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MR. BLACK Talks About His Brand New Album, Its Story, Creation, Direction & More!

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In the world of electronic dance music, few names shine as brightly as MR. BLACK‘s. With an illustrious career that spans both time and genre, he has consistently pushed the boundaries of creativity and sonic innovation. Now, with the release of his highly anticipated album ‘Tranceformation,’ MR. BLACK invites us on a musical journey like no other. We recently had the privilege of sitting down with the artist to delve into the creation of this monumental project, exploring the inspiration behind the tracks, the challenges faced, and the exciting plans that lie ahead.

Hey MR. BLACK, thanks for speaking with us, how are you doing today?
I’m doing great, actually just in a process of moving studios and in a short break for the holidays here with the family. Great to have some balance after a long and tiring tour.

Let’s kick things off with your brand new album, ‘Tranceformation’, how happy are you for it to be out?
I’m absolutely thrilled! Working with legends like Johan Gielen on the album has been a remarkable experience, and it’s been equally incredible to witness the amazing response from the audience during the album tour.

Moreover, I’ve been fortunate to receive tremendous support from the media, and I’m deeply appreciative to receive shoutout videos for my album by artists such as Vini Vici, MORTEN, Ownboss, and many others. It’s truly unbelievable and it is the driving force that keeps me passionate about pursuing what I love.

Can you give me a little insight into the story of this album and how it came about?
The story of Tranceformation started earlier around January this year and it took me around 7 months to finalize it. It’s been an exciting yet a challenging experience to finalize stuff with tight deadlines in between the tours.

The album blends all the worlds and musical genres that inspire me, you can hear the psy elements, techno fused kicks, trance leads, and breakdown with breakbeat elements, mixing between classic flavors that I grew up on in the early 00s and the more modern sounds that represents my catalog, as I wanted to ‘Transform’ the old and good into the new and modern.

Compared to creating and releasing singles, can you go into detail about the different approach you had for this album?
The most important thing for me was the make sure I conceptualize each track in the album so it all falls under the same umbrella and ‘theme’. The story about Tranceformation is blending genres and sounds that inspired me and I had to make sure that each track represents this. I had around 23 singles finished and only 12 made it.

When it comes to my approach for each record, it truly varies. Sometimes, I have a specific concept in mind that I want to explore in a song, such as ‘The Machines.’ In such cases, I start by envisioning the sounds, vocals, colors, and FX that will help me capture and convey that concept. Then, I proceed to write the lyrics and music.

Other times, I begin with a particular vocal that I’m excited about, and I build the entire musical arrangement around it.

Alternatively, I might have a melody in my mind that I want to bring to life, so I focus on crafting that melody first and then expand on it to create the complete track.

In some instances, I’m inspired by the idea of improving an existing song. I might think, ‘This song could have been even better with certain elements and sounds,’ and this motivates me to start a new project that draws from my inspirational reference.
Ultimately, my creative process is always in flux, influenced by my mood and the specific direction I want to take in the studio. I also find inspiration through dedicated listening sessions, where I immerse myself in music that I love.

Of all the tracks included in the album, which one are you most excited for your fans to hear?
To be honest, I’m curious myself! Before the album’s release, I decided to unveil a few singles because I was embarking on a massive tour starting in March. I must say, I was pleasantly surprised by the audience’s reactions to tracks like ‘Tranceformation’ and ‘Flight 303,’ which unexpectedly became some of the standout records in my sets.

Both of these tracks represented a unique blend of sounds, and I wasn’t entirely sure what to anticipate. However, I was thrilled to witness the audience genuinely connecting with them. Now, I’m eagerly awaiting the reactions of listeners to the remaining tracks on the album, the ones they haven’t had the chance to hear yet.

Did you have any extra singles that unfortunately couldn’t be included in the album?
Yes, indeed! Over the past year, I’ve crafted approximately 23 tracks as part of the lead-up to the album release. It felt like constructing an airplane mid-flight – I had a clear vision and plenty of inspiration, but I also had to make bold decisions, especially when it came to selecting singles.

Throughout this creative journey, I was lead only by the story and how to package it all together. It was a challenge solving such a complex puzzle. What guided my decisions, above all was the central narrative and concept of the album. Any records that didn’t align with the theme of the album didn’t make the final cut.

Are you planning any special shows or tours on the back of this album?
Yes, indeed. The album tour kicked off in March, and I took a brief hiatus in September to concentrate on the album release, as well as to transition into a new studio space. However, I’ll be back on the road in October, starting with a series of shows at ADE alongside Revealed Recordings and Transition. Following that, I’ll be heading to Germany to perform at the Bootshaus Club. In parallel, we are actively planning an extensive Asia tour for the fourth quarter of the year.

What has been your favorite show so far this year?
Don’t Let Daddy Know Korea was one of my tour highlights, the production, one of the best crowds in the world, and I was finishing the majority of the album so it was the first time that I saw the reaction to all the finished singles from the album.

Thanks for taking the time to speak with us, do you have anything else you’d like to say to our readers?
Simply THANK YOU! As I said, without the fans I’m nothing and the support on my music and during my shows is something that I don’t take for granted. I feel blessed.

Check out the album below.

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Founder, Owner & Manager of EDMHouseNetwork. Instant lover of all things electronic dance music from the moment I heard Fatboy Slim and The Prodigy. After pursuing a career as a DJ, creating EDM content quickly became a love of mine and it has been my mission to keep delivering high quality content ever since.

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BETH Turns Up the Energy With New Single ‘Wait’

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Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

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The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

Instagram

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Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

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Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.

‘Off-Cuts (2014–2021)’ is out now on Plexus Records.

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