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Nostalgix Talks About Starting Her Artist Career, Her First Show, A Pivotal Moment & More
Born in Iran but deeply embedded in the Canadian dance music scene, Nostalgix embodies versatility as a DJ, producer, and writer. Infusing her music with a spirited charm and old school flair, characterized by booming basslines and vibrant beats, she is featured on prominent labels like Night Bass and Confession. Embracing a persona reminiscent of the ’90s ‘It Girl’, Nostalgix champions a positive atmosphere within dance music. Her energetic sound has graced esteemed stages worldwide, including EDC Las Vegas and HARD Summer, cementing her status as a formidable presence in the EDM realm.
Ahead of her Ultra Music Festival debut, EDMHouseNetwork contributor Andrea Simon had the opportunity to chat with Nostalgix about her introduction to raving, career progression, and more.
How did you get your start in music? How did you decide that you wanted to become a DJ and producer?
I fell in love with electronic music in 2016. At the time, I was very sheltered. I didn’t go to parties or know about raves or EDM or anything like that. One day, one of my friends was like “Hey, Hardwell is playing at this rave for Halloween. Do you want to go?” So, I snuck out of the house that night. And the rest is history.
Anyways, I went to this rave, and it was at this huge colosseum type place, so it was a proper rave with amazing production and lasers and everything. I remember just being there and thinking, “wow… what is this?” It was like I had discovered a whole different world. I had never seen anything like this before. Everyone around me was wearing the craziest outfits and trading kandi. Everyone just looked so happy. I remember being in the crowd that night and feeling how amazing the energy was. Instantly, I became obsessed with the culture and with dance music and wanted to completely immerse myself in it.
After that, I decided to spend a year saving up all of my money, and just traveled around the world by myself going to as many festivals and shows as I could. I went to Tomorrowland, I went to Ultra, it was insane. One of the shows I went to was Dr. Fresch- and I got this crazy idea in my head after seeing his set that I wanted to learn how to become a DJ.
Shortly after, I started my first year of university for film production at University of British Columbia (UBC). I wanted to become a director. However, it was my first week of school when I had the idea that I wanted to become a DJ. I decided I just wanted to do it for fun, and didn’t have any goals set or anything. I was so stubborn about it actually- I didn’t even want to call myself a DJ. I just loved this music and wanted to learn everything about it. So, I went out and bought a mixer and started teaching myself in my dorm room. I practiced all the time and would send out mixes to local promoters. I decided my goal would be to do just one show, and then I would stop.
When I first started making music, I wasn’t good. I had no idea what I was doing. I was 17 years old and had never even been to a nightclub before to see a DJ set there. But, I kept practicing, and I kept getting rejected. Eventually, somebody bought it and gave me the opportunity. After I played that show, it just snowballed from there. I was getting more and more opportunities and spent the next year djing around Vancouver- my hometown. I played a bunch of clubs in the area and started to become known in the local scene. From there, I was inspired to create more music. I wanted to go all in. After a year of djing, I dropped out of school and decided to pursue music production full-time. And, I haven’t looked back since.
What was your first show like?
It was actually at a bar on my campus at UBC. It was like this underground bar for students with a tiny little stage. I wasn’t even supposed to be playing that night, but I got a call from them that their DJ was sick and they needed me to be there in an hour. I didn’t even think twice about it. I just said yes and ran across campus to get my mixer. It was raining that night too- I was wearing shorts- but I didn’t even care. I was just so excited. I really had no idea what I was doing, like I actually opened the set with the Pirates of the Caribbean theme song. It was such a cool and memorable night.
So, your original goal was to do just one show. How did your mindset change from wanting to do one show to wanting to DJ professionally?
When I first started, I just didn’t believe in myself at the time. I couldn’t see myself actually being a DJ. I thought DJs were like Martin Garrix, Alesso, or Steve Aoki. Not me. But, once I started making music, I realized how fun it was. That’s when I told myself that I would do just one show. Naturally, that one show just kept leading me to more opportunities. I would never say no either. I was having so much fun that I just wanted to keep becoming better and better.
Were you into music growing up?
Since I was a kid, I’ve always been a very artistic person. I always had a very deep connection with music, and have always been obsessed with creating things. By the time I was nine years old, I really wanted to be in a band. I wanted to be a drummer, and I also wanted to learn guitar. I would get my parents to put me into music lessons so I could learn. At one point in elementary school, we had a talent show that you had to try out for. I actually didn’t make it. Because I was so young, I kind of thought that maybe the music thing just wasn’t for me. But, that didn’t stop me.
Let’s talk about where you are today. Has there been a pivotal moment in your career? Like a moment you felt that would change everything?
