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MDLBeast’s XP Announces Conference Program!

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Music professionals and fans from across the region can purchase their tickets for MDLBEAST’s music conference, XP. The three-day event with a conference & nightlife aspect will take place in Riyadh from 13th – 15th December and is set to become the most forward-thinking gathering of music leaders in the region.

Tickets for the ‘Day Xperience’, which includes access to the conference for all three days, are available for 1,950 SAR and increase to 3,450 SAR for the ‘Full Xperience’ ticket, offering three-day conference access plus entry to the evening parties and events. A ‘Lite Xperience’ ticket is available for 150 SAR and includes access for one day between the hours of 4pm to midnight. For guests attending the evening events only, the ‘Night Xperience’ ticket costs 750 SAR for one night, increasing to 1,750 SAR for all three nights. 

XP is set to welcome leading international and regional music industry executives, policy makers, artists and creatives to participate in workshops, panel discussions and roundtables as they come together in building the future for the region’s music industry.

XP programme director, Nada Alhelabi commented, “It’s fair to say that we are entering the most exciting time for the music industry in the Middle East, ever. The opportunity is enormous, the potential is being unlocked, and what we need is a moment for the industry to come together to seize this chance with both hands, XP is that moment’’.

She added, “We have built a very special program around the four key pillars; talent, the scene, policy, and social impact. We’re going to cover every corner of the industry with real outcomes and actions which will have a genuine and positive impact in the regional music industry.”

Programming for XP will come under four pillars: Talent and Development; Inspire and Promote; Data, Policy & Advocacy; and Social Purpose – with each pillar containing carefully curated panel discussions and networking opportunities. 

Topics under Talent and Development will range from ‘Amplifying Music Futures – What does this new generation of creatives need to thrive?’, where the focus will be on laying down the ingredients for success in the industry. Another topic of discussion is titled ‘It’s a real job, mama’, which will look at how, currently, careers in the creative industries are limited for many young people in the region, and what can be done to change it.

Inspire and Promote topics will range from ‘Supercharging Music Tourism – Creating a sustainable new economy in KSA’ which will explore the changing landscape of the sharing economy, and the companies striving to make access to events and entertainment easier. A fishbowl session titled ‘How music can put a city on the global map’ will outline best practices in placemaking for music venues and festival sites.

‘Empowering Women in Music’ will be a hot topic under Data, Policy and Advocacy, as XP explores the advantages of female representation and having a diverse workforce. Another discussion under the same umbrella will be ‘The social and economic impact of the music industry on society’, which looks at the significant ROI music has on cities across the world. Social Impact programming will look at subjects which extend the positive reach of music culture into communities. This takes many forms with ‘Green events, green planet’, one example event which willshowcase the innovative power and progressive thinking within the events industry.

Ramadan Alharatani, CEO of MDLBEAST, says: “XP is a truly ground-breaking opportunity to contribute to building a new music and creative ecosystem that will offer benefits for all. The Middle East and Africa music market, which accounted for around US$170 million in the year 2018, is expected to grow to more than US$650 million in 20271. This is the scale of the opportunity and the reason why XP exists, to build the infrastructure to support and accelerate that growth.”

To ensure this, the XP programming has been carefully curated to cover the most important topics we are faced with today and I’m delighted to welcome some of the brightest and most exciting minds to join us in inspiring the next generation of music industry professional.”

Tickets are available to purchase from: https://xptickets.mdlbeast.com/

Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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Chris Lake News

Framework Announces 2026 Summer Series Across Los Angeles

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A packed Framework outdoor event in Los Angeles with red lighting, laser beams, and a large crowd during the 2026 Summer Series.

