Big Room House
THIS WAS: DEFQON.1 WEEKEND FESTIVAL
The 20th edition of Defqon.1 Weekend Festival, the world’s largest harder styles festival, took place from June 27-30, 2024, in Biddinghuizen, Netherlands. This year’s event was larger than ever attracting 250,000 visitors from over 100 countries and featuring more than 500 artists across four action-packed days.
Defqon.1 Weekend Festival has solidified its position as not only the biggest harder styles festival globally, but also the largest dance festival in the Netherlands. With four spectacular endshow experiences and a diverse lineup spanning 360 degrees of the harder styles, the completely sold-out event once again proved why it’s a must-attend for harder styles enthusiasts.

Getting There
Our journey began with a drive from Den Haag to a villa in Ermelo, about an hour and 45 minutes’ drive and then from the villa to the festival grounds, another 25 minutes. While camping has its charms, years of experience (and a few battle scars) led us to choose a more comfortable accommodation option. As this was my fourth Defqon.1, I was prepared for the long walk over the bridge (if you know you know) but was very interested to see how the festival evolved since my last time here in 2018.
Getting to and from the festival each day by car was relatively straightforward, with one minor hiccup on Thursday when we accidentally found ourselves at the Walibi amusement park entrance.
The walk from the parking lot to the campsite entrance took about 15 minutes depending on where you park. A cool feature this year was that the parking lot was organized by numbered rows (so if you or one of your friends remembered the row number you could find your car!). I can’t tell you how much of my life was wasted over the years forgetting where we parked.
As rave veterans, we planned our arrival and departure times strategically to beat the crowds. Each day, we arrived early around 11:30 AM and left around 2:30 AM, ensuring we avoided the worst of the traffic while still enjoying full days of music and entertainment.

Venue
Defqon.1 takes place at the Evenementen Terrein Het Maaiveld in Biddinghuizen, located in the Flevoland region of the Netherlands. This expansive venue is known for hosting numerous large-scale events throughout the year.
Despite its size, the layout is generally well-organized although really dusty, so don’t wear white shoes!

Food & Drinks
Defqon.1 offered a wide variety of food options to keep attendees fueled throughout the long festival days. From international cuisine like tacos, Korean and Thai food, to more familiar festival fare such as Turkish pizza, chicken gyros, and empanadas, there was something for everyone (including vegan options)! Of course, no Dutch festival would be complete without fries – the late-night fries with mayonnaise at the campsite were a particular highlight for me, so salty and crispy!
As most Dutch festivals, Defqon.1 operated on a token system for food and drink purchases. Tokens could be bought in bundles:
– 5 tokens for €20 (1 token ≈ €4 or $4.29 USD)
– 10 tokens for €40
– 15 tokens for €60
– 20 tokens for €80
– 25 tokens for €100
Prices varied, with beer and soda costing one token, while hard seltzers were a bit more and cocktails were priced at three tokens. For an example of the food prices, a portion of three chicken satay sticks could be had for 2.5 tokens. Of course, this is a huge price jump from the last time I attended Defqon.1 in 2018 but now living in the post-pandemic world plus inflation and having attended many festivals of similar size recently, the prices didn’t shock me.

Stages
Defqon.1 is renowned for its impressive array of stages, each dedicated to a different sub-genre of harder styles music.
RED Stage
The iconic RED stage is the center point of Defqon.1. This colossal structure takes nearly a year to design and three weeks to build. Featuring over 300 speakers, 1,472 light fixtures, and enough confetti to fill 192 waste containers, the RED stage is a sensory overload in the best possible way.
This year’s design paid homage to Defqon.1’s legacy, showcasing five ‘Defqon.1 Gods’ on thrones, each representing a past stage design. From the Samurai (2023) to the King of Scrap (2011), these figures embodied the festival’s rich history and mythology.

GOLD Stage
The GOLD stage is a nostalgic journey through hardcore music’s golden era. Here, gabbers, ravers, and diehards unite to celebrate the roots of rave culture. This stage hosted legends such as Rob GEE, Panic & the Viper, and Charly Lownoise.

