Connect with us

Big Room House

This was: Mysteryland 2024

Unknown's avatar

Published

on

After celebrating over three decades of music, art and sustainability, Mysteryland, organized by ID&T, has solidified its status as the world’s longest runninng electronic music festival. Being much more than a generic festival and offering much more than just music, there is absolutely no wonder that Mysteryland has grown exponentially since its first edition in 1993 and that it keeps attracting both new and old visitors each and every year.

EDMHouseNetwork had the honors of attending Mysterylands 2024 edition, and while we knew that we were in for something extravagant and amazing, we definitely didn’t expect to get this blown away by the experience. Here is how it all went.

Arriving at the festival


Friday at 14.00, we got dropped off by the kiss and ride zone at the South entrance that was located closest to the camping area. After a little walk, we were finally able to see the camping area and colorful flags waving in the wind, and the ‘’this just became real’’ started kicking in.

Considering that the first acts of the festival didn’t actually start until 17.00 that day, we got very surprised by the amount of people who had already arrived or were arriving at the camping area around the same time as us. This actually resulted in us having a bit of a difficulty with finding a spot to camp at the beginning, but we did manage to resolve it as we discovered that the camping opened up a little bit at the time to ensure that no one would take up too much unnecessary space.

A solution that resulted in finding a spot and putting up your gear taking a bit more time than usual, but that also made sure to preserve space and that everyone would get a comfortable amount of space to camp on. Something that other festivals might want to take in consideration, and future visitors might want to keep in mind when visiting future editions of Mysteryland.

As we were unpacking our gear, we noticed that neither of us has brought camping chairs with us, which, as any seasoned camper should know, is a crucial element when you go camping at a multiple-day festival and want your back and legs to actually survive. Fortunately, the issue was resolved quickly as a Recycle Store with gear collected from other festival grounds was available on site. A great initiative that not only reduces waste but promotes a circular economy encouraging the reuse of tents, air mattresses and other items.  

Camping

In terms of the basics, the Mysteryland camping had you covered with a store that offered a variety of different food and drinks during the day and at night, flushing toilets and comfortable shower cabins. There were also three different cozy chill areas hosted by the Camping Guardians where one could go if you didn’t feel safe, had questions, wanted to charge your electronic devices or just hang out. All little things that might be considered ‘’basic’’ in general, aren’t always a guarantee but strongly improve the level of quality of a festival camping experience – by the words of some of the campers that we got to speak with.

For those who were interested in taking a bit extra care of themselves and turning the camping experience into a spiritual journey, there were also more than enough options for self-care such as ice bath courses, cocoa ceremonies, tarot card readings, shamanic trance journeys and even the possibility to marry yourself. The comfort zone area also offered a wellness area with jacuzzies and cabanas, which made this the perfect place to unwind and recover after long days and walks at the festival area.

Compared to a lot of other festivals, Mysteryland also made sure to creatively utilize the camping area as a space where you could enjoy DJ’s performing on stage, different kinds of food and a variety of different fun activities. This area was called The Hangout where you for example could find stages such as ‘The Church’ (yes, the building literally looked like a church) and ‘’The church square’’, where DJ’s such as Freddy Moreira, The Good Girls Club and Club TNT could be found playing during the day or at night.


The Hangout was also where the pool was located and where you could either watch or participate in a pool chair dance-off, aquarobics or pool parties, led by the famous Bartmeister. If you were lucky, this was also where you could get the opportunity to witness a rare flamingo dance performed by the kind of flamingos that you’re unlikely to have seen before. For those who were afraid of birds and water, there was always the option of staying on dry land and playing some analog games at the Arcade.  

Mysteryland of course also provided the option of comfort camping for those who prefer a bit more ease, luxury and tranquility. At the comfort camping area, one could find pre-set up tents, a swimming pool, jaccuzis, a sauna, pétanque, a restaurant and more. If you like the sound of classical music during breakfast, live music at the bathhouse and live music by a campfire on top of that, then the comfort camping area is definitely the accommodation option for you.

