Editorial
Kappa FuturFestival 2026: 10 Can’t Miss DJ Sets
Here are the ten must-see DJ sets at Kappa FuturFestival 2026, from Michael Bibi’s emotional comeback to Four Tet b2b Skrillex and Detroit techno legends.
Kappa FuturFestival 2026 is set to showcase top artists and unforgettable electronic music experiences.
01. Michael Bibi – DAY 1
Genre: Tech House / Minimal
Michael Bibi’s return to Kappa is easily one of the most emotional stories of the festival. After becoming one of the defining artists of Kappa’s recent history — especially following his legendary 2022 set — Bibi stepped away after announcing his cancer diagnosis in 2023. This year marks one of his first major appearances after beating cancer, making the set feel bigger than just music. Notably, fans are excited for Michael Bibi’s set because it takes place at Kappa FuturFestival 2026.
Why:
- His 2022 Kappa set became iconic online.
- The viral Beltran track moment helped shape the current minimal groove wave.
- Likely one of the biggest crowd moments of the weekend.
02. Serafina B2B Fumi – DAY 1
Genre: Hardgroove / Hard Techno
This set perfectly captures the new generation of internet-driven rave culture. Serafina and Fumi are part of the wave of female DJs dominating social media feeds through fast-paced hardgroove sets, fashion-forward aesthetics, and highly energetic B2Bs. It’s clear why their performance is anticipated for the lineup at Kappa FuturFestival 2026.
Why:
- Represents the current “new rave girl” movement.
- Strong TikTok and Boiler Room-era appeal.
- One of the most culturally current bookings on the lineup.
03. Four Tet B2B Skrillex – DAY 2
Genre: Bass / UK Electronic / Experimental
This is probably the most unpredictable set of the festival. Four Tet and Skrillex have become one of electronic music’s most fascinating crossover duos, blending underground credibility with massive mainstream reach. Their sets constantly jump between genres and are almost impossible to predict. By the way, fans expect Four Tet and Skrillex to surprise at Kappa FuturFestival 2026.
Why:
- Likely one of the most discussed sets online afterward.
- Appeals to both underground electronic fans and larger festival audiences.
- Rare combination of experimentation and crowd control.
04. Adrian Mills – DAY 3
Genre: Hard Techno / Trance Basslines
Adrian Mills represents the current acceleration of hard techno into the mainstream festival circuit. His rise has been extremely fast, especially among younger crowds looking for faster, more aggressive energy compared to traditional techno lineups. Additionally, Adrian Mills’ set will feature at Kappa FuturFestival 2026 and promises intense energy.
Why:
- One of the clearest “next generation” bookings at Kappa.
- Strong Gen Z audience appeal.
- Reflects the festival’s awareness of shifting techno trends.
05. Sammy Virji – DAY 3
Genre: UK Garage / Bassline
Sammy Virji has become one of the key names behind the global UK garage revival. His sets bring a completely different energy compared to the techno-heavy parts of the lineup, adding groove, bounce, and crowd interaction. And at Kappa FuturFestival 2026, Sammy Virji is sure to bring even more energy.
Why:
- UK garage is having a massive resurgence globally.
- Known for extremely high-energy crowd reactions.
- One of the most fun bookings on the lineup.
06. Disclosure DJ Set – DAY 1
Genre: House / UK Garage
Disclosure’s inclusion gives the lineup an important stylistic balance. In a festival dominated by techno and harder sounds, their groove-oriented house and garage sound offers something more melodic and accessible while still remaining respected by electronic music audiences. Disclosure’s DJ set is a highlight of Kappa FuturFestival 2026, offering a fresh sound.
Why:
- Rare chance to hear a proper Disclosure DJ set rather than a live show.
- Bridges mainstream and underground audiences.
- Strong crossover appeal.
07. Tini Gessler – DAY 1
Genre: House / Tech House
Tini Gessler represents the newer Ibiza-influenced wave of tech house artists entering major international festival conversations. Including her adds a strong newcomer-to-watch angle to the article. She is another rising star featured at Kappa FuturFestival in 2026.
Why:
- Rising international profile.
- Strong dancefloor-focused selector.
- Represents Kappa’s newer-generation curation choices.
08. Ben Klock B2B Marcel Dettmann – DAY 2
Genre: Berlin Techno
For pure techno fans, this is arguably one of the most historically important sets on the lineup. Ben Klock and Marcel Dettmann helped define the sound of Berghain and modern Berlin techno as a whole. This B2B is being presented at Kappa FuturFestival 2026, making it a can’t-miss.