YELLOW Stage
For those who like their beats fast (I mean really fast), the YELLOW stage is the place to be. Hosting Uptempo, Frenchcore, and Terror genres, this is where the BPM never drops below 200. Since my first edition of Defqon.1 in 2015, this stage has always held a special place in my heart. It had the best vibes in my opinion and the best music.

PURPLE Stage
The PURPLE stage is where future stars are born. Many of today’s headliners, including Headhunterz and D-Block & S-te-Fan, made their Defqon.1 debuts here. I got a great view of the stage from the Ferris Wheel on Sunday evening!

On Friday, the PURPLE transforms into the ORANGE stage, delivering pounding Psytrance beats to eager crowds showcasing the diversity that Defqon has to offer.
GREEN Stage
A new addition for Fresh Friday, the GREEN stage brought Hard Techno to Defqon.1 for the second time. Hard Techno is one of the most popular subgenres of electronic music today and the intersectionality between Hard Dance (especially reverse bass and Hard Techno as we know it today) makes it no surprise that Hard Techno was represented at Defqon.1 this year.
UV Stage
One of the largest outdoor stages, the UV hosted The Gathering’s end show on Thursday and was a beacon of light (literally illuminated the sky throughout the weekend). The center point of the UV stage was a giant purple Defqon logo with crystals on each side of the stage. The UV stage hosted a variety of different genres of music such as Wasted Penguinz, Brennan Heart, Dr. Peacock, and Darren Styles to name a few.

BLACK Stage
The BLACK stage has always been the home of hardcore at Defqon.1. This year BLACK was harder (and sweatier) than ever with some of the most insane acts of the scene today like Lil Texas, Major Conspiracy, and Dimitri K.

BLUE Stage
The second-largest stage at Defqon.1, the BLUE stage is the place to be for Rawstyle. Not to be confused with the Black Stage (that’s a blue tent), the BLUE stage was a large hangar with next level production including 441 light fixtures. At some points this stage was so crowded it was very difficult to enter and exist (even for a pro like me).

MAGENTA Stage
Celebrating hardstyle classics all weekend long, the MAGENTA stage is a time machine for electronic music lovers. If reverse bass is for you, then this was the place to be. From legends like Zany, to Tatanka, to Donkey Rollers, MAGENTA was a trip back in time to the early days.

SILVER Stage
For those who prefer more the underground, the SILVER stage delivers heavy Industrial vibes. The best part about the SILVER Stage was the wrap around stairs and decks allowing for various vantage points and an arena vibe.

All Weekend Silent Disco
A unique feature at Defqon.1 was the availability of silent disco headphones. For a five-token deposit, attendees could tune into five different channels from various stages, allowing them to experience different parts of the festival no matter where they were standing.
Defqon.1 Theater
New to the festival was the Defqon.1 Theater, presenting “Ghost Stories | The Twilight Ceremony.” This cinematic show experience, created by Q-dance and D-Block & S-te-Fan’s live act ‘Ghost Stories,’ offered free admission to multiple shows throughout the festival.
The Monument:
At the heart of Defqon.1 stood The Monument, a striking structure made from four 40-foot containers topped with a massive Defqon.1 logo. Surrounded by seating areas, this became a central meeting point and relaxation zone for weary warriors.

Music
The Opening Ceremony
The opening of the RED stage is always a special moment for Weekend Warriors. Walking up to the RED stage for the first time is always breathtaking between the sheer amount of people and the level of production. Known for his hard-hitting tracks and high energy performances, Ran-D set the mood for the weekend.
POWER HOUR
Described as ‘the biggest organized chaos of the year,’ POWER HOUR is a Defqon.1 institution. This year’s edition featured the famous ‘left to right’ moment and a spectacular air show by the Red Bull Flying Bulls, who dominated the skies with historic Dornier Alpha jets.