Festival area

The production design of a festival is critical as it shapes the entire experience, from the atmosphere to the way attendees interact with the space. It’s what gives a festival its unique identity that aligns with the festivals theme and values. A well-designed festival environment is what encourages attendees to participate and explore, and invites them to engage more deeply with their surroundings.

At a time and age when there are far more festivals available than what we are able to attend, there are unfortunately a lot of festivals that take the easy way out and aren’t willing to put the right amount of time, effort or money into these elements of design, besides the elements that are visible at the stages. Mysteryland however, has clearly understood that it takes far more than strong lineups and majestic stages to create a visually and emotionally compelling experience for their audience.

In our experience, entering the festival area at Mysteryland was like travelling to a different universe and exploring magical uncharted landscapes in combination with jumping down the rabbit hole in Alice in Wonderland. Colorful pathways, art installations, the sound of music pulsing through the air with each beat guiding you deeper into the exciting and unknown.


Every corner offered something new and exciting to discover, whether it was a hidden rave in the middle of the woods, a karaoke room shaped like a old telephone booth or a telephone hanging in the tree with which you could call a random stranger at the opposite side of the festival area.

A fun fact about the decoration is also that almost all décor items were made from recycled materials or completely re-used but implemented in a new and creative way. The décor items were not only reused from previous editions of Mysteryland, but also previous editions of other ID&T Group festivals such as Sensation and Defqon1.

The commitment to the combination of sustainability, creativity, immersive and interactive design, is definitely one of the aspects that sets Mysteryland apart from other festivals and creates a journey to a world where imagination and reality blend together seamlessly.

Stages


Over 300 different artists performed on 22 different stages for over 125,000 visitors from nearly 100 nationalities at Mysteryland 2024. The stages at Mysteryland were however not just places where artists performed, but handcrafted, creative, immersive places that pushed the boundaries of production design and embodied the festivals core values.

Each stage had its own unique atmosphere, theme and design, and the dancefloors ranged from being outdoors to being located in massive tents filled with LED screens, laser shows and the worlds most advanced sound systems. Perfectly accommodating all the different genres that Mysteryland is known to welcome into the lineups, in their own particular way.

In combination with the previously mentioned décor, finding the way to the stages felt like being on a playground where the secret pathways, hidden parties and quirky surprises made the experience feel like a treasure hunt. While some stages were so grand and majestic that they were impossible to miss as you were walking around the festival area, others had to be looked for to be discovered as they couldn’t be found on the festival map.

The stages were scattered all over the festival area which was very big, and it could take over 20 minutes to walk from a stage at the south area to one at the north. We visited them all and can only say that each and every one of them made their own strong and absolutely unique impact. Below you will get a glimpse of the ‘’smaller’’ stages while the following section of the article is devoted to the mainstages and end shows.

Area 2


Located in the south part of the area, Area 2 (also called The Groove Arena, YEREYRE and Joy depending on the day), was one of the stages that set the tone for the rest of the weekend by already being open Friday. The stage was actually a big greenhouse that contained tropical plants, with the DJ booth placed in front of it and a boiler room kind of setting so the audience could enjoy the vibes both behind and in front of the DJ.

Area 2 was located among trees that were dressed in LED-lights which gave the area a forest rave kind of vibe. The weekend kicked off with Le Twins at the DJ booth and throughout the weekend you could enjoy the beats of East End Dubs, Joella Jackson, Prunk & Paige Tomlison and many others.

Area 3


Area 3, or ‘’Elrow’’ as the stage was actually called throughout the whole weekend, was the place where you could experience what a psychedelic trip feels like, simply by looking at the trippy, colorful, glow in the dark décor and performers. The Elrow stage got kicked off by DAF, followed by MEDUZA, George Privatti, Franky Rizardo and others who played here throughout the weekend.

