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Blasterjaxx’s Thom Reflects on Evolution, Inspiration, and What’s Next

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At the Neon Countdown pre-party at Void Club in Bangkok, we caught up with Thom, representing Blasterjaxx, to talk about their return to Thailand, his solo venture into techno with the Thomm Project, and how the duo continues to push boundaries with their Big Room sound. From unforgettable stage moments to advice for rising talent, Thom shared a thoughtful perspective on their journey and creative evolution. Let’s dive into the conversation!

The first question I have for you has to do with Neon and just performing in Thailand. So you’ve performed here multiple times and you’re back in Thailand but this time you’re back for Neon Countdown’s pre party. How does it feel to return to such a vibrant fan base and bring your energy to a unique event but this time at Void club?

It’s always a good time. I’ve never played at Void so let’s see how it will be. As tonight is part of Neon Countdown, it’ll be good and the crowd in Bangkok is good as always. 

Now, the next question I have is for you Thom. So, you’ve recently ventured into Techno with your solo project Thomm. What inspired the creative exploration and how do you balance it with the high-energy sound that is Blasterjaxx? 

It’s funny cause so far we’ve released only one track but we also uploaded a live set. It’s more up-tempo. The older we get, music changes, it evolves and sometimes we just enjoy making different sounds. We’ve been doing that for sometime now but with Blasterjaxx you’re a bit stuck in a commercial bubble so you have to deliver things that hit an X amount of streams or an X amount of targets. But with the Thomm project, we’re starting from scratch and starting something new. For the past 7-8 months we’ve been making a lot of music and mostly music for Thomm because we had finished many Blasterjaxx tracks already so we had some time to focus on the Thomm project. Other than that, I would say that it’s like going back to basics for us because we had no expectations and no rules. We just did whatever we wanted without any pressure. 

You’ve actually been doing this whole thing of making music for a very long time.

Yep. That’s true. Sometimes it happens where we’re in the studio and working on Big Room, where it happens where we’re like we’ve done a lot of the classic Big Room stuff, we’ve played it out so sometimes it’s very difficult to come up with something new. That’s why I love exploring a new sound and just seeing where it goes. Honestly, we will see wherever it will go. Maybe after a year we’ll say this is nothing for us and we’ll pull back but we don’t know yet. For now everything looks good and we have a lot of great tracks coming up and a lot of great collaborations coming up with Techno artists for the Thomm project so let’s see how it goes. 

I’m intrigued now to see how things turn out because I’ve never been a techno fan, but lately I’ve become super interested in hard techno, is that something you’ll be incorporating too? 

The hard techno thing is something I personally like but to make it, we’re more along the lines of being somewhere in between big-time driving techno and a bit of hard here and there but I wouldn’t say we’re hard techno.. 

Now since you’ve talked about your music evolution, I’d like to talk about how Big Room has remained as a cornerstone of your identity so what I’d like to know is how you keep the genre evolved, and there’s also the expectation that fans have so how do you stay true to that? 

Well it’s funny because the fans consider it Big Room, but I think we don’t really identify the name as Big Room as we’ve sped up the BPM, used different kicks and changed directions where we’ve used less of the classic Big Room elements but people still say it’s Big Room. I would say that we are Big Room that way, we never made it to sound like Big Room that way, but we just love music that’s energetic and over dramatic and stuff like that. It’s how we like it but for some reason, some people call it Big Room. 

The next question I have is about how you’ve played all over the world at many legendary venues and festivals, so can you share one unforgettable moment from the stage that has stuck with you even if you look back 10 years from now, it’s still going to be a core memory?

One of my best memories was  when we played on the EDC mainstage in 2014. It was funny cause we were so new in the scene and had no idea what EDC was back then and we were playing peak time on the mainstage at EDC with 60-80 thousand attendees and we had no idea what to expect. So we prepared the set the way we usually do and I remember when we walked on stage, we were in shock. We were like what is this. It was great. Other than that, Tomorrowland Brasil was great. We felt like we were on a natural high because it was so good. But at the same time I would also have to say that Tomorrowland (Belgium) was great last year because we played on the mainstage after a long time and we played early. We were like we’ll see how many people show up cause it was pretty early during the day but it was packed for that time and it gave us goosebumps. 

This is my last question for, so I would like to know what’s your advice for rising talent seeing as you’ve been in the scene for a while now and you’ve had a lot of collaborations so what’s one piece of advice you could give to new talent?

Well I have two pieces of advice that I think are very useful. First of all, I would say make sure that whenever you get a contract for anything that’s longer than one release, make sure you have a lawyer to look over it. It might cost you a bit of money but trust me, it’s worth it because before you know it, you might end up being stuck in a 360 deal for the next ten years and it could stop or slow down your career. Other than that, my second advice would be to make music according to whatever you are feelling. Don’t think that just because this sound is hype right now so I’m going to make it but by the time you get really good to release some stuff, the genre might no longer be in trend. As long as you make something you really like and it gives you joy, one day it could become something and then that’s your moment to shine. 