Rob GEE
Rob GEE’s two sets on Saturday paid homage to the legends of early Gabber one on the BLACK stage with Marc Acardipane hosted by MC Alee and Tha Watcher and then later in the day a solo set hosted by MC Da Mouth of Madness and MC Da Syndrome taking the crowd on a nostalgic journey back to the ’90s. With classic bangers like ’98 to Piano, I like it Loud, and Ecstasy, You Got What I Need, these sets were the perfect homage to the legends to pave the path for the music we know and love today.
Outsiders and Freddy Moreira:
Sunday’s set by Outsiders and Freddy Moreira was a high-energy mix of classic ’90s tunes and contemporary hits, complete with dancers throwing panda bear stuffed animals into the crowd and an endless amount confetti cannons. Their set was a big mix of everything from classic 90’s music top hits of today like Ratata, to fun remixes like Tattoo and Take Me Away. 100% pure energy from start to finish.
The End Shows
Defqon.1‘s end shows are legendary, and this year was no exception. Each night concluded with a breathtaking display of fireworks and lasers, illuminating the sky and leaving the crowd in awe. The Sunday night Closing Ritual was particularly emotional, and included the iconic left right moment once again but now in the dark for the very first time ever providing a fitting end to an incredible weekend.

Final Impressions
Defqon.1 Weekend Festival 2024 was a testament to the festival’s continued growth and innovation. The addition of a fourth day (introduced in 2022) allowed for a more relaxed start to the festival experience. Beyond the music, Defqon.1 offered a plethora of activities, from the Warrior Workout to the new Orange Light District, ensuring there was never a dull moment.
The festival’s attention to detail was evident in every aspect, from the Sneaker Sanctuary to the Bitterballen Bingo hosted by Holland Casino. I have to say experiencing Bitterballen Bingo from the perspective of an American living in the Netherlands for eight years was so fun. Singing along to Dutch music, eating free bitterballen (deep fried balls of meat ragout) and watching breakdancers was so cool and unexpected. We even did the polonaise (Dutch version of a conga line) to exit the venue, it doesn’t get more Dutch than that!

Navigating the festival was made even more fun with unexpected stages, such as one by the bathroom on Friday and various art installations. The only downside about getting around, was at points the festival was so crowded (especially Blue Stage on Sunday for Sickmode and Krowdexx) that it was impossible to move. Also on Sunday, a few of the stages switched for example UV became Black, Black became UV and without using the Q Dance app (plus with the bad service the app did not always work), a lot of people missed out on sets or lost their friends. One tip for next year would be to have additional signage, cross post style signs that point in which directions the stages are and how many meters it is to walk there would be helpful especially when your phone dies or you don’t have service. It’s also extremely confusing that the BLACK Stage is in a BLUE tent! But taking into account how hot a black tent would become (even without the collective energy the hardcore enthusiasts create while dancing to the fast paced beats) one can only understand this decision.
Defqon.1 is more than just a festival; it’s a lifestyle. It’s a family. The sense of community among the ‘Weekend Warriors’ is palpable, with attendees showing their dedication through tattoos and even weddings on site. It’s this spirit of unity, brought together by a shared love of music, that makes Defqon.1 truly special.
As we left the festival grounds for the last time, tired but elated, one thing was clear: Defqon.1 remains the ultimate celebration of harder styles music, and an unforgettable experience for electronic music lovers from around the world.
Big Room House
Mazro Begins His Bigroom Techno Era With New Track ‘Alive’
Mazro reveals his new bigroom techno direction with his latest track, ‘Alive’, showcasing a fresh, energetic sound that highlights his evolution as an artist.
Mazro signals a clear next step in his sound with Alive, a track that introduces his move toward Bigroom Techno. The release highlights the heavier drums, sharper synth work, and driving structure he has been known for, now pushed further into a style he plans to carry into 2026. With new music already in motion, Mazro sets Alive as the starting point for this updated direction.
How Alive Introduces Mazro’s Updated Sound
Alive continues the traits listeners associate with Mazro, built around firm percussion, direct lead lines, and a structure aimed at large-room settings. The track moves toward the Bigroom Techno style he is now focusing on while still keeping a link to the approach he used in earlier releases. This gives the transition a natural feel and keeps the emphasis on clarity and impact.
Within the broader landscape of Bigroom Techno’s rise, Alive serves as a fitting entry point for his updated direction. Mazro presents the track in a straightforward format, highlighting rhythm and drive without pulling away from what has worked for him so far. It functions as a clean introduction to where he intends to take his sound next, supported by the material he has prepared for release.
Where Alive Fits Within Mazro’s Recent Releases
Alive arrives after a run of tracks where Mazro leaned into polished builds, direct melodic phrases, and a festival-ready layout, as seen in earlier releases like Wild Frequencies and Hold Me Tight. Those tracks placed him within a lane of straightforward, big-room focused production, supported by labels and artists who have kept him on the radar across Spotify and Beatport. Alive continues in that line but applies a heavier, more driving structure that aligns with the Bigroom Techno direction he is now pursuing.
Across his catalog, Mazro has maintained an emphasis on rhythm, clarity, and accessible arrangement. Alive keeps those elements intact while pushing the percussion and synth work into a more forceful framework. This makes the track feel connected to what listeners already know from him, yet still marks a step that points to how his upcoming IDs might expand on this foundation.
Looking Ahead
Alive gives a straightforward view of where Mazro is heading as he moves into his Bigroom Techno focus. The track keeps the core elements that have defined his releases so far while pointing toward a clearer direction for the music he plans to share in 2026. With several IDs ready, Alive functions as the starting point for this next phase and offers listeners a sense of what they can expect from his upcoming work.
Pre-save the single here.

