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Interview with Gabry Ponte: From ‘Blue (Da Ba Dee)’ to San Siro Stadium – Reflections on 2024 and 25 Years of Success

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Italian DJ and producer Gabry Ponte has been a defining force in electronic dance music for over two decades. From the global phenomenon ‘Blue (Da Ba Dee)’ to his upcoming historic show at San Siro Stadium, Ponte continues to push boundaries in the dance music scene. In this exclusive interview, the former Eiffel 65 member discusses his Grammy-nominated track’s enduring legacy, his milestone-packed 2024, and his vision for the future of electronic music. From launching his new label PENTAPHONIA to collaborating with industry titans like Steve Aoki and Sean Paul, Ponte shares insights into his creative process and the evolution of dance music.

Before jumping into your 2024 highlights. Let’s start things off with a bit of nostalgia. ‘Blue (Da Ba Dee)’ is undoubtedly one of the biggest dance tracks of all time and has become a global cultural phenomenon. How do you feel about the track’s enduring legacy, and did you ever imagine it would still be so popular decades later?

It’s hard to explain the phenomenon of Blue (Da Ba Dee), also because it takes on forms and dimensions of such magnitude that even I am amazed! Blue has been at the center of a movement and the evolution of dance music worldwide, and just thinking that after 25 years it received a second Grammy nomination thanks to the rework by David Guetta and Bebe Rexha speaks volumes about its longevity and relevance.

I am, and always will be, grateful for this track. It’s evergreen…actually, everblue!

Concerning the impact of ‘Blue’, we’ve all heard numerous remixes of the track but which remix or interpretation of ‘Blue’ has impressed you the most?

As mentioned before, David’s remake is one of a kind!


It gave the track a second life without distorting it, while making it contemporary. There have been many reworks and remixes of the song, but this one stands out above all, without a doubt.

Your ’25 Anni di Dance’ tour celebrated 25 years of your music career and kicked off 2024 in style. What were some of the most memorable moments from the arena tour?

The celebratory tour for my 25-year career will leave so many beautiful memories in my mind, but if I have to choose one, I’d say stepping onto the stage in Milan for the first show, with a venue of over 12,000 people completely sold out, was a fantastic moment. When, at the end of the show, a group of fans started chanting “San Siro, San Siro” over and over, I became convinced that we could put on a great show at the “Scala del Calcio”, as the Meazza Stadium in Milan is often called.

You launched your boutique label PENTAPHONIA earlier this year, exclusively on Beatport. What inspired you to create the label, and what’s your vision for discovering and promoting new electronic music talent?

Pentaphonia was created to be a space dedicated to club releases, as free and experimental as possible. We’re just at the beginning of this journey, yet we’ve already achieved results that have exceeded expectations, with numerous tracks charting in the most relevant genres. This makes me realize we’re on the right path.

For next year, we already have an exciting release schedule, featuring both top-tier names and emerging artists whom I can’t wait for you to discover.

This past year saw some incredible cross-genre collaborations from Tiesto and Dimitri Vegas & Like Mike’s remix of ‘Mockingbird’ to your track with Steve Aoki’Save Me’ and the dancehall-inspired ‘Born To Love Ya’ with Sean Paul and NATTI NATASHA. What has been the most rewarding part of collaborating and what has been the most challenging part?

Collaborating with artists of this caliber and such immense talent is a constant source of inspiration and pushes you to raise the bar of what you demand from yourself. The artistic encounter with any artist is enriching in itself, and having the opportunity to work with talents of this level is truly an honour.

Speaking of recent music, your single ‘Ghost’ closed out this year, can you tell us about the creation of this track?

‘Ghost’ was a fun project because it let me tap into my nerdy-nostalgic side. Reworking such a well-known theme is no small challenge. Everyone recognizes that melody, and in my opinion, when you approach these iconic musical pieces, your task is to give them a fresh, contemporary feel without altering their essence. I had a lot of fun creating this track, and the audience’s excitement when I play it live is truly incredible.

You’re set to headline Milan’s San Siro Stadium – a massive milestone for any electronic artist. What does this event mean to you, especially as an Italian DJ who’s been pioneering the dance music scene?