So in short you’re saying to take a risk but also to be careful of the risk you’re taking?

Basically, don’t follow the hype but do what you feel like doing and what you feel like making such as whatever genre you feel like making music in because one day that genre might be taking over the world. 

Well, thanks so much for speaking to me on behalf of EDM House Network. 

You’re welcome.








With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

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Mazro Begins His Bigroom Techno Era With New Track ‘Alive’

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Mazro reveals his new bigroom techno direction with his latest track, ‘Alive’, showcasing a fresh, energetic sound that highlights his evolution as an artist.

Mazro signals a clear next step in his sound with Alive, a track that introduces his move toward Bigroom Techno. The release highlights the heavier drums, sharper synth work, and driving structure he has been known for, now pushed further into a style he plans to carry into 2026. With new music already in motion, Mazro sets Alive as the starting point for this updated direction.

How Alive Introduces Mazro’s Updated Sound

Alive continues the traits listeners associate with Mazro, built around firm percussion, direct lead lines, and a structure aimed at large-room settings. The track moves toward the Bigroom Techno style he is now focusing on while still keeping a link to the approach he used in earlier releases. This gives the transition a natural feel and keeps the emphasis on clarity and impact.

Within the broader landscape of Bigroom Techno’s rise, Alive serves as a fitting entry point for his updated direction. Mazro presents the track in a straightforward format, highlighting rhythm and drive without pulling away from what has worked for him so far. It functions as a clean introduction to where he intends to take his sound next, supported by the material he has prepared for release.

Where Alive Fits Within Mazro’s Recent Releases

Alive arrives after a run of tracks where Mazro leaned into polished builds, direct melodic phrases, and a festival-ready layout, as seen in earlier releases like Wild Frequencies and Hold Me Tight. Those tracks placed him within a lane of straightforward, big-room focused production, supported by labels and artists who have kept him on the radar across Spotify and Beatport. Alive continues in that line but applies a heavier, more driving structure that aligns with the Bigroom Techno direction he is now pursuing.

Across his catalog, Mazro has maintained an emphasis on rhythm, clarity, and accessible arrangement. Alive keeps those elements intact while pushing the percussion and synth work into a more forceful framework. This makes the track feel connected to what listeners already know from him, yet still marks a step that points to how his upcoming IDs might expand on this foundation.

Looking Ahead

Alive gives a straightforward view of where Mazro is heading as he moves into his Bigroom Techno focus. The track keeps the core elements that have defined his releases so far while pointing toward a clearer direction for the music he plans to share in 2026. With several IDs ready, Alive functions as the starting point for this next phase and offers listeners a sense of what they can expect from his upcoming work.

Pre-save the single here.

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RENESIS Explores Rebirth And Power In Her Futuristic Single ‘SAKURA’

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GENESIS SAKURA

RENESIS releases “SAKURA,” a cinematic cyberpunk anthem inspired by rebirth and transformation, out now on Spotify and Beatport.

Los Angeles–based producer, singer, and DJ RENESIS continues to redefine the sound of futuristic electronic music with her standout single “SAKURA.” Fusing powerful basslines, glitched percussion, and soaring vocal textures, SAKURA embodies the beauty of transformation: the moment when fragility becomes strength, and chaos becomes creation.

Inspired by the Japanese cherry blossom that blooms for only a short time each year, SAKURA captures the idea of rebirth through impermanence. The track opens with delicate melodies that slowly give way to thunderous drops and metallic energy, reflecting the duality at the heart of the RENESIS sound – elegance meeting raw intensity in a neon-lit storm.

Supported by prominent names across the scene, including Extra Terra, Max Brhon, Rogue VHS, and Lazerpunk, RENESIS has quickly become one of the most compelling artists shaping the cyberpunk electronic movement. Her catalog has accumulated over one million streams worldwide, and her performances across the U.S., Canada, and Japan have showcased her ability to transform a stage into a full-blown cybernetic experience.

With SAKURA, RENESIS continues to blur the line between music and cinematic storytelling, delivering an anthem that feels both intimate and otherworldly.

Stream “SAKURA” now on all major platforms and step into the neon world of RENESIS.

Follow her journey on Instagram, Spotify, and YouTube for the next chapter of her expanding cyberpunk universe.

Stream and Download ‘Sakura’ Now:

https://www.beatport.com/release/sakura/5120021

RENESIS Online

Spotify | Instagram | Beatport

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For Labels and Artists: WARM radio data is driving innovation, networking and growth in the Dance Music Scene

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As we move into the last quarter of 2025, it’s clear that radio continues to play a pivotal—yet often underestimated—role in shaping the global music landscape.

WARM is redefining how radio airplay data powers the dance music industry—turning plays into insights that fuel growth for labels, artists, and promoters. 

WARM (We Are Radio Monitoring) is a global platform that provides real-time tracking and analysis of radio airplay across thousands of stations worldwide. Designed for artists, labels, publishers, booking agencies, and other music professionals, the tool delivers detailed data on where and when a song is played, offering insights into geographic reach, frequency, and market response. 

