Big Room House
Awakenings Festival 2025: A Technosphere Beyond Expectation
Awakenings Festival 2025 was more than a festival, it was a three-day journey through the deepest corners of techno.
With over 120 artists spread across 8 stages on one of the largest festival grounds in Europe, navigating Awakenings Festival 2025 requires intention. Seeing everything is impossible. Choosing where to be and when becomes part of the experience. As a fan of hard techno, Afro house, and the genre’s living legends, I had to make deliberate choices across three full days of music, energy, and movement.
Awakenings delivered a flawless weekend of sunshine, sound, and perfectly calibrated chaos. While its roots are grounded in techno, the festival offers much more. From pounding industrial to soulful Afro grooves, peak-time rave energy to melodic journeys, every corner of the lineup offered something different. The curation reflected not just breadth, but quality at every level.
Day One: First Steps and Peak Moments
Stepping into my first Awakenings Festival, I immediately understood the reputation. I have attended festivals across the world, from Tomorrowland to EDC, and Awakenings gave me the rare feeling that I was exactly where I belonged. My day began lakeside, with the German house and techno duo Âme setting the tone. The stage was spacious, with a clean design and a backdrop of shimmering water. It felt relaxed yet powerful, like a private session shared with thousands.
From there, I made my way to Stage V. Eli Brown took the decks and dropped heater after heater. My favorite moment of his set came when he played a peak-time edit of Ueberrest’s “Cryptic,” which had the entire crowd locked in. Stage V became my home for the rest of the day, with sets from Indira Paganotto and Sara Landry. Indira brought a sense of ceremony to her set, blending her signature psytrance rhythms with relentless energy. Following her was Sara Landry, who wasted no time setting the tone. She opened with a barrage of Schranz remixes that hit hard and fast, immediately locking in the crowd. Her momentum carried into a series of her own standout tracks, along with select anthems that pushed the energy even higher. One of the most memorable moments came when Indira joined Sara on stage during a remix of Landry’s “Pressure.” The chemistry between them was undeniable, and the crowd responded in full force. From start to finish, Sara had the entire stage hanging on every beat.
Day one featured fewer active stages, but every one of them carried serious weight. It was a proper welcome to the world of Awakenings.

Day Two: Full Speed and Zero Let Up
I began day two at Stage Y, where Fatima Hajji launched the day with raw power. Stage Y quickly became my personal favorite. As a hard techno fan, there is no better setting than a massive tent packed with bodies in motion. The crowd was relentless. The atmosphere was thick with heat, bass, and collective intensity.
After Fatima, I made my way to Stage C where Shimza brought the Afro house groove to life. Each stage at Awakenings draws a different crowd and energy, yet the quality remains consistently high. Shimza’s set flowed effortlessly into Innellea, who delivered a powerful and detailed performance that kept everyone dancing from start to finish.
I raced back to Stage Y for Kobosil. This was, without question, my favorite set of the weekend. Kobosil owned the crowd. His control was absolute, and the atmosphere was wild from beginning to end.
After that, I crossed the entire festival grounds to see techno pioneer and fellow Windsor native Richie Hawtin. His set was minimal and hypnotic, supported by a tight light show and deep, driving rhythms. Ben Klock followed with a set that carried the same spirit. I had to leave mid-set to catch Carl Cox at the main stage. As expected, he delivered. His groove-heavy style connected with the crowd and kept everyone locked in from the first track to the last.
I returned to Stage C for Mind Against. Their performance blended melodic tones with funk and house influences that added warmth to the night. Then it was time for AZYR. His energy was high and his track selection aggressive. I have seen him five times and he has never once missed. By the end of the night, my step count hit 37,000.

Day Three: Hard Techno Heaven
The final day was my most intense. The lineup leaned heavily into the harder edge of techno, and I was ready for it. I arrived in time for Novah, whose smile and energy lit up the stage. Then came 6ejou, whose industrial techno brought an entirely different mood. His set was one of the standouts of the festival.
Later, a group of new friends and I headed into a tree-lined stage area where we caught Øtta. The vibe there was relaxed and communal, with dancing, bouncy techno, and even an impromptu game of dancing limbo. These moments reminded me how diverse and welcoming Awakenings can be.
Back at the main stage, Enrico Sangiuliano delivered a polished masterclass before Nina Kraviz stepped up. Nina remains one of the few DJs who plays exactly what she wants. Her sound is always her own, and the audience is along for the ride. Whenever she is on the lineup, I am there.
With such a packed lineup, I found myself double booked. I had to leave Nina early and ran across the festival grounds to return to Stage Y for another personal favorite, I Hate Models. His presence and energy on stage are undeniable. This was one of the sets I had been most looking forward to, and it did not disappoint.
The night closed with 999999999. Their acid-driven sound wrapped the weekend with intensity and precision. It was the perfect finish.
Or so I thought.
At the camping grounds, I stumbled into a silent disco. Milo Spykers was on, delivering a surprise set that turned out to be one of the best of the entire weekend. It was an unexpected gem. Mha Iri followed, closing the silent disco with power and pace, ending the festival with bombs until the final beat at 5 AM. I checked my step count. 42,000. Sheesh.

Awakenings is Now a Tradition
This was my first Awakenings Summer Festival. It will not be my last. From its world-class production and curation to its welcoming atmosphere and genre diversity, Awakenings has earned a place on my annual calendar. Not just for the music, but for the entire experience.
Awakenings is a home for techno in all its forms. And now, it feels like a home for me too.

