Drum and Bass
Koven Return To Monstercat With Poignant Drum & Bass Single ‘Take It Away’!
Koven’s rise just before the pandemic took hold a contemporary story of a duo’s dedication to their craft, which can be seen through both an electric live presence and also the sheer quality of their releases. These are elements that they never pulled the brakes on during lockdown. Their work ethic is second to none, shown in the creation of their virtual reality club space as well as a number of phenomenal live sets which brought Katie Koven into fans’ living rooms. Although having re-kickstarted a jam-packed touring schedule (including dates in Europe, New Zealand, Australia, and North America), on top of dropping several releases in its lead up on UKF and NCS, now Koven have returned to Monstercat following the mammoth success of their album ‘Butterfly Effect’ which premiered on the label. It’s a move that sees them come full circle, in a similar dynamic to their recent set at Belgium’s Rampage festival in March, the groundbreaking show which brought their beloved ‘Butterfly Effect’ to tens of thousands.
‘Take It Away’ is the brand new single from Max and Katie, with Max sitting in the production booth and Katie lending her award-winning vocal prowess to the mix. Featuring the same depth which is notable within the entirety of Koven’s catalog, it’s heartbreak hidden in the high-energy drums, recounting what it’s like to let go of a relationship for fear of the void that follows. It takes its listener once more into their emotive landscapes which many have become familiar with. Something which is apparent at Koven’s shows, when Katie takes the mic and inspires crowds to follow their lyrics word-for-word. Adding to the record’s epicness, it also features the ‘Parallax Orchestra’, the same group behind the Eminem and Clean Bandit shows at Wembley Arena; adding to its musicality and already the pair’s impressive profile.
Max shares, “We started the EP at Middle Farm Studios in July 2021 and “Take It Away” was actually the first track we wrote, so it made sense to start here with the releases too. We then got a knock on the door of the studio and it was my old music theory tutor who was in recording with another band. He’s been doing all the string arrangements for Bring Me The Horizon, Architects, and others, so the strings you can hear on this record were arranged by him and recorded by the Parallax Orchestra!”
Katie adds, “I’m so excited for this to be our first single back after not releasing anything since last year. I think it’s something quite different for us but really special. It’s such a pretty track, it’s heartbreaking but also hopeful. I hope people connect with it the way we have.”
The softly spoken intro carried through by Katie, with its orchestral undertones, draws you into the record’s intense energy as it kicks into play. It’s one more certified mainstage anthem from Koven as the summer season begins. With a stacked list of headline shows and festival dates forthcoming for Koven across EDC Las Vegas, Love Saves The Day, and Tomorrowland, as well as a full package of music in the pipeline, the duo are staying true to what made them stand out, with their success a testament to their authenticity. 2022 is a new chapter for Koven, but they’re still following the same explosive ascent.
Following up on a strong run of singles, Softboy7 has stepped it up with the release of a deeply personal album ‘dreamData.’
From the first track, ‘my little angel’, the scene is set for the world of ‘dreamData’. Packed with layered synths and atmospheric textures, it gives the album an energetic opening that draws the listener in. ‘dreamData’ is easy to get lost in as every track flows smoothly into the next, allowing the listener to immerse themselves in Softboy7’s world.
There is a very clear vision throughout, as each track maintains the core elements that define ‘dreamData’. Atmospheric soundscapes, precise beats, and dreamy synths. While every track is built around these elements, each one feels like a refreshing take on the scene. On ‘above the layers’ and the title track ‘dreamData’, there are beats influenced by digicore and trap with a more laid-back feel, while ‘ethereal’ pairs dreamy atmospheres with fast breakcore-style drums. The whole album production features balanced mixing and careful use of dynamics. It varies between intense and gentle passages, switching between high energy and softer sections.
Softboy7 developed the story and emotive background of ‘dreamData’ through his struggle with mental health and the journey of finding his way back to enjoying and loving life. Much of that recovery came from online connections, such as gaming sessions and calls, which fostered genuine positive emotions. One particularly defining moment for the album, he told us, was trusting a stranger enough to take a flight to Brazil, which ended up as a formative and unexpectedly wholesome experience. That sense of vulnerability and safety is reflected in ‘take my hand’, a track built around trust and emotional openness. This theme of connection extends throughout the album, with each song telling its own story, from ‘last promise’, about embracing your uniqueness, to ‘dead pc’, which reflects the sadness of losing personal data.