It’s a dream come true to be honest. San Siro is a legendary venue, and to be the first DJ to perform there feels like a huge win not just for me but for the entire dance music community too. When I started djing back in the days there was not such a thing as “superstar djs” the dj was supposed to be playing in clubs and today I have the opportunity to perform in front of more than 50k people I still can’t believe it. It’s a chance to showcase how far our scene has come.

You’ve taken to some epic stages this year including Tomorrowland Brasil, Arabax Music Festival, Moon & Stars Festival. Are there any moments behind the decks from 2024 that stand out?

The thrill of performing in front of thousands of people is truly indescribable. You never get used to it—it gives you a unique adrenaline rush and creates a connection with the audience that is unforgettable. Thousands of hands and hearts beating in unison amplify the emotions conveyed through the music to the highest degree. It’s a collective ritual of immense power.

Electronic music is constantly evolving with technologies like AI and immersive experiences. How do you see these emerging technologies potentially transforming music production and live performances in the next few years?

Music is an extraordinary testing ground for technological advancements and has the unique characteristic of always being at the forefront, embracing and being influenced by innovation earlier than many other forms of artistic expression. I see AI as a tool that can assist artistic intuition and speed up certain processes. However, without the awareness and the ability to control the machines, it will never reach its full potential. Therefore, studying music and production remains essential for everyone—to be the drivers of this change rather than being overwhelmed by it.

As someone who’s been at the forefront of electronic music for 25 years, looking ahead to the future, what emerging trends or new sounds in the global dance music scene are you most excited about, and how do you see yourself potentially incorporating these into your future work?

A notable trend is the revival of sounds that were huge around the period I started making music. I’m thinking about iconic synthesizers like the Korg M1 or sampler like the 909 or the 303 which shaped electronic music in the 90s. These elements are being reinterpreted and the results are pretty cool to me.

Catch Gabry Ponte live in 2025!

Gabry Ponte, Electric Brixton, London on 1st March 2025. More info here.

Gabry Ponte, SAN SIRO DANCE, San Siro Stadium, Italy, 28th June 2025. More info here.

David Guetta News

David Guetta Revealed As The World’s No.1 In Results Of DJ Mag Top 100 DJs 2025

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David Guetta No.1 DJ 2025

David Guetta has been crowned the World’s No.1 DJ for a record-equalling fifth time at DJ Mag’s Top 100 DJs 2025 awards in Ibiza.

David Guetta has been crowned as The World’s No.1 DJ, as DJ Mag announced the results of Top 100 DJs 2025 at an awards show at [UNVRS] Ibiza. The historic win comes 14 years after his first crown in 2011, which was followed by a spell of dominance in the early 2020s, which saw him win the title in 2020, 2021 and 2023. By reclaiming top spot in this year’s public poll, the Frenchman has become only the third person to have won the title five times, alongside Martin Garrix and Armin van Buuren.

 

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Now more than four decades into his career, Guetta continues to operate at full speed, releasing over a single a month in the past year. 2025 has been one of his most varied too, with releases including the trap and hip-hop influenced track ‘Lucky’, with MORTEN, collaborations with Afrojack, Martin Garrix, Hypaton, Nicky Romero, Hugel, MK, Fatboy Slim, a new single with Sia, in addition to a remix for fictional K-pop group Huntr/x.

This creative drive extended to the live arena too. His new [UNVRS] residency, Galactic Circus, which ran from June to October, saw him perform extended, improvised sets. Internationally, he is touring The Monolith, a large-scale show featuring advanced LED staging and visuals, with recent landmark performances at AlUla in Saudi Arabia and Paris’ Stade de France.

Speaking of his history-making win, David Guetta said:
To win Top 100 DJs again, for joint-record fifth time, is an honour, it means a lot to me because the greatest feeling in my life, truly, is playing new music for people and seeing their reactions. It might sound crazy, but I still make music every single day, because I see it as a hobby and a passion. The most exciting thing for me is being creative and going away from what everyone else is doing.”