Area 4


Area 4, or ‘’Sofa Sessions’’ as it was also called, was the place where musical talent and creativity came together and the unexpected was to be expected. The stage looked a bit like a combination between a terrace and greenhouse, mixed with a library and office where the desk was the DJ booth. Beside an actual dancefloor, the audience could enjoy the music while sitting down as sofas, couches and comfortable sitting was scattered throughout the floor and outside of the area. Music that could be enjoyed here was by DJ’s such as Ginton, Franky-B, Brass Rave Unit and De Sluwe Vos.

Area 5

A

Area 5, which was also called ‘’Sound Rush’’ and ‘’Trance Energy’’ throughout the weekend, was the place where we spent the most of our Friday night. The stage which was located under a dome-alike tent, made a strong impression thanks to the huge LED-screens around the DJ booth and beautifully incorporated images and colors that were perfectly synced to the music.

On the Friday we got to enjoy some harder kicks by B-Front, Bass Modulators, Keltek, Atmosfearz and Sound Rush, who all delivered a nice balance between new and old bangers. On Saturday and Sunday, the stage turned into a trance paradise with DJ’s such as Laura van Dam, Sander van Doorn, Nifra and David Rust at the DJ booth.

Area 7


Area 7, Also called Vunzige Deuntjes, was one of Mysterylands most vibrant spots and the home of urban music genres such as hip-hop, R&B, dancehall and afrobeat. Translated from Dutch, Vunzige Deuntjes means ‘’Dirty Tunes’’ and is a popular concept in the Netherlands with its roots in urban nightlife.

The stage being covered by a huge colorful tent that gave off a bit of tipi vibes, had a laid back yet lively atmosphere and this was where you could really witness some good dancing by festival goers feeling the groovy, tropical beats and urban anthems. Music that could be enjoyed at this stage was by artists such as Bryan MG, Fiesta Macumba, Freddy Moreira, Dopebwoy and Boef.

Area 8


Area 8 that was also called ”Nachtcollege” and ”Mirage of Melody”, was all about techno. The design of the stage was relatively simple but very effective and what made the most powerful impact was the sound. On Saturday the stage was taken hostage by hard techno DJ’s such as Cynthia Spierling, AnD, DIØN and Rush, and handed over to more melodic techno DJ’s such as Argy, Kölsch and ARTBAT on the Sunday.

Area 9


This year, Mysteryland created a brand-new stage for all the hardstyle lovers called the ‘’Hardstyle Elite’’ stage. This stage used to be called the Q-dance stage during previous years and was located outdoors, but has now transformed into Mysterylands biggest indoor stage instead. The line-up for this stage was packed with heavy hitters such as Phuture Noize, Brennan Heart, Devin Wild, Sub Zero Project and Sefa.

Paardenrave


From Dutch to English, Paardenrave translates to ‘’Horse rave’’, and was located close to the entrance of the camping area. This was also one of the stages that was already open during the Friday, and definitely helped setting a strong tone for what the rest of the weekend would be all about. In order to get to this stage, one had to go through a foresty area dressed with all kinds of quirky horse and barn related items before arriving at a Merry Go Round Carousel stage.

Lady Joker


A stage of surreal splendor that welcomed into Lady Joker’s Bedroom, a realm where reality blurred with the fantastical. Lady Joker is a Amsterdam-based creative collective that blends live electronic music theater, dance and visual arts. Their performances are characterized by vibrant vocals and immersive storytelling, often drawing on mythology and ancient tales. The collective is also known for its unique handcrafted costumes, which were present at the Lady Joker stage during Mysteryland 2024 which created a concept that fit perfectly into the Mysteryland landscape, giving off a surreal, playful energy and gave off a unique ‘’theatrical clubbing’’ vibe. This is also where DJ’s such as Arjuna Schiks, DJ Isis and Beard2Beard official could be heard.

