Editorial
Red Bull Midsummer Announces Global 28-Hour Event
Red Bull Midsummer Announces Global 28-Hour Event as seven cities connect across Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles on June 20
Red Bull Midsummer is a global electronic music event series coming to Los Angeles and New York City on June 20 as part of a synchronized 28-hour event connecting Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles across three continents. The concept follows the sun from Asia to Europe and into the U.S., with real-time broadcast feeds linking each host city as the day moves through different time zones. For its U.S. debut, Red Bull Midsummer will split its focus between The Roosevelt Hotel in Los Angeles and Sunset Park Rooftop in Brooklyn, pairing global names with local artists, collectives, and daytime community activities. The wider event also points to a larger shift in how electronic music events are being presented, where city identity, live broadcast, and global scheduling can turn one date into a shared music experience across several scenes without making every stop feel the same.

How Red Bull Midsummer Connects Seven Cities Across One 28-Hour Event
The main idea behind Red Bull Midsummer comes from how the event uses June 20 as more than a shared date. The series follows the movement of daylight from Tokyo to Los Angeles, connecting Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles across a synchronized 28-hour event. That structure gives the concept a clear global route: Asia opens the day, Europe carries the middle stretch, and the U.S. closes the event from the East Coast to the West Coast. Instead of presenting seven separate parties under one name, Red Bull Midsummer places each city inside the same timeline, with every location joining the event as its own time zone enters the day.
The city selection also gives the event more range than a standard global lineup announcement. Tokyo opens the route with Vegyn, whose work connects electronic production with left-field club music and wider music culture, while Mumbai brings in Arjun Vagale, a key name in India’s techno scene. The European section moves through Vienna, where FISHER gives the event a larger festival-facing draw, before continuing into Berlin with DJ Seinfeld, linking the project to one of electronic music’s most recognized club cities. London adds Jyoty, whose profile crosses radio, DJ culture, and global dance music, before the event reaches the U.S. with two different coastal identities.
That U.S. stretch is where the global concept becomes more specific. New York brings the event to Sunset Park Rooftop in Brooklyn with a lineup connected to club history, Black electronic music, and contemporary dance floors, including Juan Atkins, Andre Power, BAMBII, UNIIQU3 B2B Shekdash, and Black Rave Culture. Los Angeles closes the route at The Roosevelt Hotel, where TOKiMONSTA, Austin Millz, Noodles, Pangea Sound, Baile World, and STRAWBRY & Friends place the final stop closer to a West Coast daytime event format. The real-time broadcast feed is what brings these parts together, giving each city a live link to the others as the event moves through the day. For Red Bull Midsummer, the format turns the summer solstice into a city-to-city electronic music sequence, with local scenes connected through one continuous global event.
Los Angeles And New York Bring Two Different U.S. Scenes Into Red Bull Midsummer
For its U.S. debut, Red Bull Midsummer separates Los Angeles and New York through two different event formats. The Los Angeles edition begins before the main DJ schedule, with Long Distance World leading a morning community run before The 9AM Banger opens the music program at The Hollywood Roosevelt. From there, the lineup moves through heds, STRAWBRY & Friends, Pangea Sound, Baile World, Noodles, Austin Millz, and TOKiMONSTA, giving the Los Angeles stop a daytime arc that starts with movement, continues through local collectives, and ends with one of the city’s most recognized electronic artists.
New York gives the U.S. debut a different foundation at Sunset Park Rooftop in Brooklyn, where the event runs from 10 AM to 1 AM EST with a lineup tied more directly to club history, Black electronic music, and current East Coast dance music. Juan Atkins, credited in the press release as the originator of Detroit techno, appears alongside Andre Power, Anastazja, BAMBII, UNIIQU3 B2B Shekdash, Black Rave Culture, Ayanna Heaven, PLYR1, and Tim Fields, making the Brooklyn date feel less like a simple rooftop day party and more like a wider club culture program. The press release also notes movement classes from The Ness and The Fit In, which adds another layer to the New York schedule before the event moves into its later hours. Together, the two U.S. editions give Red Bull Midsummer a clearer split: Los Angeles frames the day through outdoor social energy and local creative groups, while New York ties the format to dance music history, community movement, and a longer night-time run.