Framework Announces 2026 Summer Series Across Los Angeles with 13 outdoor shows at Exposition Park, Gin Ling Way, California Plaza and more

Framework, one of the world’s leading independent producers of underground music experiences, today announces its 2026 Summer Series, a thirteen-show run of outdoor events across Los Angeles featuring a mix of globally recognized talent and emerging artists. The series brings Framework back into open-air settings across Los Angeles County, with shows planned at culturally significant locations including Gin Ling Way, Exposition Park, California Plaza, and Reframe Studios Outdoors. The run has already started with two sold-out events, including Disco Lines at Exposition Park and &ME at Cabrillo Beach, giving the announcement early traction before the rest of the season continues through September. With names such as Chris Lake, Gorgon City, SG Lewis, Carlita, SOSA, Ben Sterling, Francis Mercier, and Shimza attached to the series, Framework’s 2026 Summer Series continues the company’s wider push into large-scale outdoor dance music events across Los Angeles.

 

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Framework’s Summer Series Expands Across Outdoor LA Venues

The 2026 Summer Series continues on May 30 with Gorgon City at Reframe Studios Outdoors, Framework’s open-air extension of its Atwater Village venue. From there, Framework brings the run into several parts of Los Angeles, including Gin Ling Way in Chinatown, LA State Historic Park, Exposition Lawn, and California Plaza. The venue choices are central to the announcement because the series is not limited to one stage or one neighborhood. It places underground dance music across different outdoor settings in Los Angeles, from historic public spaces to downtown plazas and larger open-air sites.

Deep House Bible takes over Gin Ling Way on June 6 with Ahmed Spins, Darco, DDD, and Erez, followed by Chris Lake’s sold-out two-day run at LA State Historic Park on June 19 and 20 with AYYBO, Ragie Ban, Hot Since 82, and Club De Combat. The later dates continue with SG Lewis and Carlita at Gin Ling Way, SOSA, Max Dean B2B Luke Dean, and Rossi at Exposition Lawn, then Planet X with Ben Sterling at California Plaza. The series closes on September 19 with Francis Mercier and Shimza at Reframe Studios Outdoors, bringing the schedule back to Framework’s own open-air setting after a summer spread across Los Angeles.

Framework Links The Summer Series To LA’s Dance Music Growth

For Framework founder Kobi Danan, the summer run is closely tied to the role Los Angeles plays in global dance music. “Los Angeles deserves live experiences that feel exciting and unique to the city,” he said. “For us, this summer is about bringing people together in great locations, sharing great music, and continuing to show why Los Angeles plays such an important role in global dance music today.” The quote fits the structure of the series, which uses recognizable Los Angeles locations while keeping the focus on house, underground dance music, and artists with strong followings across international club circuits.

The announcement also follows a busy period for Framework outside its regular nightlife events. During Coachella season, Framework In The Desert returned to Thermal, California for its fifth anniversary, selling out a three-night run with more than 10,000 attendees. Framework has also expanded its outdoor work in Los Angeles through major Hollywood Boulevard takeovers for FISHER and Chris Lake, Mochakk, and Adam Port of Keinemusik. That recent history gives the 2026 Summer Series more weight because it continues the same direction across parks, beaches, plazas, and open-air venues in Los Angeles County.

Re:frame Adds Another Layer To Framework’s Outdoor Growth

Framework’s outdoor expansion also connects back to re:frame, its Atwater Village venue concept that has become one of the company’s most in-demand Los Angeles nightlife spaces. The response to re:frame has helped push Framework further into open-air events, with Reframe Studios Outdoors now acting as a bridge between the company’s venue identity and its larger citywide productions. That connection is visible in the summer schedule, with Gorgon City opening the next phase of the series at Reframe Studios Outdoors and Francis Mercier and Shimza closing the run there in September.

The wider direction follows how Framework has positioned itself across Los Angeles over the past few years, using beaches, parks, streets, plazas, and studio-adjacent outdoor spaces for large-scale dance music events. Instead of separating its club identity from its outdoor shows, Framework is using re:frame and Reframe Studios Outdoors as part of the same growth path, where venue design, production, and location choice all matter to the experience. For the 2026 Summer Series, that approach gives the schedule more structure than a standard run of outdoor shows, with Framework placing underground music in settings tied closely to Los Angeles while still keeping the focus on the artists and the crowd in front of them.