The  Psychedelic Farm


While walking around at Mysteryland already felt like being in a different realm, The Psychedelic Farm stage was the place that really got you tripping and to question reality. It was a world full of bizarre surprises and a range of different unique characters. One of these characters was Gloria, a big pink pig (don’t worry, she wasn’t actually a real pig and no animals were harmed during the event) that was laying outside the farm snoring and rolling her eyes from time to time.

If you looked into the peepholes in her belly, you would witness something that we at EDMHouseNetwork definitely were captured by, but until this day can’t really describe in words. So all we can say on this point is that you need to get tickets for next year and hope that Gloria will still be there so you can experience it for yourself. In terms of music, The Psychedelic Farm was where you could discover the sounds of a Mariachi band, and see the performance of Boer (Farmer) Harm and Tonno Disko.

Mainstages and end shows

One of the aspects that Mysteryland is renowned for is their impressive mainstages and end shows. This year, things got taken to the next level in terms of both mainstages as Mysteryland not only upgraded their Pyramid stage in terms of design, but also incorporated some truly unique and mesmerizing elements to the end show of their mainstage.

Area 6 (Pyramid Stage) Drumcode/NMNH


Mysterylands Pyramid stage has had a variety of different impressive designs. This year, the stage had futuristic designs with towering structures that resemble giant trees or organic forms. The large canopies supported by a complex framework gave the stage an almost natural look, and the mix between nature and modern architecture created an enchanting experience.

On Sunday, the stage was dominated by heavy techno hitters such as Parfait, Dyen, Stella Bossi and I Hate Models. For the end show, 999999999 took the stage and delivered a set that took the audience by storm. One of the visitors who actually didn’t like techno but went for the end show at the Pyramid stage because he was curious over what it would look like, even told us that 999999999 played so good that he might have gotten converted.

In combination with the amazing light and firework show, the end show at the Pyramid stage was definitely one that the audience will never forget. This year, Mysteryland also made the decision to fully dedicate the Pyramid stage to techno. A big treat for all the techno lovers who during future editions will get the opportunity enjoy top-tier lineups in an amazing setting.

Area 1 – Mainstage


Mysterylands mainstage with its two large hands that presented a grand Mystery Box, embodies the festivals core values of Peace, Love and Mystery. A positive pandoras box that symbolizes the unleashing of all that’s good in the world, a reminder of boundless joy, creativity and unity – aspects that often seem hidden in our everyday lives these days. As the box got activated, it released an explosion of vibrant energy and connection, inviting everyone to embrace the wonders of the present moment and opportunity to rediscover the beauty of shared experiences.

The stage in itself was already mind-blowing and watching artists such as Bakermat, Fedde le Grand, Maddix, and Vini- Vici on this stage throughout Saturday and Sunday was already an experience that is now permanently imprinted on our membranes. Let’s not forget to add the important fact that Charlotte de Witte performed a powerful techno set as the closing act on Sunday and officially went down in music history as the first female artist to close the Mysteryland stage.  

After a weekend full with so many crazy experiences, impressions and views we were having a hard time believing that there is anything left to top it all with, even though we had been informed that something really special would be happening during the end show on Sunday. Now on after hand, we can hands down say that we definitely weren’t prepared for what we were still about to witness.

In collaboration with the world’s biggest beer brand BUD and TWOFIFTYK DRNS, Mysteryland put on an end show with 600 fully integrated drones that were a part of the entire finale. All the disciplines such as fireworks, 3D video and lighting operated in full synergy with the drones, which has never been done anywhere before. Thanks to this, the stage expanded from an initial 30 meters to a whopping 120 meters and filled the sky with wonder. You can watch the full endshow at Mysterylands Youtube Channel here.

And this wasn’t even all of it. As a perfect addition to the theme ‘’Celebrate Life’’ that the show was centered around, Mysteryland incorporated Genevieve Coté to perform her famous nature sounds during the finale. For those who don’t know, Genevieve Coté is known from Britains Got Talent where she wowed the judges with her unreal animal impressions.