By collecting and organising this information into personalised reports, WARM enables users to identify patterns that might otherwise go unnoticed, such as unexpected spikes in catalogue plays, regional trends, or the impact of viral moments on traditional media.

Trusted by Ninja Tune, Defected, Good Intent and other companies in the market, WARMM trackS global radio spins across more than 22.000 stations worldwide. WARM provides professionals with the tools to spot trends, measure impact, and expand their reach. In 2025, the company paired this data with new charts, a global radio show, and industry events, cementing radio’s role as a driver of visibility and connection in electronic music. 

The Global Dance Radio Chart became a weekly radio show broadcasted by more than 40 radio stations worldwide

WARM has partnered up with Syndicast to produce a weekly dance radio show based on the top20 global dance radio chart, hosted by Rudy Cassago and Lele Zambe.

The show has been running now for 5 weeks, and already has +2 mio listeners via 40+ radio shows. The show is broadcasted on radios like: Moove Ibiza radio, Pulse, Beat and Primal Fm, as well as multiple podcasts. Radios can join the network here.

Using the charts as foundation for a radio show opens up much more value for the artists and labels, as they not only get the recognition through being on the charts, they also get additional radio plays on the radios that have added the weekly show, as well as actual mentions by the radio hosts. 

The global dance radio chart is curated through 160 dance-focused radios, based on 24/7 monitoring across 30 countries, and continues to serve as the ultimate barometer of what’s truly resonating in global dance music. The chart is based on radios such as: 538 dance department, Rinse, Dublab, Ibiza Sonica, Loca FM and BBC1.

African Radio Chart: Spotlight on Continental Gems

Launched as part of our global genre-based series, the African Chart reflects the most played radio tracks across the continent, combining real-time airplay data from major broadcasters and key 650 stations. It serves as a vital link between Africa’s dynamic music scenes and the wider international market—enabling artists, labels, and tastemakers to spot emerging hits and regional movements early. The chart offers timely insights into the sounds shaping the future.

“The first 6 months of the year have been hectic to say the least. We began the year with launching both 3 new radio airplay charts, a radio show, a new dance music conference in Lisbon, our annual IMS pre-mixer at IMS as well as a new subscription model and an API for bigger customers. I can’t wait to release what we have for H2, which includes various product updates, conferences and events. A big thanks goes out to all our customers and partners who value accurate radio data. Let’s keep pushing for transparency and clarity around radio”, says Jesper Skibsby (picture) CEO and Founder of WARM.

Events play a key role on WARM’s initiatives:

get WARM conference: Lisbon

WARM presented its first conference and it was a successful debut in Lisbon that has established the event as a key meeting point for global and local professionals in the electronic music industry. 

Held on April 5th, the event brought together artists, label executives, promoters, and rights organizations for a full day of panels, workshops, and networking. With discussions ranging from music rights and artist development to mental health and international promotion, WARM offered a unique platform for meaningful dialogue and practical insights.

Leading industry players such as Beatport, Labelworx, Unison and Groover contributed to the program, reinforcing the event’s relevance on both local and international levels. The strong turnout and positive feedback underscore the growing importance of collaborative spaces that bridge regional talent with the global music ecosystem. The second edition will be announced for April 2026.

WARM Villa @ IMS x Beatport, Ibiza

The first half of 2025 was highlighted by an electrifying pre‑IMS (International Music Summit) gathering: WARM Villa @ IMS Ibiza, organized in partnership with Beatport. As a flagship event in April, it united artists, industry visionaries, and media influencers to discuss the evolution of dance radio, the path to global hits, and the power of real‑time airplay data.

This gathering not only fostered meaningful connections but also reinforced WARM’s identity as a data-driven thought leader in dance music. 

New subscription model and API is now available

WARM launched a new subscription model for all new users, which offers more features, more historical data, better pricing and a better user experience. The trial has been upgraded to 30 days, where you can select any songs in the world, and keep track of the radio airplay. 

At the same time, we have released an enterprise API for customers with bigger catalogs or integrations.

In the Press

WARM’s insights and charts have gained international visibility, with recent features in DJ Mag, EDM House Network, Mixmag and several other respected media outlets across Europe, the Americas, and Africa. These spotlights reflect the growing relevance of radio airplay data in today’s music ecosystem and reinforce WARM’s position as a trusted resource for tracking and understanding global music trends.

What’s next?

  • Global Dance & African Charts every Friday—delivered straight to your inbox for free.
  • Stay tuned for the upcoming H1 2025 Global Dance Insights Report, which breaks down the top100 most played dance tracks.
  • You can meet the WARM team at various industry events in H2
    We will be at ADE (NL), SHIP (CRO), Reeperbahn (GER) so reach out if you want to meet us

Subscribe now to get weekly access to both charts and ensure you’re the first to know what’s trending on radio globally.

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