Framework Summer 2026 Series Tickets And Closing Dates

Framework’s 2026 Summer Series continues through September, with upcoming shows still set for Reframe Studios Outdoors, Gin Ling Way, LA State Historic Park, Exposition Lawn, and California Plaza. After opening with sold-out events from Disco Lines at Exposition Park and &ME at Cabrillo Beach, the run continues with Gorgon City, Deep House Bible, Chris Lake, SG Lewis, SOSA, Max Dean B2B Luke Dean, Carlita, Rossi, Planet X with Ben Sterling, Francis Mercier, and Shimza across the rest of the summer. The final show is set for September 19 at Reframe Studios Outdoors, where Francis Mercier will close the series with special guest Shimza.

Tickets and RSVP information for Framework’s 2026 Summer Series are available through Framework’s official channels. With multiple dates already sold out, including SG Lewis at Gin Ling Way and the two-day Chris Lake run at LA State Historic Park, the remaining shows continue a summer schedule that has already pulled strong demand across Los Angeles.

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EDM Festival News

What So Not Announces I Saw A Trap DJ Project And Tour

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What So Not Announces I Saw A Trap DJ Project And Tour as he reconnects with the trap era roots behind his sound

What So Not is an Australian electronic music producer and live performer recognized as one of the defining architects behind the rise of cinematic trap and forward-thinking bass music in the early 2010s. Now, he is entering a new chapter with I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY, a forthcoming project that revisits the trap and bass era that pushed electronic music through festival stages, SoundCloud culture, and the wider 2010s dance music wave. The announcement comes with a full social reset, a new creative direction, and a limited-capacity U.S. tour that includes stops at Club Vinyl in Denver, 45 East in Portland, Substance in Las Vegas, Marquee NY, Lost In Dreams Festival, and Das Energi 2026. Instead of treating the project as a simple throwback, What So Not frames it as a return to the sound he once moved away from, using years of work across drum & bass, analog production, cinematic songwriting, and global rhythmic influences to revisit the emotional pull of that era on his own terms.

What So Not’s Catalog Shows How Far His Sound Has Expanded

Across releases including Not All The Beautiful Things, Anomaly, Motions, and the 2025 collaborative EP The Quiet That Hurts with Buunshin, What So Not has expanded his sound through trap, drum & bass, cinematic songwriting, analog production, and melodic electronic production. The Quiet That Hurts marked one of his more recent shifts, pairing his songwriting-focused approach with modern drum & bass and experimental electronic production. That background matters to I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY because his return to trap roots comes after years of work across different forms of bass music, not from an artist who stayed tied to one sound.

His wider catalog also includes collaborations with Skrillex, RL Grime, Oliver Tree, Killer Mike, Toto, and Daniel Johns, while tracks such as “High You Are,” “Jaguar,” “Gemini,” and “Be Ok Again” have collectively contributed to more than 1.3 billion global streams. On the live side, What So Not has played major festivals including Coachella, Ultra Music Festival, and Lollapalooza, with performances known for cinematic visuals, live instrumentation, and story-led production. That history gives the new project a stronger frame because trap was never only an early catalog reference for What So Not. It also became part of how his music translated across festival stages, collaborations, visual production, and the wider bass music audience that first connected with his sound during the 2010s.

What So Not Frames The Project As A Personal Return

For What So Not, I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY is not only about revisiting a period in electronic music history. It also reflects a personal shift in how he views the sound that first placed him at the center of the trap and bass movement. “For a long time I found myself running away from a sound I helped create,” he said. “In my journey to always do the ‘next’ thing, I think I neglected my thing.” His comments give the project more personal weight, especially because the rollout comes after years of releases that pushed his production into different parts of bass music, drum & bass, and cinematic electronic songwriting.

For him, the project comes from reconnecting with that earlier feeling, not trying to recreate the past exactly as it was. What So Not also describes the music as something people have wanted from him, written on his own time and with the perspective gained from years of chasing what came next. That gives the project a stronger sense of distance and intention, where the trap-era foundation is still present but filtered through the producer he has become since the early 2010s.