All these different elements combined and weaved together in perfect symmetry and harmony, created something that would have been mesmerizing and beautiful to begin with the stage and fireworks alone, but now transformed into something truly magical, jaw-dropping and never before seen.

Sustainability


Besides being a leader in the creative field, Mysteryland also cares about our planet and is proving to be a leader in terms of sustainability. A great example of this is that Mysteryland, in 2015, won the EE Music Award for the highest reduction in energy consumption of all European festivals,

Mysteryland 2024 was, just as the 2023 edition, almost completely powered by locally generated green energy which is a unique feat. Approximately 80% of the festivals power consumption consisted of green grid power while the remaining 20% consisted of flexible, sustainably generated energy. Thanks to this initiative, around 60 thousand liters of diesel which would have been used to power the festival otherwise, was saved. To visualize it in a different way, this equals to one million kilometers driven by car. Something that is not only unique for the Netherlands but exceptional for the rest of Europe on this scale as well.

Another sustainability initiative taken by Mysteryland 2024 was the previously mentioned Recycle Store, where campers could rent items collected at other festivals such as Awakenings Festival and Defqon.1. Besides this, Mysteryland of course honor the opportunity to return to Haarlemmermeer year after year, and make sure to leave the terrain as untouched as possible by collecting every single cigarette butt, cup and piece of garbage after the festival is over. In terms of water, Mysteryland is under the opinion that water belongs to all of us and had therefore made sure to make water available for all the visitors for free. You could either bring your own container and fill it up at one of the water bards, or get a special, limited edition Mysteryland water bag at the same spot. Upon entrance, each visitor also got a free token for their first free cup, can or bottle, that could later be traded in at one of the bars for a new container or recycle coin.

Food

Mysteryland 2024 offered a range of different dishes that could be purchased at one of the many unique food courts scattered around the festival terrain. To make sure that everyone could find something tasty to eat no matter their dietary preferences, a lot of the food options were vegetarian, vegan, gluten free and diary free. Some examples of the delicious food options were Vietnamese spring rolls, Italian pizzas, Argentinian empanadas, Dutch poffertjes, a fresh BBQ bowl and many more.

Something that’s worth mentioning is that the fries at Mysteryland 2024 were hyper-local and that the potatoes were sourced from the land of the farmer where the festival camping is located. 5 food trucks and 20 air fryers were deployed by FrietHoes at Mysteryland 2024, and the collaboration between Mysteryland 2024 and the farmer Lars Kraak is quite unique as it ensured that the festival goers could enjoy locally sourced fries directly from the ground they slept on. EDMHouseNetwork can also attest to the fact that the fries were delicious!

Conclusions


To us at EDMHouseNetwork, there is absolutely no wonder that Mysteryland is the longest running electronic festival in the world and 2024’s edition was nothing less of an unforgettable experience that makes using the word ‘’immersive’’ feel like an understatement. We had a sense of wonder and excitement from the moment that we saw those colorful flags at the camping waving in a distance, and the second we set our foot on the festival area it was like jumping down a rabbit hole of adventures that didn’t let us out until the weekend was over.

The festivals dedication to its core values of peace, love and sustainability was present at every turn, from the repurposed beautiful décor to recycling and the eco-friendly initiatives to reduce energy consumption. The carefully curated stages with their variety of different genres offered something for everyone and the same applied to camping and food options, as well other kind of activities. At a time and age where its easier to create division than unity, Mysteryland definitely sets itself apart from other festivals with its ability to embrace and cater a broad spectrum of needs, tastes and experiences.

With this in mind, there is also no wonder that Mysteryland has so many visitors who continue coming back each year. The question that we asked ourselves however, is what lays behind the success of a festival of such a grand scale, when there are so many different elements that can go wrong but need to come into place in order for everything to work as a whole.