Big Room House
RENESIS Explores Rebirth And Power In Her Futuristic Single ‘SAKURA’
RENESIS releases “SAKURA,” a cinematic cyberpunk anthem inspired by rebirth and transformation, out now on Spotify and Beatport.
Los Angeles–based producer, singer, and DJ RENESIS continues to redefine the sound of futuristic electronic music with her standout single “SAKURA.” Fusing powerful basslines, glitched percussion, and soaring vocal textures, SAKURA embodies the beauty of transformation: the moment when fragility becomes strength, and chaos becomes creation.
Inspired by the Japanese cherry blossom that blooms for only a short time each year, SAKURA captures the idea of rebirth through impermanence. The track opens with delicate melodies that slowly give way to thunderous drops and metallic energy, reflecting the duality at the heart of the RENESIS sound – elegance meeting raw intensity in a neon-lit storm.
Supported by prominent names across the scene, including Extra Terra, Max Brhon, Rogue VHS, and Lazerpunk, RENESIS has quickly become one of the most compelling artists shaping the cyberpunk electronic movement. Her catalog has accumulated over one million streams worldwide, and her performances across the U.S., Canada, and Japan have showcased her ability to transform a stage into a full-blown cybernetic experience.
With SAKURA, RENESIS continues to blur the line between music and cinematic storytelling, delivering an anthem that feels both intimate and otherworldly.
Stream “SAKURA” now on all major platforms and step into the neon world of RENESIS.
Follow her journey on Instagram, Spotify, and YouTube for the next chapter of her expanding cyberpunk universe.
Stream and Download ‘Sakura’ Now:
https://www.beatport.com/release/sakura/5120021
RENESIS Online
Big Room House
For Labels and Artists: WARM radio data is driving innovation, networking and growth in the Dance Music Scene
As we move into the last quarter of 2025, it’s clear that radio continues to play a pivotal—yet often underestimated—role in shaping the global music landscape.
WARM is redefining how radio airplay data powers the dance music industry—turning plays into insights that fuel growth for labels, artists, and promoters.
WARM (We Are Radio Monitoring) is a global platform that provides real-time tracking and analysis of radio airplay across thousands of stations worldwide. Designed for artists, labels, publishers, booking agencies, and other music professionals, the tool delivers detailed data on where and when a song is played, offering insights into geographic reach, frequency, and market response.
By collecting and organising this information into personalised reports, WARM enables users to identify patterns that might otherwise go unnoticed, such as unexpected spikes in catalogue plays, regional trends, or the impact of viral moments on traditional media.
Trusted by Ninja Tune, Defected, Good Intent and other companies in the market, WARMM trackS global radio spins across more than 22.000 stations worldwide. WARM provides professionals with the tools to spot trends, measure impact, and expand their reach. In 2025, the company paired this data with new charts, a global radio show, and industry events, cementing radio’s role as a driver of visibility and connection in electronic music.
The Global Dance Radio Chart became a weekly radio show broadcasted by more than 40 radio stations worldwide
WARM has partnered up with Syndicast to produce a weekly dance radio show based on the top20 global dance radio chart, hosted by Rudy Cassago and Lele Zambe.
The show has been running now for 5 weeks, and already has +2 mio listeners via 40+ radio shows. The show is broadcasted on radios like: Moove Ibiza radio, Pulse, Beat and Primal Fm, as well as multiple podcasts. Radios can join the network here.
Using the charts as foundation for a radio show opens up much more value for the artists and labels, as they not only get the recognition through being on the charts, they also get additional radio plays on the radios that have added the weekly show, as well as actual mentions by the radio hosts.
The global dance radio chart is curated through 160 dance-focused radios, based on 24/7 monitoring across 30 countries, and continues to serve as the ultimate barometer of what’s truly resonating in global dance music. The chart is based on radios such as: 538 dance department, Rinse, Dublab, Ibiza Sonica, Loca FM and BBC1.