I mean, my first show is a good place to start. That moment kind of turned on the switch for me, because that’s when I realized that making music was something I could do. Since then, my
career has felt like a very steady climb. It’s been a natural progression really. If I had to pinpoint another moment though, I would say it was performing at the EDC Las Vegas Opening Ceremony last year. I had been touring before then, but this was my biggest opportunity to date. After that set, I noticed everything was moving faster. I was getting more shows, I was getting better placements at festivals, and more people were listening to my music and supporting. I really think that performance is really what pushed me to the next level.
Do you have any new music or collabs coming up that you can talk about?
I’ve really been trying to wrap things up in time for Ultra. I can’t share too much at the moment, but I am very excited to share the progression of my style and sound post EP. I’ve really been pouring my heart and soul into my art and I’m exciting to see where my story continues from here.
If you could collaborate with any artist, who would it be and why?
I’m going to say Miley Cyrus. I grew up listening to her and I really like that woman has raised me. She’s so lovely. There are a lot of incredible artists out there that it would be crazy to make music with, but I think Miley would really be a dream.
To wrap things up, what is one piece of advice you would like to leave us with? What is your advice to people trying to get started in the industry?
Honestly, just put your head down and focus on the art. Focus on your craft and really hone in on developing your skills, because that’s the thing that matters more than anything else. I know there are a lot of different things being said these days about what you should and shouldn’t be doing as an artist- but there is no right way. There’s no correct sound or style. The best thing you can do is focus on making it happen for you, and don’t feed into any of those distractions.
Stream her latest EP below.
Inside EDC Thailand: How the Sounds, Lights, and People Create the Feeling of Being Under the Electric Sky
EDC Thailand 2025 unfolded across a wide network of stages, rides, and themed areas, with music carrying steadily across the venue from afternoon into the early hours. Movement between sets felt continuous, while spaces outside the main stages, from kandi exchanges to the wedding chapel, offered moments that stayed with people longer than any single performance. Fireworks brought the field to a standstill more than once, with people pausing together as each sequence filled the sky. As EDC Thailand prepares for a larger venue in 2026, these details remain central to what being under the electric sky in Thailand is actually like.
Under the Electric Sky, Thailand Edition
EDC Thailand unfolded in Phuket in January 2025, with the entrances already active before people fully stepped inside. Performers danced near the gates as groups filtered through, some holding flags from their home countries, others stopping briefly to watch before moving on. The Ferris wheel and merry-go-round were already turning, lit clearly against the night and visible from across the grounds. Music was playing from different directions, overlapping as people moved further in.
Inside, the space revealed itself gradually. Kinetic Field dominated the view with its scale, while CircuitGround, StereoBloom, Bionic Jungle, and the Boombox Art Car pulled attention in different directions depending on where you stood. People moved freely between stages, sometimes circling back to a set they recognised, sometimes stopping simply because something caught their eye. The rides stayed busy, walkways stayed full, and the night moved forward without a clear start or pause. Under the electric sky, EDC Thailand felt lived in from the first hours rather than staged.
The Wedding Chapel: Love and Chaos Combined
The wedding chapel became one of the busiest spots inside EDC Thailand 2025. People lined up in colorful outfits, some carrying inflatable bouquets, others wearing plastic crowns picked up along the way. Couples stepped in one after another, with some clearly together for years and others laughing about having just met that night. The line moved steadily, with people watching, filming, and reacting as each ceremony played out.
Music continued through the vows without stopping. Confetti fell during photos, strangers hugged, and groups shouted from the sides before drifting away. A few couples exchanged kandi rings, while others posed quickly and headed back toward the stages. The chapel stayed active throughout the night, serving as a brief stop between dancing, where people came in, shared a moment, and moved on.
The Rides and the Rhythm
The Ferris wheel rose above the center of EDC Thailand 2025 and stayed visible from most parts of the venue. From the top, stages appeared spread out below, with light patterns moving across the grounds and fireworks breaking above the site. As the wheel turned, the volume shifted slightly, growing quieter at the peak before returning on the way down. People pointed out Kinetic Field, CircuitGround, and other landmarks to friends while the city lights and festival lighting blended into one view.
Nearby, the merry-go-round drew a different pace. People sat quietly as it rotated, phones in hand or resting at their sides, watching the lights circle overhead. Some stayed on for more than one round before stepping off and rejoining the flow toward the stages. Both rides remained active throughout the night, offering a change in perspective without pulling people fully away from the music playing across the grounds.
Kandi Culture and Connection
Kandi trading at EDC Thailand 2025 followed the full PLUR exchange rather than a quick handoff. People stopped, faced each other, and went through the hand movements together before swapping bracelets. It happened in walkways, near stages, and sometimes in the middle of conversations that started with a simple question or nod. The exchange was deliberate, even in busy areas.