Why Red Bull Midsummer Fits Into The History Of Daytime Dance Music
Red Bull Midsummer also connects to a longer history of daytime electronic music, from early acid house gatherings to Ibiza’s open-air culture. That reference matters because the event is not only using seven cities to make the announcement feel bigger. Daytime dance music has always worked differently from late-night club programming, especially when open-air settings, sunlight, movement, and social gatherings become part of how people experience the music. By choosing June 20, Red Bull Midsummer ties that history to the summer solstice, using the longest stretch of daylight as the frame for a global electronic music event.
That context also explains why the U.S. editions include more than DJ sets. Los Angeles starts the day with Long Distance World before The 9AM Banger, while New York adds movement classes from The Ness and The Fit In alongside its rooftop lineup. These details keep the event connected to dance music culture without making it feel like a normal club schedule moved earlier in the day. Across the full route, Red Bull Midsummer takes the day-party idea more literally, following daylight across continents while each city contributes its own artists, setting, crowd, and local music references. The result is a format that connects club history, outdoor music culture, and city identity through one shared date.
Red Bull Midsummer Ticket Details And Event Information
Red Bull Midsummer takes place on June 20, 2026, connecting Tokyo, Mumbai, Vienna, Berlin, London, New York, and Los Angeles through a synchronized 28-hour global event.
Tickets for Red Bull Midsummer New York City go on sale May 7 at 12 PM ET. The New York edition takes place at Sunset Park Rooftop from 10 AM to 1 AM EST.
Tickets for Red Bull Midsummer Los Angeles go on sale May 7 at 10 AM PT. The Los Angeles edition takes place at The Roosevelt Hotel from 10 AM to 10 PM PST.
More information on the full global event is available at Redbull.com/Midsummer, with updates from @redbullmusic. For its U.S. debut, Red Bull Midsummer gives Los Angeles and New York two different roles inside the same global event: Los Angeles closes the route with a West Coast daytime schedule, while New York brings the Brooklyn stop into club history, rooftop culture, and community movement.
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Editorial
Seven Stars 2026: 7 Most Anticipated Sets at GRiZ’s Cosmic Campout
As the second annual Valley of the Seven Stars approaches, bass music fans across the country are prepping their gear and locking in their set times. Taking over the Oak Ridge Estate in Arrington, Virginia from October 8–11, this gathering marks the long-awaited payoff of GRiZ’s two-year hiatus. The event has quickly earned a reputation as one of the bass community’s premier “homie” festivals, trading commercial refinement for deep curation and authentic energy. Whether you are hunting for ground-shaking low end or sunset grooves, here are the 7 most anticipated performances to highlight on your schedule:
7. Richard Finger
Set Time: Saturday, 4:50 PM – 5:50 PM
Operating entirely behind anonymous masks, Richard Finger has become one of bass music’s most intriguing underground phenomena. The mysterious duo popped onto the radar with relentless sound design and uncompromisingly heavy drops, rapidly earning a rotation in festival sets worldwide. While internet investigators continue trying to uncover their true identities, the project lets the sheer sound of low end rhythm do the talking. Catching them in the afternoon heat on Saturday is guaranteed to wake up the crowd.
6. Hedex
Set Time: Sunday, 8:30 PM – 9:30 PM
Hedex has been at the forefront of the modern drum and bass explosion. He has been taking jump-up rhythms out of underground UK clubs and pushing them onto major American festival stages. This performance serves as the official launch for his North American “Nu Era” tour. Known for quick double drops and explosive crowd control, his Sunday slot will deliver a shot of pure adrenaline just as festivalgoers enter the final night.
5. GRiZ (Chasing The Golden Hour)
Set Time: Saturday, 6:05 PM – 7:20 PM
GRiZ has always known how to curate a vibe, but his Chasing The Golden Hour (CTGH) concept holds a legendary place in the scene. It was originally conceived as a mixtape series built around vintage samples, mellow hip-hop beats, and live sax riffs. CTGH offers a soulful counterweight to his heavy dubstep headline sets. Following packed-out demand at past events, this sunset window is made for collective unwinding. It is the defining emotional anchor of the weekend, best experienced surrounded by friends on an open hill.