There are probably many answers to this, and one of them is that the crew behind Mysteryland and ID&T consist of a big amount of very talented, hard working and experienced people. We do however also think that there is something bigger hiding behind it, and more specifically, the story behind the theme of Mysteryland 2024 and ID&T’s tagline ‘’Celebrate Life’’.

For those who don’t know, on September 1st 24 years ago, the brother of one of the founders of ID&T passed away at a very young age. His passing made his group of friends – the very people behind ID&T – realize how short life is and that we need to celebrate it while we can. This message became deeply personal for ID&T and ‘’Celebrate Life’’ has ever since laid at the heart of everything they do.

September 1st this year, coincidentally fell on the Sunday of Mysteryland, which made the already spectacular, one-of-a-kind end show with ‘’Celebrate Life’’ written by drones in the sky, something even more special, meaningful and deep to the people of ID&T. And we here at EDMHouseNetwork strongly believe that it’s also exactly this love, passion and devotion to celebrate life that not only left the visitors in awe during the end show, but makes them keep coming back for more, year after year.  

With that said, Mysteryland is indeed not just a festival but a place with a pulsating heart and soul, deeply rooted in something bigger and more powerful than just what the ear can hear or eye and see. We’d like to give a big thank you to Mysteryland and ID&T for allowing us to be a part of this extraordinary experience and hope to see you next year too.

If you are as excited for next years edition which will take place at 22- 24 of September, make sure to pre-register via this link!

Nadia is a Netherlands-based electronic music enthusiast, festival explorer, and storyteller at heart, with a special devotion to the driving force of techno. She has covered a wide range of events, including Awakenings, Mysteryland, and World Club Dome - always with the goal of bringing readers closer to the sound, the scene, and the story behind every beat. Her favorite thing? Turning lived experiences into vivid narratives that inspire others to dive into the culture, discover new artists, and chase the magic for themselves.

Big Room House

Mazro Begins His Bigroom Techno Era With New Track ‘Alive’

Unknown's avatar

Published

on

Mazro reveals his new bigroom techno direction with his latest track, ‘Alive’, showcasing a fresh, energetic sound that highlights his evolution as an artist.

Mazro signals a clear next step in his sound with Alive, a track that introduces his move toward Bigroom Techno. The release highlights the heavier drums, sharper synth work, and driving structure he has been known for, now pushed further into a style he plans to carry into 2026. With new music already in motion, Mazro sets Alive as the starting point for this updated direction.

How Alive Introduces Mazro’s Updated Sound

Alive continues the traits listeners associate with Mazro, built around firm percussion, direct lead lines, and a structure aimed at large-room settings. The track moves toward the Bigroom Techno style he is now focusing on while still keeping a link to the approach he used in earlier releases. This gives the transition a natural feel and keeps the emphasis on clarity and impact.

Within the broader landscape of Bigroom Techno’s rise, Alive serves as a fitting entry point for his updated direction. Mazro presents the track in a straightforward format, highlighting rhythm and drive without pulling away from what has worked for him so far. It functions as a clean introduction to where he intends to take his sound next, supported by the material he has prepared for release.

Where Alive Fits Within Mazro’s Recent Releases

Alive arrives after a run of tracks where Mazro leaned into polished builds, direct melodic phrases, and a festival-ready layout, as seen in earlier releases like Wild Frequencies and Hold Me Tight. Those tracks placed him within a lane of straightforward, big-room focused production, supported by labels and artists who have kept him on the radar across Spotify and Beatport. Alive continues in that line but applies a heavier, more driving structure that aligns with the Bigroom Techno direction he is now pursuing.

Across his catalog, Mazro has maintained an emphasis on rhythm, clarity, and accessible arrangement. Alive keeps those elements intact while pushing the percussion and synth work into a more forceful framework. This makes the track feel connected to what listeners already know from him, yet still marks a step that points to how his upcoming IDs might expand on this foundation.