Many bracelets carried words like “PLUR,” “Sawasdee,” or “Stay Kind.” After the exchange, people often stayed for a moment, said a few words, or danced together before moving on. Nearby, totems were raised above the crowd, helping groups reconnect after splitting up and serving as clear markers in packed areas. Kandi trading remained part of how people interacted throughout the night, not as a performance, but as a shared habit that required attention and presence.
The Fireworks and Finale Moments
Fireworks were something people actively waited for across all three days at EDC Thailand 2025. Each night ended with a fireworks show, and by the second day, people were already checking the sky as the sets came close to closing time. Groups stopped walking, some turned their backs to the stages to see better, and others climbed onto barriers or shoulders. When the first fireworks went up, the movement across the venue slowed almost immediately.
The last night was different. Before The Chainsmokers came on, a special fireworks sequence ran for around six minutes, longer than the previous nights and clearly set apart. People stayed put instead of drifting between stages, watching the entire thing play out without rushing anywhere else. When it ended, there was a brief pause before the stage lights shifted and the set began. It felt like the final breath before the weekend pushed forward again, something everyone seemed to take in at the same time.
Photo by Skyler Greene skygreene.com
What Stayed With People
Looking back at EDC Thailand 2025, what stayed with people were not headline moments but repeated, familiar scenes. The Ferris wheel turning above the site late into the night, the wedding chapel line circling back on itself, kandi exchanges happening in walkways between Kinetic Field and CircuitGround, and the pause that spread across the grounds when the fireworks began. These were the moments people talked about while leaving, not tied to any single set or stage.
As EDC Thailand moves into a larger venue in 2026, those details set the standard. The first edition showed how the festival worked when music, rides, rituals, and shared pauses existed side by side. From the PLUR exchanges to the final fireworks, the experience came together through how people used the space rather than what was scheduled on it.
That is what being under the electric sky in Thailand actually meant.
The upcoming EDC Thailand 2026 festival in Phuket promises an electrifying experience, featuring both first-time acts and major stage takeovers.
The full lineup for EDC Thailand 2026 marks a new chapter as the festival takes place at Rhythm Park in Phuket for the first time from January 16–18. This edition unites global icons and long-awaited debuts, with Armin van Buuren, Axwell b2b Sebastian Ingrosso, Tiësto, and Zedd leading the mainstage alongside rare appearances from Deadmau5, Svdden Death, and Sound Rush. Other highlights include Cassian, Loud Luxury, BUNT, Griz, Mathame, Novah, Tape B, and Vertile, each adding their own flavor to Thailand’s expanding electronic landscape. Beyond the lineup, the festival introduces major stage takeovers that define its identity: Basscon and Bassrush Experience push the harder and bass-focused sounds, Dreamstate celebrates trance culture, and Factory 93 Experience brings a darker underground edge. Together, these elements shape EDC Thailand 2026 into its most dynamic and globally connected edition yet.
First-Time Acts and Rare Sets to Catch in Phuket
Among the names drawing attention this year, Deadmau5 stands out as one of the rarest bookings Thailand has seen in recent years. While he has played in the country before, it is uncommon to see him on a local festival stage, making his addition one of the most talked-about in this lineup. His inclusion alongside Armin van Buuren and Zedd signals how EDC Thailand continues to raise its reach, bringing long-missed artists back into the circuit.
Acts like Sound Rush also make a welcome return after several years away, reaffirming the festival’s growing space for harder styles. Meanwhile, Svdden Death and Vertile bring their own intensity to the mix, each adding a sound that has been missing from major Thai festivals in recent memory.
On the opposite end, Loud Luxury, Tape B, and Novah are performing in Thailand for the first time. Their bookings reflect how EDC Thailand 2026 is balancing its lineup between major headliners and new international names who have never played here before. With additions like Cassian, Griz, Mathame, and BUNT, this year’s program leans toward variety rather than repetition, giving the Phuket crowd a rare chance to see artists that usually appear only at festivals abroad.
Stage Takeovers and What They Bring to EDC Thailand 2026
The stage takeovers at EDC Thailand 2026 show how the festival is widening its range while keeping the EDC identity intact. Each host adds its own sound and culture to Rhythm Park, shaping the weekend into a mix of mainstage highlights and dedicated zones for specific styles.
Basscon and Bassrush Experience anchor the heavier side of the lineup. Fans can expect acts like Svdden Death, Vertile, and Sound Rush, alongside newer names that push hardstyle and bass in fresh directions. This pairing is a major moment for Thailand, bringing a level of production and artist depth that local events rarely reach.