For the first time in Top 100 DJs history, the World’s No. 1 DJ was crowned live in Ibiza with the Top 100 DJs Awards taking place at newly opened [UNVRS]. David Guetta performed a two-hour headline set at the venue, as part of a genre-spanning bill that also included Armin van Buuren, Miss Monique, Boris Brejcha, Indira Paganotto and Jazzy.

During the awards ceremony, hosted by Arielle Free, awards were presented to David Guetta (The World’s No.1 DJ), Armin van Buuren (The World’s No.1 Trance DJ & Outstanding Contribution), Michael Bibi (Highest New Entry), Sara Landry (The World’s No.1 Hard DJ), Jazzy (Future Star) and Dimitri Vegas & Like Mike (The World’s No. 1 DJ Group). Additional award winners include Charlotte de Witte (The World’s No. 1 Techno DJ), FISHER (The World’s No.1 House DJ), and Solomun (Highest Climber).

As part of the results rollout, DJ Mag hosted a fundraiser, in aid of Bridges for Music, the groundbreaking non-profit and music academy based in the Langa township, South Africa. DJ Mag canvassed artists featured in the poll to consider giving back by sponsoring students from under-served communities to join the Bridges for Music programme, a holistic initiative combining music, mental health support and entrepreneurship, and providing access to the music industry. At the time of publication, the partnership had raised £149,442.

Read the full Top 100 DJs results now at https://djmag.com/top100djs

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Armin van Buuren News

Against All Ødds Returns With Euphoric New Single ‘Out Of Control’

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Against All Ødds Out Of Control

Against All Ødds unleashes his latest track ‘Out Of Control’ via Giolì & Assia’s RESURRECTION imprint, blending cinematic tension with soaring energy.

Against All Ødds has released his newest single, ‘Out Of Control’, via Giolì & Assia’s RESURRECTION imprint. The track offers fans a euphoric journey through cinematic soundscapes and pulsating club energy. With his distinct vision, the DJ and producer once again demonstrates his ability to merge melody and intensity into a track designed for global dancefloors.

Moreover, the single highlights how far the artist—real name David Mimram—has pushed his craft. Known for past successes including ‘Unity’, ‘Agartha’, and ‘Faded’, he has quickly earned recognition across the industry. In fact, his productions have received support from a who’s who of electronic music, ranging from Tiësto, Armin van Buuren, Miss Monique, Paul van Dyk, David Guetta, Joris Voorn, to Yotto. Each endorsement underscores his growing reputation as one of the scene’s most exciting rising names.

At the same time, ‘Out Of Control’ feels like a defining moment in his career. The track builds with hypnotic layers, unleashing waves of euphoric release that embody his forward-thinking approach to dance music. By combining modern melodic structures with festival-ready drive, Against All Ødds continues to carve out a unique identity that resonates with fans worldwide.

Ultimately, the single captures what he has always stood for: music that unites listeners in moments of collective release. With ‘Out Of Control’ now out on RESURRECTION, Against All Ødds solidifies his reputation as a visionary act whose trajectory shows no signs of slowing down.

‘Out Of Control’ is available now on all major streaming platforms.

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Avicii News

Online Gaming to Interactive Festivals: How EDM Has Changed Since the ’90s

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History of EDM From 90s Rave Culture to Global Phenomenon

The history of EDM shows how what started in underground warehouse parties is now shaping festivals, pop culture, and digital spaces alike.

In the 90s, electronic dance music, or EDM, was the underground sound of the moment. It lived in the shadows, in secret warehouse raves, abandoned fields, and dingy clubs. It was a subculture, a community built around a shared love of a repetitive beat and being an outsider. Fast forward to today, and that same sound is the soundtrack to some of the biggest festivals on the planet, a dominant force in pop music, and a key part of the world of online gaming.

There is no denying the epic story of how EDM has gone from fringe to the frontline of global culture. It’s a story of technological innovation, commercial explosion, and a fundamental change in the consumption of music. Here, we consider the shifts in EDM since its roots in the 90s rave culture, and the forces behind its seemingly unstoppable rise.