Looking Ahead

Alive gives a straightforward view of where Mazro is heading as he moves into his Bigroom Techno focus. The track keeps the core elements that have defined his releases so far while pointing toward a clearer direction for the music he plans to share in 2026. With several IDs ready, Alive functions as the starting point for this next phase and offers listeners a sense of what they can expect from his upcoming work.

Pre-save the single here.

Continue Reading

Big Room House

RENESIS Explores Rebirth And Power In Her Futuristic Single ‘SAKURA’

Unknown's avatar

Published

on

GENESIS SAKURA

RENESIS releases “SAKURA,” a cinematic cyberpunk anthem inspired by rebirth and transformation, out now on Spotify and Beatport.

Los Angeles–based producer, singer, and DJ RENESIS continues to redefine the sound of futuristic electronic music with her standout single “SAKURA.” Fusing powerful basslines, glitched percussion, and soaring vocal textures, SAKURA embodies the beauty of transformation: the moment when fragility becomes strength, and chaos becomes creation.

Inspired by the Japanese cherry blossom that blooms for only a short time each year, SAKURA captures the idea of rebirth through impermanence. The track opens with delicate melodies that slowly give way to thunderous drops and metallic energy, reflecting the duality at the heart of the RENESIS sound – elegance meeting raw intensity in a neon-lit storm.

Supported by prominent names across the scene, including Extra Terra, Max Brhon, Rogue VHS, and Lazerpunk, RENESIS has quickly become one of the most compelling artists shaping the cyberpunk electronic movement. Her catalog has accumulated over one million streams worldwide, and her performances across the U.S., Canada, and Japan have showcased her ability to transform a stage into a full-blown cybernetic experience.

With SAKURA, RENESIS continues to blur the line between music and cinematic storytelling, delivering an anthem that feels both intimate and otherworldly.

Stream “SAKURA” now on all major platforms and step into the neon world of RENESIS.

Follow her journey on Instagram, Spotify, and YouTube for the next chapter of her expanding cyberpunk universe.

Stream and Download ‘Sakura’ Now:

https://www.beatport.com/release/sakura/5120021

RENESIS Online

Spotify | Instagram | Beatport

Continue Reading

Big Room House

For Labels and Artists: WARM radio data is driving innovation, networking and growth in the Dance Music Scene

Unknown's avatar

Published

on

As we move into the last quarter of 2025, it’s clear that radio continues to play a pivotal—yet often underestimated—role in shaping the global music landscape.

WARM is redefining how radio airplay data powers the dance music industry—turning plays into insights that fuel growth for labels, artists, and promoters. 

WARM (We Are Radio Monitoring) is a global platform that provides real-time tracking and analysis of radio airplay across thousands of stations worldwide. Designed for artists, labels, publishers, booking agencies, and other music professionals, the tool delivers detailed data on where and when a song is played, offering insights into geographic reach, frequency, and market response. 

By collecting and organising this information into personalised reports, WARM enables users to identify patterns that might otherwise go unnoticed, such as unexpected spikes in catalogue plays, regional trends, or the impact of viral moments on traditional media.

Trusted by Ninja Tune, Defected, Good Intent and other companies in the market, WARMM trackS global radio spins across more than 22.000 stations worldwide. WARM provides professionals with the tools to spot trends, measure impact, and expand their reach. In 2025, the company paired this data with new charts, a global radio show, and industry events, cementing radio’s role as a driver of visibility and connection in electronic music. 

The Global Dance Radio Chart became a weekly radio show broadcasted by more than 40 radio stations worldwide

WARM has partnered up with Syndicast to produce a weekly dance radio show based on the top20 global dance radio chart, hosted by Rudy Cassago and Lele Zambe.

The show has been running now for 5 weeks, and already has +2 mio listeners via 40+ radio shows. The show is broadcasted on radios like: Moove Ibiza radio, Pulse, Beat and Primal Fm, as well as multiple podcasts. Radios can join the network here.

