Editorial
Subtronics Leads EDM Artists In Spotify Stress Relief Study
Subtronics Leads EDM Artists In Spotify Stress Relief Study as bass music appears across playlists linked to stress, anxiety, and burnout
Subtronics leads Spotify stress relief study as a new Tebra report places him at No. 1 among EDM/electronic artists in an analysis of public Spotify playlists linked to stress, anxiety, burnout, overthinking, and decompression. The study reviewed 155,626 track entries across 560 playlists, using search terms such as “anxiety,” “burnout,” “calm down,” “decompress,” “destress,” “overthinking,” and “stress relief” to examine how listeners use music during mentally heavy periods. Subtronics ranked ahead of Illenium and David Guetta in the EDM/electronic category, while the overall playlist data was led by names including Drake, Taylor Swift, and The Weeknd. His placement in the playlist makes the study more interesting for electronic music because it pushes beyond the expected idea of stress-relief playlists as soft pop, acoustic tracks, ambient music, or slow background listening. Instead, it shows that some listeners are also turning to bass music when they want something more direct, intense, and separate from whatever they are dealing with.
Subtronics Leading The EDM List Says Something Specific About Why Listeners Turn To Bass Music
Subtronics ranking first among EDM/electronic artists matters because of how the Tebra study was built. The report reviewed 155,626 track entries across 560 public Spotify playlists, using search terms tied to stress relief, anxiety, burnout, calm down, decompress, destress, and overthinking. That means the finding was not based on one official playlist, one editorial placement, or one fan-made list gaining attention. It came from repeated appearances across playlists that listeners had already connected to mental pressure and emotional reset. In the EDM/electronic category, Subtronics ranked ahead of Illenium and David Guetta, which gives the top three more context because they represent different parts of dance music. Illenium is widely associated with melodic bass and emotionally direct songwriting, while David Guetta connects the category to mainstream dance, pop collaborations, and festival records. Subtronics leading that group places heavier bass music at the front of a playlist study many people might have expected to favor softer electronic sounds.
The wider study also shows that stress-related listening is not limited to one mood or one genre. Across all analyzed playlists, Drake, Taylor Swift, and The Weeknd appeared most often, while survey respondents named Linkin Park, Adele, and Taylor Swift as the artists they personally turn to for stress relief. That contrast matters because it separates public playlist behavior from direct listener responses, giving the study more depth than a simple artist ranking. In that context, Subtronics leading the EDM/electronic list does not read like a random bass music headline. It fits into a bigger pattern where listeners choose music for focus, familiarity, emotional release, or a clear mental break, even when the sound is loud or intense. For bass music fans, a Subtronics track can do that through detailed sound design, sharp rhythm changes, and low-end pressure that holds attention more directly than background music. The study does not prove that bass music lowers stress in a clinical sense, and the wording should not suggest that. What it does show is that heavier electronic music is showing up inside playlists built around stress relief, anxiety, burnout, and decompression, making Subtronics’ placement a useful window into how EDM listeners organize music around their daily state of mind.
The Science Behind Bass Music As Stress Relief, From Tempo To Drops
Bass music can make sense in stress relief listening because it gives the brain a clear sequence to follow. Dubstep and modern bass music often run around the 140 BPM range, while the drum pattern is commonly felt in half-time, closer to a 70 BPM pulse. That combination creates a slower physical groove inside a faster track, which is part of why bass music can hold attention without sounding calm. For listeners dealing with stress, that structure can matter. A Subtronics track often goes from build-up to pause, then into a heavy drop, rhythm switch, and second drop, giving the listener a series of cues that keep attention on the music. Tracks such as Amnesia, Alien Communication, and Black Ice show that pattern clearly, with sudden cuts, bass changes, and drop sections that keep the ear engaged. Music psychology research often explains listening as a form of emotion regulation, where people choose songs to shift mood, distract from stress, process emotion, or match what they are already feeling before moving through it. In that sense, bass music does not need to sound soft to serve a stress-related purpose. For some listeners, the tempo, tension, and drop structure can give overthinking something else to follow.
The physical side of bass music is also where the science becomes useful for this article. In a 2022 Current Biology study titled Undetectable very-low frequency sound increases dancing at a live concert, researchers added very-low-frequency bass during a live electronic music performance, switched those frequencies on and off, and measured audience movement through motion capture. The crowd moved 11.8% more when the added bass frequencies were present, even though participants could not consciously detect when those frequencies were being used. This does not prove that a Subtronics track clinically lowers stress, but it does give the article a stronger scientific link between bass music and physical response. When a track builds tension, cuts briefly before the drop, then returns with a heavier bass pattern, the body has a rhythm to respond to, which can make the experience feel more active than quiet stress-relief music. In the context of Tebra’s playlist study, Subtronics ranking ahead of Illenium and David Guetta suggests that some listeners are adding heavier electronic tracks to stress relief playlists because they want music that gives them focus, movement, and a stronger break from mental fatigue.