Why:
- Deep underground credibility.
- Minimal visuals and no gimmicks — purely music-focused.
- Essential booking for longtime techno fans.
09. Carl Craig ft. Mike Banks – DAY 2
Genre: Detroit Techno
This booking acknowledges the roots of techno itself. Carl Craig and Mike Banks are legendary Detroit figures whose influence shaped generations of electronic music. Including them gives the article depth and historical perspective, especially as they perform together at Kappa FuturFestival for the 2026 edition.
Why:
- Mike Banks is closely tied to Underground Resistance culture.
- Important contrast to the younger social-media-driven acts.
- Represents techno history at its purest form.
10. Peggy Gou – DAY 3
Genre: House / Techno
Peggy Gou remains one of the few electronic artists with true crossover global celebrity status. Even though she has played Kappa before, her sets continue attracting huge crowds from both mainstream and underground audiences. In 2026, Peggy Gou is an essential act at Kappa FuturFestival.
Why:
- Major fashion and cultural crossover influence.
- Still one of the festival’s biggest crowd magnets.
- Appeals far beyond traditional electronic music audiences.
Honorable mentions:
Sebastian Ingrosso (DAY 2)
Why considered: Massive global recognition and strong mainstream festival appeal. Sebastian Ingrosso’s name was also part of the options for Kappa FuturFestival 2026 highlights.
Why not chosen: The booking feels less uniquely ‘Kappa’ compared to the final selections. The article already contains enough major crossover names without needing another purely headline-driven pick.
Seth Troxler (DAY 3)
Why considered: Deeply connected to Kappa culture and known for legendary side events and afterparty appearances. Seth Troxler is also linked with Kappa FuturFestival 2026 due to his reputation for iconic performances.
Why not chosen: He is already strongly associated with Kappa historically, so including him felt slightly less fresh editorially compared to newer or rarer bookings.
Floating Points (DAY 3)
Why considered: Respected by electronic music purists and musically sophisticated audiences. Many fans are looking forward to Floating Points in the context of Kappa FuturFestival in 2026.
Why not chosen: While critically respected, the set lacks the same strong narrative hook, comeback story, cultural movement, or viral relevance as the final selected artists.
For more information on Kappa FuturFestival, visit the official website here. Stay tuned for updates throughout 2026.
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Chris Candela becomes the first Venezuelan artist to release on mau5trap with debut single ‘Move Your Feet’ alongside AOSM.
Chris Candela and AOSM debut on mau5trap with the single ‘Move Your Feet’, making Candela the first Venezuelan artist to release music on deadmau5‘s iconic label. Marking a significant milestone and the beginning of a new chapter in his career, the record introduces a darker, more club-oriented sound from Chris Candela.
Discussing the track’s sonic identity, the Venezuelan artist says: “When AOSM first sent me the initial idea for ‘Move Your Feet,’ I immediately felt the track had something special. I’ve always been inspired by artists like Justice, Wolfgang Gartner, and even Knife Party, so bringing those influences together felt completely natural.”
Drawing on those influences, the two artists created a record that fits naturally within mau5trap’s darker, experimental sound. Blending gritty electro-house energy with cinematic sound design, “Move Your Feet” establishes a strong narrative identity. Built around distorted synths, driving grooves and atmospheric textures, the single delivers a modern club sound filled with raw energy.
Chris Candela not only produced the instrumental with AOSM, but also wrote and performed the track’s vocals.
“One of my favourite parts of the process was writing and recording my own vocals. The lyrics explore the overwhelming feeling that can sometimes come with being in a crowded club, until you realize the only thing that really matters is letting go and moving your feet,” says the artist.
Who Is Chris Candela?
Currently based in Mallorca, Spain, Chris Candela is an Italo-Venezuelan artist with more than 15 years of experience in the electronic music industry. Beyond the studio, he has built a substantial Spanish-speaking EDM community through his CDCVLOGS platform, before launching the Chris Candela alias project in 2025.
Throughout his career, Candela has received support from artists including Don Diablo and Fedde Le Grand, but also reached No. 44 on Beatport’s Bass House Top 100 with “Lost To The Rhythm”, his collaboration with RE-KA. Now, with his mau5trap debut, Candela reaches another major career milestone.
Reflecting on the significance of the release, he says: “Releasing on mau5trap has been a dream of mine for years. deadmau5 has been one of the artists who has influenced me the most, both creatively and personally. To become the first Venezuelan artist to sign with the label, alongside my good friend AOSM, who becomes only the second Mexican artist to do so, makes this milestone even more meaningful.”
