Electro House
James Grebb Provides Listeners With An Anthemic And Groovy EDM Single ‘Bandwidth’!

James Grebb is a producer and DJ from Denver, CO. After spending 7 years perfecting live mixes in the genres of electro and bass house, he dove into music production. His releases have been supported by industry experts such as Pasquale Rotella (EDC/Insomniac), Danny Avila, Trap Nation, Tomo Hirata, and Club Banditz. He has also had multiple tracks played live worldwide on SiriusXM. His singles have also charted in the Beatport Top 100 seven times, with the highest reaching #2 on electro house. With recent performances at Global Dance Festival, Supernatural Festival, Beta Night Club and The Church, James continues to expand the boundaries of his own take on the future of electronic music.
When it comes to electro house productions, James Grebb hits the nail on the head each and every time, with each release being more unique and creative than the last. Over the years, James has gained a loyal following by releasing bangers such as ‘Contrast’ (over 100k streams on Spotify), ‘On The Horizon’, ‘Phonetic’ among many more. Following on from his first release of 2020, the previously mentioned ‘Contrast’, James Grebb keeps his hot streak of form rolling with ‘Bandwidth‘.
James Grebb returns to deliver a groovy, melodic, and bass-heavy EDM single titled ‘Bandwidth’. Unlike many producers, James Grebb nails it once again on making a track that will get dancefloors rocking. The EDM single features a perfect combination of bass, sharp synths, and melodic elements. ‘Bandwidth’ contains a big-room breakdown with an infectious melody and a drop that will have everyone jumping. Altogether, James Grebb delivers a track that is perfect for the club, party, or any set in general. The three-minute track is a must-have for every EDM DJ since it will work well in any setting. ‘Bandwidth’ features an energetic buildup that adds even more atmosphere and punch to the drop. James Grebb continues to impress with his releases as he is set to leave his footprint in the electronic scene.
Stream this single below.
Electro House
Martin Wave Releases New Electronic Single “CONTROL” ft. Izzy Bizu & CAPPA

Award-winning, platinum-selling producer and artist Martin Wave returns with his latest single, “CONTROL,” featuring Grammy-nominated, British-Ethiopian singer Izzy Bizu and electro-pop artist/writer CAPPA, out on May 30th. The track is part of the soundtrack for the F1 game alongside artists like Jamie XX, Diplo, Austin Millz, Sofi Tukker, and others, launching the same day, and in a national Apple TV campaign airing June 20.
The catchy, electronic track exudes confidence and showcases Martin’s signature cinematic production style. Known for his work with artists like Post Malone, BTS’s Jin, and Suki Waterhouse, as well as major campaigns for Marvel, Star Wars, and Apple, Martin continues to blur the lines between pop, film, and electronic music.
“CONTROL” is the first release on Parasol Music, the label, creative sync agency, and community Martin launched with his wife, Grace Hong, in 2024. “Parasol is becoming a hub for purpose-driven artists and represents a new model representing the next wave of the music industry,” Martin shares.
“CONTROL” is inspired by themes of female empowerment, celebrating strength and the ability to overcome obstacles, even when the odds are stacked against you.
Martin Wave, traditionally known for his work as a producer, will be releasing his debut album in 2025.
Big Room House
Top 10 Timmy Trumpet Songs To Celebrate His Birthday

Timmy Trumpet, the man with the trumpet, celebrated for his dynamic dance antics and infectious energy, turns 43 today!
Bursting onto the scene with his smash hit ‘Freaks,’ he quickly became a global sensation. His electrifying track ‘Narco’, created with Blasterjaxx, has become an anthem, notably used as the walkout song for New York Mets closer Edwin Díaz.
As he famously said, “Some people dream of success while others wake up and work hard for it,” and Timmy certainly did work hard, as evidenced by his impressive hits. Mark his birthday by tuning into his top tracks.
10. 911 with R3HAB – 57m streams
9. All The Things She Said with Robin Schulz & KOPPY – 59m streams
8. Toca with Carnage & KSHMR – 71m streams
7. Punjabi with Dimatik – 75m million streams
6. Narco with Blasterjaxx – 99m million streams
5. Call Me with Gabry Ponte & R3HAB – 106m streams
4. Oracle – 142m streams
3. Party Til We Die with MAKJ – 145m streams
2. Mad World – 196m million streams
1. Freaks – 598m million streams
Electro House
James Grebb Releases New Single, ‘Remedy’

James Grebb is back with his brand new abstract house single, ‘Remedy.’ Blending lush vocals with atmospheric pads, the track provides an emotional experience to listeners. Along with this, its basslines and dynamic sub bass grooves create a memorable drop, ready to please audiences of all kind, whether it is at a festival mainstage or in a nightclub.
All different elements of ‘Remedy’ play a big part, showcasing an experimental piece, combining electro house and bass house in one record. Created with the contemporary festival vibe in mind, abstract house blurs the boundaries between two genres, creating a sound that is both innovative, modern, and crowd-pleasing.
The idea is a unique one, being brought into the scene by James Grebb who continues to make his mark in the music industry, releasing intricate, exhilarating dance music.
With his modern sound, abstract house, the Denver DJ has received support from famous names such as Danny Avila, Pasquale Rotella, Yves V and many more. Off the stage, his music has also landed on various radio stations like SiriusXM, and has achieved placements on the Beatport top 100 numerous times. On Spotify, James Grebb’s music has garnered over one million streams, in more than 184 countries.
Having performed in the past at events such as Global Dance Festival, Decadence, Supernatural Festival and many others, the artist is now ready to take ‘Remedy’ to new stages this summer.
Stream this single below and on all other platforms here.
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