Drum and Bass
Sub Focus Announces Launch Party At Warehouse Project For New Album ‘Contact’
On December 5th Sub Focus is heading to Warehouse Project in Manchester to celebrate the launch of his upcoming album ‘Contact.’
On November 21st Sub Focus will be dropping his highly anticipated 5th studio album ‘Contact.’ The singles he’s already unveiled that feature on the album have all been massive hits. Tracks like ‘Go Back’ with John Summit, ‘Push The Tempo’, and ‘On & On’ have been getting crowds amped up all around the world. It’s no secret, Sub Focus is on fire.
Come December 5th he’s bringing the full power of ‘Contact’ to Manchester’s Warehouse Project and he’s coming with extra firepower. Joining him in the Concourse room for 8 hours of heavenly music are the likes of Culture Shock, Bou, Kanine, and many more. The Concourse room has a no phones policy which will give the crowd the opportunity to really let themselves get lost in the music and have the time of their lives.
2025 has arguably been one of the biggest years of Sub Focus’ career with plenty of highlights. This year has seen him release some of his biggest tracks ever, make his debut on the mainstage at Creamfields, and achieve an impressive personal milestone. For the final quarter of the year, he’s made it onto the cover of DJ Mag. He took to his social media to say, “This is a massive milestone for me having read this since I was a kid, so grateful to the guys for having me.”
Tickets for the launch party go on sale on October 17th at 12PM with pre-sale opening up at 9AM. On December 5th get yourself over to Manchester, put away your phone, and let your mind be blown by the sounds of Sub Focus.
To sign up for pre-sale click the link below:
You can follow Sub Focus on his socials below:
Drum and Bass
DJ Madam Filth Drops Drum and Bass Track ‘Got That Blow’
DJ Madam Filth Returns With Drum and Bass Track ‘Got That Blow’
Las Vegas-based DJ Madam Filth has released her second track on the Dancefloor Mafia label, titled Got That Blow. Known for her presence in the U.S. drum and bass scene, she brings another fast-paced offering that reflects her commitment to building both her sound and her label’s direction.

The track runs for just under four minutes and wastes no time setting its pace. It opens with a rhythmic pattern that leans into familiar DnB territory like quick tempo, tight percussion, and minimal melodic distractions. There’s a focus on keeping the structure clean and the transitions purposeful. Instead of throwing in multiple breaks or sound detours, the song keeps the listener on a straight course with steady layering and repetition.
There’s a vocal sample running through the main progression, acting as both a hook and a rhythmic anchor. Rather than relying on dramatic builds, the track maintains a linear intensity. That choice gives DJs room to use it mid-set to either maintain drive or transition without losing pace.
More Than Just a Single
Got That Blow is not just another release. For DJ Madam Filth, this marks another step in solidifying her platform. As a resident on Vibe 99.7FM’s Bass Nation and co-founder of the Konkrete Jungle event series, she’s not new to the genre or its surrounding community.

The Dancefloor Mafia label, which she launched independently, serves as a space for her to release her own music and to experiment with tracks built directly for the kind of dancefloors she plays regularly. Her style often leans toward straightforward arrangements that favor flow over theatrics. Got That Blow fits into that catalogue clearly.
For Listeners and DJs Alike
This track isn’t trying to reinvent the genre. It’s meant for settings where speed, precision, and familiarity matter. The production is tight, with all elements serving the rhythm rather than competing for attention. For fans of minimal, high-speed DnB, it’s a track that can slot comfortably into playlists or live sets without dominating them.
DJ Madam Filth continues to approach her releases with intention. Got That Blow may not be overly complex, but it’s well-built for the purpose it serves. If you follow her work—or just want a no-frills DnB addition to your library as it’s worth a listen.#
Drum and Bass
Pendulum Announce First Album In 15 Years, ‘Inertia’
Rumours have been swirling since Pendulum wiped their socials a couple weeks ago launching fans into a frenzy wondering what this meant. After releasing their new single ‘Save The Cat’ they’ve now revealed that they’ve got a whole new album coming on August 22nd that it will feature on, ‘Inertia.’
Pendulum have been pumping out incredible songs for years, but you have to go back as far as 2010 to find their last album where you’ll discover the amazing ‘Immersion.’ It featured some of their greatest tracks including ‘Watercolour’, ‘Witchcraft’, and ‘The Island’ which put Pendulum on the map. However, with the wiping of their socials and the announcement of ‘Inertia’ it’s looking like they’re heading into a new era with a new sound.
From the tracks that have already been released you can still hear the essence of Pendulum, but they’ve dialled up the volume with a more aggressive sound. They dip into the realms of hardstyle with tracks like ‘Save The Cat’ while in ‘Halo’ and ‘Napalm’ they heavily lean into metal while not losing their drum & bass roots. Their path towards a heavier sound is evident from the collaborations alone with the likes of Bullet For My Valentine, Wargasm, and Scarlxrd all appearing on the album.
The countdown has begun, and the bar has been set high with the songs we’ve got so far. After over 20 years of making music, Pendulum is still kicking hard right at the top of the drum & bass scene and ‘Inertia’ is looking to be another masterpiece from them.
Drum and Bass
Fox Stevenson And Yue Smash Into 2025 With ‘Pieces’
For years Fox Stevenson has been pumping out fantastic genre-blurring music that has earned him over 100 million streams on Spotify. Now he’s come out with another banger with ‘Pieces’ in collaboration with Drum & Bass producer and vocalist Yue that is yet again a show of his diverse and unique productions.
‘Pieces’ is a tour de force of fantastic sound design that has some absolutely beautiful atmospherics which are a particular treat for the ears and set the more solemn tone in the verses brilliantly. The dichotomy between Fox’s lyrics that recall past struggles, and Yue’s lyrics which describe looking toward a hopeful future create a compelling narrative that leads into the awesome breakbeat in the chorus’. Yue provides some incredible vocals which when layered together with Fox’s during the chorus’ sounds like their voices were made to be blended together.
‘Pieces’ is an excellent addition to Fox Stevenson’s repertoire of Drum & Bass bangers and will be an exciting track of his to hear at his live shows where he integrates live instruments into his performances. He’s on top form at the moment which is looking to continue over the coming year having already dropped another heater with ‘That Choice.’ There’s plenty to look forward to from him.

Connect with Fox Stevenson on his socials below:
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