Drum and Bass
ALRT, Sam Silver & Whiterosemoxie Team Up To Bring Us ‘Again’ ft. Leap 96 & Yona Via TH3RD BRAIN Records
July saw the launch of the Leap 96 project by ALRT and Sam Silver as they unveiled ‘Back It Up’, a single which would exceed all expectations and lay down the foundation for what is to come for this duo. Now, just 1 month later they are proving that the first hit was not a fluke as they present us with ‘Again’ alongside Whiterosemoxie and Yona. The single marks the 2nd release from the self titled ‘Leap 96’ EP which is due out on October 18th via LA-based imprint TH3RD BRAIN Records.
Driven by an energetic liquid drum and bass production, ‘Again’ showcases the intertwined talents of two outstanding singers, Yona and Whiterosemoxie. Their contrasting tones, both male and female, build a unique energy and tension from the start, capturing the dynamics and complexities that play out in a relationship. The lyrics are fraught with emotion, delivered alongside ethereal melodies that culminate in a sizzling DnB drop. ‘Again’ takes the listener along with Leap 96 on a modern sonic journey that truly transcends genres.
[
Yona, the 18-year-old bilingual French-American singer-songwriter, brings a unique blend of pop with a hint of grunge, grime, guitars, and deep lyrics to the track. Her highly distinctive and intensely emotional voice brings a unique flair that perfectly complements the production.
The American rapper Whiterosemoxie shares a deeply personal connection with the song, stating, “When we recorded ‘Again’, I had just recently gone through a breakup, and constantly saw it rubbed in my face on social media. At the top of the year, I had found new love and wrote this song to express my cautionary attitude towards my new relationship. We were at the point where we could decide to be more than friends or hit the brakes. Knowing we both want more out of life than what we have now, it is very hard to imagine a successful relationship that also allows for us to achieve what we want. When we do this thing we both know we shouldn’t do, will you blame it all on me?”
Leap 96 is a collaborative project between Sam Silver and ALRT, drawing inspiration from the late 90s and early 2000s when Garage and Drum and Bass first began to appear on the rave scene. The music blends vocal-driven dance music for both uptempo and downtempo settings. The name Leap 96 was chosen to signify the middle year between Sam and ALRT’s birthdays, which was also a leap year.
The project’s sonic direction reflects their backgrounds, with ALRT coming from a prosperous old-school rave scene and Sam from the new-age garage, rap, and ethereal house scene. Their combined influences create a unique sound that blends garage, rap, dnb, and vocals with an indie pop sensibility.
Sam Silver and ALRT met at a studio in Hollywood, California, where ALRT co-founded with well-known artist/producer JOYRYDE. What started as a casual co-writing session turned into two months of co-production, yielding the four songs on the EP as well as many other works in progress.
Don’t skip the single and make sure to stay tuned for the full ‘Leap 96’ EP coming on October 18th!
Following up on a strong run of singles, Softboy7 has stepped it up with the release of a deeply personal album ‘dreamData.’
From the first track, ‘my little angel’, the scene is set for the world of ‘dreamData’. Packed with layered synths and atmospheric textures, it gives the album an energetic opening that draws the listener in. ‘dreamData’ is easy to get lost in as every track flows smoothly into the next, allowing the listener to immerse themselves in Softboy7’s world.
There is a very clear vision throughout, as each track maintains the core elements that define ‘dreamData’. Atmospheric soundscapes, precise beats, and dreamy synths. While every track is built around these elements, each one feels like a refreshing take on the scene. On ‘above the layers’ and the title track ‘dreamData’, there are beats influenced by digicore and trap with a more laid-back feel, while ‘ethereal’ pairs dreamy atmospheres with fast breakcore-style drums. The whole album production features balanced mixing and careful use of dynamics. It varies between intense and gentle passages, switching between high energy and softer sections.
Softboy7 developed the story and emotive background of ‘dreamData’ through his struggle with mental health and the journey of finding his way back to enjoying and loving life. Much of that recovery came from online connections, such as gaming sessions and calls, which fostered genuine positive emotions. One particularly defining moment for the album, he told us, was trusting a stranger enough to take a flight to Brazil, which ended up as a formative and unexpectedly wholesome experience. That sense of vulnerability and safety is reflected in ‘take my hand’, a track built around trust and emotional openness. This theme of connection extends throughout the album, with each song telling its own story, from ‘last promise’, about embracing your uniqueness, to ‘dead pc’, which reflects the sadness of losing personal data.