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Dreamstate turns its stage into a world of trance. Names like Armin van Buuren, Ben Nicky, and KEY4050 set the tone for long, emotional sets that define this brand’s global reputation. For many, it’s the closest thing to a classic EDC Las Vegas experience in Asia.
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Factory 93 Experience introduces house and techno-focused artists such as Lilly Palmer, Ben Hemsley, and Eli Brown. The stage reflects the growing appetite in Thailand for darker, club-driven sounds that have been defining the European circuit. Together, these takeovers make EDC Thailand 2026 one of the most complete festival lineups in the region, offering clear paths for every kind of raver, whether you live for trance melodies, hardstyle kicks, or late-night warehouse energy.
@lillypalmerdj GASOLINE with my mate @Eli Brown is our todayyyy on Factory 93❤️ link in bio!!! #electronicmusic #techno #lillypalmer #elibrown #beyondwonderland #gasolin #newmusic ♬ Originalton – Lilly Palmer
What Makes EDC Thailand 2026 Stand Out
Now in its second year, EDC Thailand 2026 shows how fast the festival has grown into a major part of Asia’s dance calendar. Its move to Rhythm Park in Phuket marks a new chapter, giving the event a larger space to build on last year’s success. The focus this time is clear, combining returning headliners with artists performing in Thailand for the first time to create a lineup that feels wider in scope and more connected to international trends.
This edition also highlights how Insomniac continues to strengthen its presence in the region. The inclusion of four global stage hosts (Basscon, Bassrush Experience, Dreamstate, and Factory 93 Experience) confirms EDC Thailand’s place as a full-scale festival within the EDC network. Instead of repeating what worked last year, 2026 feels like a step forward, offering greater variety across styles while maintaining the production and scale that make EDC one of the most recognizable festival brands in the world.
With its mix of returning icons, first-time performers, and curated stage hosts, EDC Thailand 2026 feels like a turning point for the festival’s presence in Asia. The move to Rhythm Park gives it room to evolve while keeping the identity that makes EDC unique. For Thailand’s electronic scene, it is more than just another festival weekend. It shows that the country now stands firmly on the global map of major dance events.
EDC Orlando 2025 is almost here, and this year’s lineup is stacked from start to finish. With massive stage takeovers, sunset moments, and genre-defining sets across three days at Tinker Field, there’s no shortage of must-sees.
To help you plan your schedule, here are 10 sets you absolutely can’t miss at EDC Orlando 2025.
Porter Robinson [Sunset, Friday – Kinetic Field]
A guaranteed highlight of the weekend, Porter Robinson’s sunset set is going to be pure magic. Expect euphoric melodies, stunning visuals, and a journey that bridges nostalgia with forward-thinking production.
Tiësto [Sunset, Saturday – Kinetic Field]
The dance music icon returns to EDC Orlando for another legendary mainstage moment. Tiësto’s blend of high-energy anthems and fresh club cuts makes his sunset slot one for the books.
Charlotte de Witte [Sunday – Circuit Grounds[
Techno takes over as Charlotte de Witte brings her pounding, hypnotic sound to Circuit Grounds. Expect pure energy and dark, driving beats to close out your weekend with intensity.
Subtronics [Sunday – Kinetic Field]
The bass god himself returns to EDC with a new arsenal of face-melting drops. Expect lasers, pyros, and crowd energy levels that push EDC’s mainstage to its limits.
Excision [Saturday – Circuit Grounds]
If you like your bass extra heavy, Excision’s set is a must. Expect earth-shaking drops, visuals that melt your brain, and one of the loudest crowds of the weekend.
Zedd [Saturday – Kinetic Field]
Zedd’s timeless hits and festival-ready edits always bring pure joy. Expect fireworks, confetti, and thousands singing along to ‘Clarity’ under the Florida night sky.
Dom Dolla [Sunday – Kinetic Field]
House grooves meet mainstage energy as Dom Dolla takes over EDC Orlando’s final day. His infectious beats and slick transitions guarantee nonstop movement.
Max Styler [Sunday – Circuit Grounds]
A breakout artist in 2025, Max Styler’s sets are equal parts deep, melodic, and club-ready. Catch him early and brag later, this one’s destined to be a “I saw him before he blew up” moment.
Sara Landry [Friday – Kinetic Field]
The “High Priestess of Hard Techno” brings her dark, industrial energy to EDC’s mainstage for the first time. Expect one of the most unique and high-intensity sets of the weekend.
James Hype [Sunday – Kinetic Field]
The master of live mixing and quick transitions, James Hype is guaranteed to bring the energy. Expect viral edits, creative drops, and a wild Sunday crowd ready to go all out.
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From mainstage moments to underground takeovers, EDC Orlando 2025 is stacked with unforgettable sets. Whether you’re chasing sunsets or bass drops, these ten artists are sure to define the weekend.
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