a positive vibe that make it particular to me.“
This time, Zen/it teams up with VHS Collection’s James Bohannon on vocal duties. Famous for their high energy live performances, and distinct alt/synth rock, electronic and disco influenced retro sound, James makes the perfect pairing for Zen/it’s musical stylings. With smash hits such as ‘Fire’, ‘Animal’ and ‘Dreaming’, he is successful in bringing his 80’s influences on the track in question.
Formerly Lush of Electronic duo Lush & Simon, Zen/it explains of his new incarnation: “It’s about the mood I’m creating, something trippy/dark/introspective which I feel fits nicely with the zen philosophy (even if in a dark way). I see it as a verb, for example, anyone can create a song, but not everyone tries to express themselves through it. They have to zen it a little more…”
Stream this single below.
EDM
MR.BLACK, Steve Aoki & MARNIK Join On ‘Instant Moments’

MR.BLACK teams up with Steve Aoki and MARNIK for a genre-blending banger that reimagines a trance classic for today’s mainstage generation.
With collaborations common in the electronic dance scene, it’s always exciting when a new track arrives from not one, but three trailblazing acts. Steve Aoki, MARNIK, and MR.BLACK have joined forces to deliver ‘Instant Moments’, a hard-hitting production that blends each artist’s signature sound into one explosive anthem. Every musical element lands with precision, creating a result that’s impossible to ignore.
Old-school trance fans will immediately recognize the infectious melody, as the track reimagines R.O.O.S.’s iconic late-90s hit ‘Instant Moments’. While the updated version stays true to the original’s addictive hook, the trio injects it with a faster BPM, renewed energy, and cutting-edge modern sound design built for today’s mainstages.
Throughout the track, they blend elements of psy-trance, hard techno, and high-energy festival sounds, crafting a hybrid built for peak-time impact. Already igniting dancefloors as a sought-after ID at major events, ‘Instant Moments’ lives up to the hype with relentless energy and modern intensity. This release marks a bold statement from three powerhouses operating at full throttle.
Stream this single below and on all other platforms here.
Music
Petersky (PL) Unleashes New Single, ‘Take It’

Released on LVLD Music, ‘Take It,’ is Petersky’s latest record, delivering a deep tech-house sound to nightclub dancefloors. Its rolling groove has the power of keeping crowds on the move, providing a hot atmosphere to ravers.
The bassline is probably this song’s most important aspect, giving life to the production in a fun way, while maintaining the underground vibe of ‘Take It.’ Think of the famous sound of Chris Stussy tracks, but reimagined in Petersky’s own fashion.
Simplistic but catchy, the song can be the highlight of a set. Its punchy bass adds to the funky bassline, while hypnotic stabs join during the breakdowns, tingling the eardrums of listeners.

Petersky (PL) – Take It (Cover)
Petersky And What’s To Come
Following the release of ‘Take It,’ Petersky plans a series of fresh tech-house records, focusing on percussive energy, analog textures, and a club-ready bounce.
Additionally, a collaboration with fellow Polish artist, Lina Rash is in the works. Together, they are building Groove Garden, a project that will include deep tech and tech house productions, DJ performances, and live events that will allow their music to expand over multiple crowds.
Stream ‘Take It’ right now, available worldwide.
Follow Petersky:
Spotify
Drum & Bass
DJ Madam Filth Drops Drum and Bass Track ‘Got That Blow’

DJ Madam Filth Returns With Drum and Bass Track ‘Got That Blow’
Las Vegas-based DJ Madam Filth has released her second track on the Dancefloor Mafia label, titled Got That Blow. Known for her presence in the U.S. drum and bass scene, she brings another fast-paced offering that reflects her commitment to building both her sound and her label’s direction.
The track runs for just under four minutes and wastes no time setting its pace. It opens with a rhythmic pattern that leans into familiar DnB territory like quick tempo, tight percussion, and minimal melodic distractions. There’s a focus on keeping the structure clean and the transitions purposeful. Instead of throwing in multiple breaks or sound detours, the song keeps the listener on a straight course with steady layering and repetition.
There’s a vocal sample running through the main progression, acting as both a hook and a rhythmic anchor. Rather than relying on dramatic builds, the track maintains a linear intensity. That choice gives DJs room to use it mid-set to either maintain drive or transition without losing pace.
More Than Just a Single
Got That Blow is not just another release. For DJ Madam Filth, this marks another step in solidifying her platform. As a resident on Vibe 99.7FM’s Bass Nation and co-founder of the Konkrete Jungle event series, she’s not new to the genre or its surrounding community.
The Dancefloor Mafia label, which she launched independently, serves as a space for her to release her own music and to experiment with tracks built directly for the kind of dancefloors she plays regularly. Her style often leans toward straightforward arrangements that favor flow over theatrics. Got That Blow fits into that catalogue clearly.
For Listeners and DJs Alike
This track isn’t trying to reinvent the genre. It’s meant for settings where speed, precision, and familiarity matter. The production is tight, with all elements serving the rhythm rather than competing for attention. For fans of minimal, high-speed DnB, it’s a track that can slot comfortably into playlists or live sets without dominating them.
DJ Madam Filth continues to approach her releases with intention. Got That Blow may not be overly complex, but it’s well-built for the purpose it serves. If you follow her work—or just want a no-frills DnB addition to your library as it’s worth a listen.#
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