Inspired visually and emotionally by Y2K design, Frutiger Aero, Solarpunk, Kawaii, and Hopecore, ‘dreamData’ exists as both a collection of songs and a carefully imagined world built from real life experiences, digital intimacy outlining the reasons Softboy7 fell in love with being alive again.
You can follow Softboy7 on their socials below:
On December 5th Sub Focus is heading to Warehouse Project in Manchester to celebrate the launch of his upcoming album ‘Contact.’
On November 21st Sub Focus will be dropping his highly anticipated 5th studio album ‘Contact.’ The singles he’s already unveiled that feature on the album have all been massive hits. Tracks like ‘Go Back’ with John Summit, ‘Push The Tempo’, and ‘On & On’ have been getting crowds amped up all around the world. It’s no secret, Sub Focus is on fire.
Come December 5th he’s bringing the full power of ‘Contact’ to Manchester’s Warehouse Project and he’s coming with extra firepower. Joining him in the Concourse room for 8 hours of heavenly music are the likes of Culture Shock, Bou, Kanine, and many more. The Concourse room has a no phones policy which will give the crowd the opportunity to really let themselves get lost in the music and have the time of their lives.
2025 has arguably been one of the biggest years of Sub Focus’ career with plenty of highlights. This year has seen him release some of his biggest tracks ever, make his debut on the mainstage at Creamfields, and achieve an impressive personal milestone. For the final quarter of the year, he’s made it onto the cover of DJ Mag. He took to his social media to say, “This is a massive milestone for me having read this since I was a kid, so grateful to the guys for having me.”
Tickets for the launch party go on sale on October 17th at 12PM with pre-sale opening up at 9AM. On December 5th get yourself over to Manchester, put away your phone, and let your mind be blown by the sounds of Sub Focus.
To sign up for pre-sale click the link below:
You can follow Sub Focus on his socials below:
DJ Madam Filth Returns With Drum and Bass Track ‘Got That Blow’
Las Vegas-based DJ Madam Filth has released her second track on the Dancefloor Mafia label, titled Got That Blow. Known for her presence in the U.S. drum and bass scene, she brings another fast-paced offering that reflects her commitment to building both her sound and her label’s direction.
The track runs for just under four minutes and wastes no time setting its pace. It opens with a rhythmic pattern that leans into familiar DnB territory like quick tempo, tight percussion, and minimal melodic distractions. There’s a focus on keeping the structure clean and the transitions purposeful. Instead of throwing in multiple breaks or sound detours, the song keeps the listener on a straight course with steady layering and repetition.
There’s a vocal sample running through the main progression, acting as both a hook and a rhythmic anchor. Rather than relying on dramatic builds, the track maintains a linear intensity. That choice gives DJs room to use it mid-set to either maintain drive or transition without losing pace.
More Than Just a Single
Got That Blow is not just another release. For DJ Madam Filth, this marks another step in solidifying her platform. As a resident on Vibe 99.7FM’s Bass Nation and co-founder of the Konkrete Jungle event series, she’s not new to the genre or its surrounding community.
The Dancefloor Mafia label, which she launched independently, serves as a space for her to release her own music and to experiment with tracks built directly for the kind of dancefloors she plays regularly. Her style often leans toward straightforward arrangements that favor flow over theatrics. Got That Blow fits into that catalogue clearly.
For Listeners and DJs Alike
This track isn’t trying to reinvent the genre. It’s meant for settings where speed, precision, and familiarity matter. The production is tight, with all elements serving the rhythm rather than competing for attention. For fans of minimal, high-speed DnB, it’s a track that can slot comfortably into playlists or live sets without dominating them.
DJ Madam Filth continues to approach her releases with intention. Got That Blow may not be overly complex, but it’s well-built for the purpose it serves. If you follow her work—or just want a no-frills DnB addition to your library as it’s worth a listen.#
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