With “Move Your Feet”, Candela enters a new chapter in his career, defined by a darker and more club-focused sound. “Move Your Feet” is out now on all major streaming platforms. Listen to Chris Candela and AOSM’s latest track below.
Follow Chris Candela:
Spotify / Apple Music / Instagram / YouTube / X (Twitter) / TikTok / SoundCloud
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Skrillex Says AI Songs Can Go Viral, But His Comments Point To A Bigger Issue Around Human Connection In Dance Music.
The debate around AI music has often focused on fake vocals, copied artist styles, copyright issues, and whether machine made songs should be labeled clearly, but Skrillex has brought the subject back to something more human. In his first formal interview in over a decade, published in 032c Issue #49 Summer 2026, Skrillex spoke with Ecco2K about creativity, rave culture, and the limits of AI in music, including the idea that AI songs can go viral while still missing the feeling of being seen by another human being. That distinction gives the topic more depth because he is not only questioning whether AI can generate music that performs well online. He is asking what happens to dance music when a song can reach listeners quickly, but the person, history, and lived experience behind it become harder to find.
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Why Skrillex’s View On AI Is Not About Rejecting Technology
Before Skrillex became known as a producer and DJ, he was the vocalist of From First To Last, a post hardcore band that already placed him in a scene where live emotion, distortion, and internet era fandom were closely connected. His move into solo production did not erase that background; it carried some of that intensity into songs like Scary Monsters And Nice Sprites and Bangarang, where chopped vocals, aggressive bass design, sharp edits, and software based production became part of the identity of the record. The same artist who helped make those sounds reach a wider audience is now saying that AI songs can go viral, which is why the point cannot be reduced to fear of computers in music.
His own career shows the opposite: technology can still carry feeling when there is a real person making the decisions behind it. In the 032c interview, Skrillex discussed making Mora in GarageBand before moving into Pro Tools and Ableton, along with ideas like Bangarang beginning from rough recordings on Snowball mics or laptop mics. Those details show that electronic music does not lose its human side just because it starts from rough digital material, software, or imperfect recordings. The difference is that an artist is choosing what to keep, cut, distort, rebuild, or leave imperfect, while a generated song can imitate the texture of those choices without carrying the bands, scenes, failed ideas, studio accidents, and years of taste that came before the final record.
Why Viral AI Songs Do Not Prove Listeners Are Connecting
When Skrillex talks about AI songs going viral, the point is easy to connect to cases the music industry has already dealt with. Heart On My Sleeve, the fake Drake and The Weeknd song made with AI vocals, did not become a talking point because listeners had discovered a new artist with a real story. It went viral because people were trying to work out how close the vocals sounded, whether the artists had approved it, and what it meant if a fake collaboration could travel that quickly. That kind of attention can make a song look successful on the surface, but the reaction is tied to the stunt, the confusion, and the technology behind it, not to a real connection between artist and listener.
Dance music has its own version of that problem because records often gain meaning before they are officially released. Rumble by Skrillex, Fred again.., and Flowdan was already circulating through DJ set recordings and crowd clips before its official release, while Baby again.. by Fred again.., Skrillex, and Four Tet gained more attention after being played live, including during their back to back set at Madison Square Garden. That path is different from an AI song going viral because it sounds close to an existing artist or copies a familiar vocal style. In dance music, the memory around a song is often tied to the DJ who tested it, the crowd that reacted to it, the festival or club clip that kept circulating, and the months of people asking for the release. AI can copy the sound of a viral record, but it cannot recreate the human trail that makes people care about where the song came from.
What This Means For AI Music Going Forward
The next stage of AI music will probably come down to what artists, labels, and platforms are willing to make clear before a song reaches listeners. John Summit’s call for human made music labels points to one possible response, especially as fake vocals and copied artist styles become harder to spot at first listen. David Guetta’s experiment with an AI generated vocal in the style of Eminem showed how quickly a technical demo can raise bigger questions about likeness and consent, while deadmau5 has already warned about deepfakes and false endorsement. Once a voice, image, or artist identity can be copied well enough to confuse people, the problem is no longer only about whether the song sounds convincing; it is about whether listeners know who actually made what they are hearing.
Skrillex’s point is closer to what listeners may start caring about as AI music becomes more common. AI may keep producing songs that go viral, especially when the hook feels familiar, the voice sounds close to someone famous, or the curiosity around the technology is strong enough to push the clip online. But dance music has always depended on more than a first reaction. People remember the DJ who played a song before release, the set where they first heard it, the crowd clip that made them search for the ID, and the artist history that made the record feel connected to something real. AI can copy parts of that format, but without a person behind the choices, the trust becomes weaker, and that may be the difference between a song people click on once and a record they keep returning to.