What So Not Brings I Saw A Trap DJ To Clubs And Festivals

Alongside the project announcement, What So Not will bring I SAW A TRAP DJ AND IT CHANGED MY BIO CHEMISTRY to a limited run of club shows and festival appearances. The U.S. dates include Club Vinyl in Denver on July 10, Lost In Dreams Festival in Los Angeles on July 11, Substance in Las Vegas on July 17, 45 East in Portland on July 18, Marquee NY on July 24, and Das Energi 2026 in Magna, Utah on August 7. The wider schedule also includes The Vault in Fyshwick on May 23, Wollongong CBD Laneway on May 30, and Newspeak in Montreal on October 1.

The club dates matter because this project is tied to the closeness of the early trap and bass era, when much of the culture developed through smaller venues, online discovery, remixes, and producer-led communities before the sound became common across major festival stages. Pairing those venues with selected festival stops gives What So Not a live setting that matches the idea behind the project without making it feel like a direct copy of the past. Presale begins Thursday, May 21 at 10 AM local time, followed by general onsale on Friday, May 22 at 10 AM local time.

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John Summit Announces CTRL ESCAPE Arena Tour

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John Summit performs in front of a large crowd ahead of his CTRL ESCAPE Arena Tour across North America in 2026.

John Summit Announces CTRL ESCAPE Arena Tour with North America 2026 dates, full production, special guests, and presales starting May 26

John Summit has announced the CTRL ESCAPE Arena Tour, marking his first-ever arena tour across North America in 2026. The run begins on October 1 in Champaign, Illinois, before moving through Canada and the United States with stops including Toronto, Boston, Washington, DC, Houston, Miami, Chicago, Brooklyn, and Oakland. In his announcement, John Summit described the tour as a brand new show with full production, special guests, and plenty of surprises, adding that it was time to bring the world of CTRL ESCAPE to life. The Cash App Card presale starts Tuesday, May 26 at 10 AM local time, followed by the main presale on Wednesday, May 27 at 10 AM local time.

John Summit’s CTRL ESCAPE Arena Tour will run across North America from October to December

The CTRL ESCAPE Arena Tour starts on October 1 in Champaign, Illinois, before picking back up later in the month with a run through Canada and the Northeast. John Summit will play Montreal, Hamilton, Toronto, Boston, Happy Valley, and Washington, DC before the tour moves into its November schedule.

From there, the routing heads through Texas, Ohio, North Carolina, Georgia, and Florida, with shows in Houston, Austin, Fort Worth, Columbus, Charlotte, Atlanta, and two nights in Miami. The final stretch includes back-to-back dates in Chicago, followed by Philadelphia, Brooklyn, and a closing date in Oakland on December 4.

 

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John Summit Is Bringing The World Of CTRL ESCAPE To Life

John Summit said it is time to bring the world of CTRL ESCAPE to life, and the wording gives the tour a stronger frame than a normal run of North American dates. The album already came with a specific identity through its office visuals, tax-day timing, and connection to his former accounting life, so the arena setting gives those ideas more space to become part of the show. With full production, special guests, and plenty of surprises included in the announcement, the CTRL ESCAPE Arena Tour can carry the album beyond its release campaign and into a live format made for larger venues.

There is also a natural link back to Comfort In Chaos, where John Summit had already started presenting his album era through bigger headline moments without moving away from the club sound that built his audience. CTRL ESCAPE gives him a more direct visual concept to work with, which could mean stage design, screen content, transitions, guest moments, and edits that connect back to the album’s office and escape themes. Nothing beyond full production, special guests, and surprises has been detailed yet, but the tour announcement makes it clear that John Summit is treating this as a new show, not just a standard arena version of his usual set.

CTRL ESCAPE Arena Tour Presales Begin May 26

The Cash App Visa Card presale for the CTRL ESCAPE Arena Tour begins on Tuesday, May 26 at 10 AM local time for U.S. dates only. Cash App Card customers can access the presale by using the first nine digits of their Cash App Card, then completing the ticket purchase with the same card.

The main presale begins on Wednesday, May 27 at 10 AM local time. Fans using a Cash App Card to buy tour merchandise at the shows will also receive 20% off.

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