4. Mersiv
Set Time: Saturday, 8:30 PM – 9:30 PM
DJ & producer Anderson Gallegos, known professionally as Mersiv, has carved out a dedicated subculture with his trademark “Pretty Dark Loud” sound design. Mersiv crafts sets that feel simultaneously meditative and heavy by combining hypnotic downtempo atmospheres with distortion-heavy basslines. Dropping into Saturday prime time, his set will steer the valley into its deepest, most psychedelic sonic territory.
3. Seth David (R&Bass)
Set Time: Friday, 1:00 AM – 2:00 AM (After Hours)
Returning to the Seven Stars lineup for a second run, Seth David brings his signature R&Bass sound to the Satellite Stage. The project fuses classic 90s and 2000s R&B vocals with sub-bass frequencies. This set gives night owls a refreshing alternative to the standard festival sound anding directly in the after-hours slot,
2. Distinct Motive
Set Time: Sunday, 6:50 PM – 7:50 PM
Hailing from Ontario, Distinct Motive has spearheaded the revival of pure 140 BPM sound system culture in North America. His productions emphasize sub-bass, surgical mixing, and deep roots in old-school UK dubstep. Since his anthem “Wait A Minute” dominated stages everywhere, his profile has skyrocketed. Sunday evening marks his debut on the mainstage, bringing chest-rattling low frequencies to the festival’s largest sound system.
1. Kaleena Zanders
Set Time: Thursday, 8:00 PM – 9:00 PM
Revered as one of modern dance music’s most captivating vocal powerhouses, Kaleena Zanders channels gospel roots through classic house grooves. With major collaborative releases alongside fellow headliners, her live sets go far beyond ordinary DJ performances. Slotted into Thursday evening, she will set an uplifting, soulful tone for the entire cosmic campout before the heavier bass takes over.
With four days of music spread across The Valley, pacing is going to be everything. Set conflicts are inevitable when a lineup has this much variety. Be sure to leave room in your schedule to wander between stages and stumble onto artists outside your radar.
Grab the official festival app to stay updated on any last-minute schedule shifts and look out for your crew.
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Editorial
MiNT XL: Leeds’ Newest Nightclub Opens With A Bang
MiNT XL opens its doors in Leeds with a sold-out party for 2,500 ravers, as Craig Richards, Enzo Siragusa and Sonja Moonear launch the new nightclub
MiNT XL officially opened its doors on Friday, 25 September, with a sold-out opening party featuring names like Craig Richards, Enzo Siragusa and Sonja Moonear. 2,500 ravers gathered in the heart of Leeds city centre to experience the latest addition to the city’s rich rave culture, marking a memorable beginning for MiNT XL.
Taking over the former nightclub, PRYZM Leeds, MiNT set themselves the challenge of giving the venue a new identity through their own production and iconic signature. In an interview with EDM House Network earlier this year, MiNT marketing manager, Mikey McMahon said they wanted people to walk into MiNT XL and feel like they were part of something forward-thinking. There is no doubt they have achieved this, with the opening night already setting MiNT XL apart from other venues in Leeds.

Credit: David Dumitru
Exploring The Venue’s Layout
Arriving at the venue, you could feel the excitement in the air as people made their way into the club. Music was bumping through the walls and the night was just getting started. Walking inside, the dark environment immediately made it feel like a rave and not a regular nightclub.
Heading up the stairs from the entrance, we reached the main hall of the venue, which houses two of the three rooms at MiNT XL, as well as an open-air terrace. The ‘Clubroom’ was the first room people encountered on the floor, while the main room, also known as the ‘Ballroom’, sits to the left of the hall.
The second floor is a great extension of what the main floor has to offer, hosting the venue’s third room, ‘Cage’, as well as an additional bar with sofas and seating for those wanting a quick break from the dancefloor. The VIP area is also located on this floor, providing a comfortable chill-out space with its own bar and seating area.

Credit: David Dumitru
The Rooms at MiNT XL
1. Ballroom
The largest of the three rooms, the ‘Ballroom’ is a warehouse type of space hosting the headlining names on MiNT XL’s line-ups. Some of the lighting features that stood out as soon as we walked into the room included the large ring structure above the dancefloor, as well as the linear rigs placed horizontally across the ceiling, which rotate to create a wave-like effect through light.
Another standout piece of the room is the newly installed Funktion-One Vero sound system, delivering bass that pumps through your body and an overall premium sound quality. The same system can also be found in the other two rooms, where its impact is even greater due to their smaller capacities.

Credit: @elliotyoungphoto
2. Cage
Probably the most interesting room of the three, and our personal favourite, ‘Cage’ delivers an experience like no other. Its design feels unique and fresh out of the box, while still maintaining a lush feel. Throughout the opening night, the room was lit up with orange lighting, creating a somewhat comfortable atmosphere amid all the chaos going on.

Credit: David Dumitru
‘Cage’ also has a few sofas placed around the room, helping complete its luxurious feel. The cherry on top, however, is the fact that the space will often welcome DJs playing on vinyl. We had the chance to witness this live, and let me tell you, seeing the artists flip and swap records behind the decks totally elevates the experience.

Credit: David Dumitru
3. Clubroom
With a large light panel on the ceiling covering the centre of the dancefloor, ‘Clubroom’ is an ode to MiNT Warehouse, the brand’s second ever venue. Sharing similar characteristics, the room brings the MiNT Warehouse spirit to MiNT XL, carrying over the energetic vibes that have become a trademark of the brand.
While the room has a great design from a production perspective, the air conditioning isn’t felt as well in some corners, often making it a very hot space.