Inspired visually and emotionally by Y2K design, Frutiger Aero, Solarpunk, Kawaii, and Hopecore, ‘dreamData’ exists as both a collection of songs and a carefully imagined world built from real life experiences, digital intimacy outlining the reasons Softboy7 fell in love with being alive again.
You can follow Softboy7 on their socials below:
On December 5th Sub Focus is heading to Warehouse Project in Manchester to celebrate the launch of his upcoming album ‘Contact.’
On November 21st Sub Focus will be dropping his highly anticipated 5th studio album ‘Contact.’ The singles he’s already unveiled that feature on the album have all been massive hits. Tracks like ‘Go Back’ with John Summit, ‘Push The Tempo’, and ‘On & On’ have been getting crowds amped up all around the world. It’s no secret, Sub Focus is on fire.
Come December 5th he’s bringing the full power of ‘Contact’ to Manchester’s Warehouse Project and he’s coming with extra firepower. Joining him in the Concourse room for 8 hours of heavenly music are the likes of Culture Shock, Bou, Kanine, and many more. The Concourse room has a no phones policy which will give the crowd the opportunity to really let themselves get lost in the music and have the time of their lives.
2025 has arguably been one of the biggest years of Sub Focus’ career with plenty of highlights. This year has seen him release some of his biggest tracks ever, make his debut on the mainstage at Creamfields, and achieve an impressive personal milestone. For the final quarter of the year, he’s made it onto the cover of DJ Mag. He took to his social media to say, “This is a massive milestone for me having read this since I was a kid, so grateful to the guys for having me.”
Tickets for the launch party go on sale on October 17th at 12PM with pre-sale opening up at 9AM. On December 5th get yourself over to Manchester, put away your phone, and let your mind be blown by the sounds of Sub Focus.
To sign up for pre-sale click the link below:
You can follow Sub Focus on his socials below:
DJ Madam Filth Returns With Drum and Bass Track ‘Got That Blow’
Las Vegas-based DJ Madam Filth has released her second track on the Dancefloor Mafia label, titled Got That Blow. Known for her presence in the U.S. drum and bass scene, she brings another fast-paced offering that reflects her commitment to building both her sound and her label’s direction.
The track runs for just under four minutes and wastes no time setting its pace. It opens with a rhythmic pattern that leans into familiar DnB territory like quick tempo, tight percussion, and minimal melodic distractions. There’s a focus on keeping the structure clean and the transitions purposeful. Instead of throwing in multiple breaks or sound detours, the song keeps the listener on a straight course with steady layering and repetition.
There’s a vocal sample running through the main progression, acting as both a hook and a rhythmic anchor. Rather than relying on dramatic builds, the track maintains a linear intensity. That choice gives DJs room to use it mid-set to either maintain drive or transition without losing pace.
More Than Just a Single
Got That Blow is not just another release. For DJ Madam Filth, this marks another step in solidifying her platform. As a resident on Vibe 99.7FM’s Bass Nation and co-founder of the Konkrete Jungle event series, she’s not new to the genre or its surrounding community.
The Dancefloor Mafia label, which she launched independently, serves as a space for her to release her own music and to experiment with tracks built directly for the kind of dancefloors she plays regularly. Her style often leans toward straightforward arrangements that favor flow over theatrics. Got That Blow fits into that catalogue clearly.
For Listeners and DJs Alike
This track isn’t trying to reinvent the genre. It’s meant for settings where speed, precision, and familiarity matter. The production is tight, with all elements serving the rhythm rather than competing for attention. For fans of minimal, high-speed DnB, it’s a track that can slot comfortably into playlists or live sets without dominating them.
DJ Madam Filth continues to approach her releases with intention. Got That Blow may not be overly complex, but it’s well-built for the purpose it serves. If you follow her work—or just want a no-frills DnB addition to your library as it’s worth a listen.#
-
Alok News2 days agoTop 10 Most Streamed EDM Songs of All Time (2026 Edition)
-
EDM Festival News2 weeks agoTomorrowland Thailand Confirmed for December 2026 in Pattaya
-
Editorial3 weeks agoAtlas Super Club Bangkok Opens as the City’s Newest Large-Scale Venue
-
Editorial4 weeks agoThe Best EDM Songs Of 2025
-
Editorial3 weeks agoEDM Festivals You Can’t Miss, January 2026
-
Editorial1 week agoEDC Thailand 2026: The Artists Making Their Thailand Debut
-
Editorial3 weeks agoTop 10 EDM Artists to Watch in 2026
-
EDM Music2 weeks agoNew EDM Friday Jan 9: David Guetta, Max Styler, Steve Aoki & More