Using the charts as foundation for a radio show opens up much more value for the artists and labels, as they not only get the recognition through being on the charts, they also get additional radio plays on the radios that have added the weekly show, as well as actual mentions by the radio hosts. 

The global dance radio chart is curated through 160 dance-focused radios, based on 24/7 monitoring across 30 countries, and continues to serve as the ultimate barometer of what’s truly resonating in global dance music. The chart is based on radios such as: 538 dance department, Rinse, Dublab, Ibiza Sonica, Loca FM and BBC1.

African Radio Chart: Spotlight on Continental Gems

Launched as part of our global genre-based series, the African Chart reflects the most played radio tracks across the continent, combining real-time airplay data from major broadcasters and key 650 stations. It serves as a vital link between Africa’s dynamic music scenes and the wider international market—enabling artists, labels, and tastemakers to spot emerging hits and regional movements early. The chart offers timely insights into the sounds shaping the future.

“The first 6 months of the year have been hectic to say the least. We began the year with launching both 3 new radio airplay charts, a radio show, a new dance music conference in Lisbon, our annual IMS pre-mixer at IMS as well as a new subscription model and an API for bigger customers. I can’t wait to release what we have for H2, which includes various product updates, conferences and events. A big thanks goes out to all our customers and partners who value accurate radio data. Let’s keep pushing for transparency and clarity around radio”, says Jesper Skibsby (picture) CEO and Founder of WARM.

Events play a key role on WARM’s initiatives:

get WARM conference: Lisbon

WARM presented its first conference and it was a successful debut in Lisbon that has established the event as a key meeting point for global and local professionals in the electronic music industry. 

Held on April 5th, the event brought together artists, label executives, promoters, and rights organizations for a full day of panels, workshops, and networking. With discussions ranging from music rights and artist development to mental health and international promotion, WARM offered a unique platform for meaningful dialogue and practical insights.

Leading industry players such as Beatport, Labelworx, Unison and Groover contributed to the program, reinforcing the event’s relevance on both local and international levels. The strong turnout and positive feedback underscore the growing importance of collaborative spaces that bridge regional talent with the global music ecosystem. The second edition will be announced for April 2026.

WARM Villa @ IMS x Beatport, Ibiza

The first half of 2025 was highlighted by an electrifying pre‑IMS (International Music Summit) gathering: WARM Villa @ IMS Ibiza, organized in partnership with Beatport. As a flagship event in April, it united artists, industry visionaries, and media influencers to discuss the evolution of dance radio, the path to global hits, and the power of real‑time airplay data.

This gathering not only fostered meaningful connections but also reinforced WARM’s identity as a data-driven thought leader in dance music. 

New subscription model and API is now available

WARM launched a new subscription model for all new users, which offers more features, more historical data, better pricing and a better user experience. The trial has been upgraded to 30 days, where you can select any songs in the world, and keep track of the radio airplay. 

At the same time, we have released an enterprise API for customers with bigger catalogs or integrations.

In the Press

WARM’s insights and charts have gained international visibility, with recent features in DJ Mag, EDM House Network, Mixmag and several other respected media outlets across Europe, the Americas, and Africa. These spotlights reflect the growing relevance of radio airplay data in today’s music ecosystem and reinforce WARM’s position as a trusted resource for tracking and understanding global music trends.

What’s next?

  • Global Dance & African Charts every Friday—delivered straight to your inbox for free.
  • Stay tuned for the upcoming H1 2025 Global Dance Insights Report, which breaks down the top100 most played dance tracks.
  • You can meet the WARM team at various industry events in H2
    We will be at ADE (NL), SHIP (CRO), Reeperbahn (GER) so reach out if you want to meet us

Subscribe now to get weekly access to both charts and ensure you’re the first to know what’s trending on radio globally.

Continue Reading

Trending