Credit: David Dumitru
4. Terrace
An open-air space with a nice view of some of Leeds city centre’s tallest buildings, the terrace is a well-arranged spot for those who want to unwind a little and take a breath of fresh air. Located close to the ‘Ballroom’, the path to the terrace can, however, become very busy at times.

Credit: David Dumitru
The Music at MiNT XL
The venue opened with the brand’s own event series, ‘system.’, taking over the decks. Across the three rooms, a well-curated line-up delivered the soundtrack to MiNT’s new beginning.
From the perspective of EDM House Network, our highlights were Foehn & Jerome at the ‘Cage’, Craig Richards B2B Francesco Del Garda at the ‘Ballroom’, and then back to the ‘Cage’ for a vinyl session with Fumiya Tanaka.

Credit: @elliotyoungphoto
Beyond the opening night, a wide range of renowned DJs are set to follow at MiNT XL, with the likes of Ewan McVicar, Riordan, Morgan Seatree and a Worried About Henry (WAH) takeover among those already announced. While so far only electronic music events make up the calendar, organisers have said they are excited to expand into new genres and live music.
Atmosphere Inside The Venue
MiNT XL operates a no-phones policy at all events, meaning attendees can fully immerse themselves into the music. Having experienced an event with such policy for the first time, it was impressive to see how big of a change it makes.
Seeing people living in the moment and having fun truly gave everyone a taste of what some mean when they say ‘raving was better in the 90s’. The no-phones policy genuinely made the night feel like a time machine that teleported us back to a time when people used to socialise and not chase Instagram clout at raves.

Credit: @elliotyoungphoto
With three state-of-the-art rooms, a 2,500-capacity venue, a sound system that blows the roof off and a no-phones policy, MiNT XL has real potential to become one of the best nightclubs in the entire UK. The opening party was not just the green light for a new venue in Leeds, but felt more like a statement that MiNT XL is here, and for good.
The club season is only just getting started, with a packed list of upcoming events already lined up at MiNT XL.
Friday 9 October – Marsolo Invites: Marsolo + more TBA
Saturday 10 October – Airspace: Notion, Kyle Starkey, Camille Doe + more
Saturday 17 October – Mint XL Presents: Cam Stockman b2b Tommy Phillips
Friday 30 October – Airspace: Riordan, Stef Davidse + more
Saturday 31 October – Ewan McVicar Presents: Halloween – Ewan McVicar, Special Request, Olive F
Saturday 7 November – Mint XL Presents: ALISHA, Robbie Doherty + more
Saturday 14 November – Mint XL Presents: Morgan Seatree + more TBA
Friday 20 November – Framework Presents: Ben UFO, Papa Nugs + more
Saturday 21 November – Jampacked Would Tour Leeds Edition: Jamback, Anil Aras, A For Alpha
Saturday 19 December – Framework x Mugpie Presents: Christian AB, Unai Trotti + more
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Amsterdam Music Festival News
EDM Festivals October 2026: Festivals We Can’t Miss
EDM Festivals October 2026: Festivals We Can’t Miss worldwide as major events fill the month across North America, Asia, Europe, and South America
October 2026 brings another busy month for the EDM festival calendar, with events taking place across North America, Asia, Europe, Africa, and South America. In the US, 808 Festival, Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, Niteharts, Head Trip, III Points Miami, Escape Psycho Circus, BOO! Seattle, BOO! Arizona, and Hocus Pocus Miami fill the month. Meanwhile, EDC Korea and Chill O’posite Festival add major dates in Asia and Africa. No Art Lisbon and AMF represent Europe, while EDC Colombia and Ritvales bring two large weekends to South America. Here’s a full look at the EDM festivals taking place throughout October 2026.
808 Festival
Dates: October 2–3, 2026
Location: BITEC, Bangkok, Thailand
808 Festival returns to BITEC in Bangkok from October 2–3, 2026 for two days across two stages. The Phase Two lineup includes ILLENIUM, SLANDER B2B NGHTMRE, W&W, Argy, Ben Nicky, 999999999, Mesto, and KAAZE. Meanwhile, JUSTUS, RIVO, Dorian, Ian Asher, and Mary Droppinz are also confirmed. Several special performances are scheduled, including Adam Beyer B2B Chris Avantgarde and Nifra B2B Will Atkinson. Giorgia Angiuli will also perform live. More artists are still due to be announced before the festival returns to Bangkok in October.

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