From Secret Raves to a Global Movement

Because early EDM was sort of secretive, the scene was super underground. The vibe was the PLUR culture: Peace, Love, Unity, and Respect. Raves were illegal parties, their locations divulged on fliers and via whispered telephone calls. The music was raw and diverse, and it was broken up into tribes like techno, house, trance, and jungle. The DJs were legends within it, and unknown outside of it. Individuality became secondary to the collective experience of the music and the dance floor.

The first of these followed as the sound began to go mainstream in the late 90s/early 2000s. Acts like The Chemical Brothers, Fatboy Slim, and Daft Punk came along. They began to receive attention in film and television commercials, and their music videos were played on MTV. For the first time, this electronic sound was being exposed to the general public, not as an underground subculture but as a cool option for pop music. And it set the stage for what was to come.

The Rise of the DJ as a Rock Star

The next big shift was the DJ becoming a global superstar. In the 2010s, with the rise of bro-step and progressive house, Skrillex, Avicii, and David Guetta became household names. This new wave of EDM was bigger, louder, and more melodic. It was festival crowd ready.

This was the era of the drop. The music was built around building tension and releasing it in an explosive bass and synth crescendo. This created a shared emotional moment for tens of thousands of people at once. As a result of this, DJs were no longer just playing records; they were performers, the main attraction. They commanded huge fees, had elaborate stage productions with pyros and LED screens, and flew around the world in private jets. The anonymous figure in the dark corner of the club was replaced by a modern-day rock star.

The Festival Experience

The festivals grew as the DJs did. Small festivals like EDC Las Vegas, Tomorrowland Belgium, and Ultra Miami became weekender extravaganzas. These aren’t just music, they are total experiences! They are pop-up fantasy worlds with carnival rides, art installations, costumed performers, and high production values. This festival boom turned EDM into an industry. These are billion-dollar events and a rite of passage for millions of people. Instead of the small, local, and personal vibe of a ’90s rave, it became a big, shiny production. This combination of super festivals made EDM mainstream.

The Digital Age: Streaming, Social Media, and Gaming

The Internet played a role at each stage of EDM’s trajectory. It was essentially through online forums and file-sharing that the music got out in its early days. Finding new artists and genres is easier than ever today, with streaming services such as Spotify and Soundcloud. A new producer can create a song in their bedroom, upload it to the Internet, and it can go viral overnight, entirely without involving traditional music industry middlemen. Additionally, artists have used social media to engage directly with audiences and fans. DJs post behind-the-scenes content, new music, and shows on Instagram and TikTok. This has fostered a community and a loyal sense of belonging to the scene.

More recently, EDM has found itself as the go-to music choice for gamers. Players strap into and blast EDM; the consensus online is that it helps to “lock in” and enhances gameplay performance. This has become so mainstream that a quick search on platforms like Spotify for Gaming EDM will give you thousands of playlists that are specifically tailored to this.

Game developers have noticed this trend and incorporated it into their games. Games like Cyberpunk 2077 use the music genre heavily in their soundscape, and games like Fortnite host virtual EDM concerts with artists like Marshmello.

EDM (electronic dance music) has become increasingly integrated into niche gaming scenes, like the iGaming industry. Video slot developers often feature EDM for its background music; Microgaming even developed a game in collaboration with Deadmau5, and many other sites include the music as the background soundscape for their live dealer rooms.

These platforms understand it’s not just about having bonuses for their site—like the highly contested no deposit bonus—but also about maintaining a game library that follows and caters to popular gaming trends. In an industry where trends evolve rapidly, failing to adapt quickly can leave operators falling further behind the competition, making it essential to stay in tune with what players want.

The Sound Spreads

The big-room festival sound was the dominant sound of the 2010s. But the EDM landscape is now more diverse than ever. As the mainstream sound got more commercial, fans and artists started looking for something different. And that’s led to a big resurgence of the genre’s roots.

Today, there’s a scene for almost every subgenre imaginable. The deep, hypnotic techno and house grooves are filling clubs from Berlin to Ibiza. More melodic and emotional genres, like progressive house and trance, still have global followings. And new sounds are emerging all the time, blending hip-hop, pop, and world music with electronic beats. So, the genre never gets old and has something for almost every taste.

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