African Radio Chart: Spotlight on Continental Gems
Launched as part of our global genre-based series, the African Chart reflects the most played radio tracks across the continent, combining real-time airplay data from major broadcasters and key 650 stations. It serves as a vital link between Africa’s dynamic music scenes and the wider international market—enabling artists, labels, and tastemakers to spot emerging hits and regional movements early. The chart offers timely insights into the sounds shaping the future.
“The first 6 months of the year have been hectic to say the least. We began the year with launching both 3 new radio airplay charts, a radio show, a new dance music conference in Lisbon, our annual IMS pre-mixer at IMS as well as a new subscription model and an API for bigger customers. I can’t wait to release what we have for H2, which includes various product updates, conferences and events. A big thanks goes out to all our customers and partners who value accurate radio data. Let’s keep pushing for transparency and clarity around radio”, says Jesper Skibsby (picture) CEO and Founder of WARM.
Events play a key role on WARM’s initiatives:

WARM presented its first conference and it was a successful debut in Lisbon that has established the event as a key meeting point for global and local professionals in the electronic music industry.
Held on April 5th, the event brought together artists, label executives, promoters, and rights organizations for a full day of panels, workshops, and networking. With discussions ranging from music rights and artist development to mental health and international promotion, WARM offered a unique platform for meaningful dialogue and practical insights.
Leading industry players such as Beatport, Labelworx, Unison and Groover contributed to the program, reinforcing the event’s relevance on both local and international levels. The strong turnout and positive feedback underscore the growing importance of collaborative spaces that bridge regional talent with the global music ecosystem. The second edition will be announced for April 2026.

WARM Villa @ IMS x Beatport, Ibiza
The first half of 2025 was highlighted by an electrifying pre‑IMS (International Music Summit) gathering: WARM Villa @ IMS Ibiza, organized in partnership with Beatport. As a flagship event in April, it united artists, industry visionaries, and media influencers to discuss the evolution of dance radio, the path to global hits, and the power of real‑time airplay data.
This gathering not only fostered meaningful connections but also reinforced WARM’s identity as a data-driven thought leader in dance music.
New subscription model and API is now available
WARM launched a new subscription model for all new users, which offers more features, more historical data, better pricing and a better user experience. The trial has been upgraded to 30 days, where you can select any songs in the world, and keep track of the radio airplay.
At the same time, we have released an enterprise API for customers with bigger catalogs or integrations.

In the Press
WARM’s insights and charts have gained international visibility, with recent features in DJ Mag, EDM House Network, Mixmag and several other respected media outlets across Europe, the Americas, and Africa. These spotlights reflect the growing relevance of radio airplay data in today’s music ecosystem and reinforce WARM’s position as a trusted resource for tracking and understanding global music trends.
What’s next?
- Global Dance & African Charts every Friday—delivered straight to your inbox for free.
- Stay tuned for the upcoming H1 2025 Global Dance Insights Report, which breaks down the top100 most played dance tracks.
- You can meet the WARM team at various industry events in H2
We will be at ADE (NL), SHIP (CRO), Reeperbahn (GER) so reach out if you want to meet us.
Subscribe now to get weekly access to both charts and ensure you’re the first to know what’s trending on radio globally.
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