As AI music becomes easier to make and harder to identify, the future of dance music may depend less on whether listeners reject the technology and more on whether they still trust the people attached to the songs. Skrillex’s comments point to a problem that goes beyond one viral record or one copied vocal, because the deeper risk is a culture where the source of a song becomes unclear and the relationship between artist and audience starts to feel less certain. Dance music has always moved through clubs, festivals, IDs, edits, and shared recordings, but those moments only last when people believe there is a real person behind the choices, the risk, and the history of the record. AI may continue to create songs that travel quickly online, but the harder question for artists, labels, platforms, and listeners is whether speed can ever replace trust, and whether a song can still mean something long after the first reaction if no one can feel the human life behind it.
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Electrisize Festival Returns With Turbo Takeover and Fireworks as the 2026 Edition Brings Artist Signings, New Areas, Valley of Sound and 55,000 Visitors to Haus Hohenbusch.
Electrisize Festival returns from August 7 to 9, bringing the 2026 edition back to the historic grounds of Haus Hohenbusch near Dusseldorf. Presented by 1LIVE, Europe’s second largest youth radio station, the festival is expecting 55,000 visitors for a weekend built around new experiences, expanded stage production, artist signings and fireworks across all three days.
More than 150 artists will play across the three day event, covering EDM, hardstyle, techno and Mallorca party anthems. This year’s lineup includes Alle Farben, Brennan Heart, Showtek, David Puentez, Eko Fresh and Mia Julia, alongside rising names OSWALD and Yung Saint Paul, both featured on the 2026 New Music Hotlist. They join Gestört aber GeiL, Glockenbach, Paul Elstak and Kati K to round out the bill.
Meet the Artists Up Close
Festival founders Raphael Meyersieck and Michael Frentzen are introducing a handful of new experiences this year. For the first time, fans will get the chance to meet their favorite artists in person through dedicated Artist Signing Sessions, collecting autographs and photos to remember the weekend by. There’s also a new Ferris Wheel Flat Rate giving guests unlimited rides and sunset views all weekend long, and for those craving a cold beer with some rock energy, the new pub “The Thunder” offers a campfire setting built for tribute bands and karaoke nights.
Photography by janheesen.com
Winter Vibes in the Middle of Summer
Austria’s Valley of Sound is bringing its own stage to Haus Hohenbusch for all three days, adding a mountain inspired setup to the festival site during the summer weekend. Another new addition is The Source, an area tucked into nature and designed around yoga, music and mindfulness, giving festivalgoers a place to reset before heading back to the stages. The main stage production is also expanding this year, with lights, lasers and fireworks running across all three festival days instead of just one.
Turbo Takeover on the Mainstage
Electrisize’s Turbo Stage continues to be the home base for singalongs and Mallorca party hits, with artists like Calvin Kleinen, Caro Winter, Eko Fresh, Frenzy, Kreisligalegende and Van Keeken bringing the confetti and party focused sets attendees expect. Friday kicks off with a special Turbo Takeover as Frenzy and Rumbombe bring Turbo straight to the Mainstage, while Sunday closes out with Mia Julia taking over the Mainstage to wrap the weekend.
Beating the Summer Heat
Electrisize has come prepared for high temperatures, with free drinking water, complimentary sunscreen, shaded areas, sun sails and multiple chill out zones spread across the grounds. Water cannons will help cool down the crowd, and thanks to the festival’s partnership with Valley of Sound in Austria, snow machines can even be activated across the site if temperatures rise during the weekend.
Non Stop Action at Electricity
The Electrisize campsite, known as Electricity, comes with its own schedule of activities, from the Runners Club on Friday morning and the After Runners Club Party that follows, to Beer Yoga, Shuffle and Hakken workshops, Beer Pong tournaments and a full lineup of DJ sets. Paved walkways connect the campsite to the festival grounds, and campers can look forward to complimentary premium showers and sanitary facilities, along with a 24/7 supermarket stocked with Dutch snacks and camping essentials.
Photography by janheesen.com
Electrisize is also making the festival more accessible this year with the launch of NextGen Tickets, aimed at attendees aged 16 to 19 and starting at just 55 euros. The festival’s popular Group Deals are back too, letting groups of four or more save on tickets. More info and tickets are available at www.electrisize.de.
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