Subtronics’ Discography Gives The Bass Music Finding More Range
Subtronics ranking first in the EDM/electronic category makes more sense when his catalog is viewed beyond one or two heavy tracks. Before TESSERACT, his discography already included projects such as Cyclops Army, Wooked on Tronics, Scream Saver, and String Theory, which helped establish his place in modern dubstep through strange edits, sharp bass patterns, and tracks made for crowd response. FRACTALS then gave that sound a full album format, with tracks such as O.P.U.S., Spacetime with NEVVE, Cabin Fever, Open Your Mind (Anthology 999), Gassed Up with Flowdan, Gummy Worm with Boogie T, and Cyclops Rocks. These records matter to the stress relief discussion because they do not all work the same way. Some lean into heavier, more chaotic drops, some use vocals as an entry point, and others focus on groove, bass phrasing, or quick production details instead of a straightforward melodic release.
His later album work adds more context because Subtronics has kept expanding the range of his bass music across full-length projects. TESSERACT was released in 2024 with 16 tracks, including Cottage Gore, Only Star You See with Caitlyn Scarlett, Amnesia, Afternoon Coffee (Slide) with Ronzo, Parabola Paradox (Slap It) with Kwengface, Alien Communication, and Asteroid with Excision. Fibonacci followed in 2025 as an 18-song project on Cyclops Recordings, with tracks such as Oblivion, Mothclaws, Brass Danger, Stratosphere, Lock In with Wooli, Brain Squeak, Final Breath with A Little Sound, Infinity with Grabbitz, Anxious, Nothing Between, and Got Away. That wider catalog gives the Tebra finding a more specific musical reason. Subtronics is not appearing in this conversation through one familiar single or one festival drop. His music gives bass listeners several entry points, from vocal-led tracks and album cuts to heavier dubstep records, which helps explain why his name could appear across playlists tied to stress relief, anxiety, burnout, and decompression.
What Subtronics, Illenium, And David Guetta Show About Electronic Dance Music’s Place In Stress Relief Listening
The rest of the EDM/electronic ranking also helps explain why this finding matters beyond Subtronics alone. Illenium appearing second makes sense because his music is already close to emotional release, with melodic bass, vocal-focused records, and festival tracks that listeners often connect to personal memories or difficult periods. David Guetta appearing third points to a different kind of familiarity, where mainstream dance records, pop collaborations, and festival hooks become part of how listeners return to songs they already know. Together, the top three show that electronic dance music is not being used in one fixed way on stress relief playlists. Some listeners turn to melodic bass for emotional catharsis, some return to familiar dance records for comfort, and others choose heavier bass music when they want something more physical and direct.
hat is what makes the Subtronics ranking a useful marker for where stress-relief listening may be going next. The Tebra study does not turn bass music into a clinical solution, and it should not be framed that way. What it does show is that listeners are building stress-related playlists with more range than the usual idea of calm music suggests. As electronic dance music continues across festivals, streaming habits, workout playlists, gaming culture, and everyday headphone listening, stress relief may become less tied to one sound and more tied to what a listener needs at the time. For some, that may still be a soft song or a familiar vocal. For others, it may be a Subtronics track with enough tempo, bass, and movement to give their attention somewhere else to go. That shift gives bass music a more serious place in the discussion, not as therapy, but as one way electronic music listeners are using sound to reset, decompress, and work through stress.
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MiNT XL opens its doors in Leeds with a sold-out party for 2,500 ravers, as Craig Richards, Enzo Siragusa and Sonja Moonear launch the new nightclub
MiNT XL officially opened its doors on Friday, 25 September, with a sold-out opening party featuring names like Craig Richards, Enzo Siragusa and Sonja Moonear. 2,500 ravers gathered in the heart of Leeds city centre to experience the latest addition to the city’s rich rave culture, marking a memorable beginning for MiNT XL.
Taking over the former nightclub, PRYZM Leeds, MiNT set themselves the challenge of giving the venue a new identity through their own production and iconic signature. In an interview with EDM House Network earlier this year, MiNT marketing manager, Mikey McMahon said they wanted people to walk into MiNT XL and feel like they were part of something forward-thinking. There is no doubt they have achieved this, with the opening night already setting MiNT XL apart from other venues in Leeds.
Credit: David Dumitru
Exploring The Venue’s Layout
Arriving at the venue, you could feel the excitement in the air as people made their way into the club. Music was bumping through the walls and the night was just getting started. Walking inside, the dark environment immediately made it feel like a rave and not a regular nightclub.
Heading up the stairs from the entrance, we reached the main hall of the venue, which houses two of the three rooms at MiNT XL, as well as an open-air terrace. The ‘Clubroom’ was the first room people encountered on the floor, while the main room, also known as the ‘Ballroom’, sits to the left of the hall.
The second floor is a great extension of what the main floor has to offer, hosting the venue’s third room, ‘Cage’, as well as an additional bar with sofas and seating for those wanting a quick break from the dancefloor. The VIP area is also located on this floor, providing a comfortable chill-out space with its own bar and seating area.
Credit: David Dumitru
The Rooms at MiNT XL
1. Ballroom
The largest of the three rooms, the ‘Ballroom’ is a warehouse type of space hosting the headlining names on MiNT XL’s line-ups. Some of the lighting features that stood out as soon as we walked into the room included the large ring structure above the dancefloor, as well as the linear rigs placed horizontally across the ceiling, which rotate to create a wave-like effect through light.
Another standout piece of the room is the newly installed Funktion-One Vero sound system, delivering bass that pumps through your body and an overall premium sound quality. The same system can also be found in the other two rooms, where its impact is even greater due to their smaller capacities.
Credit: @elliotyoungphoto
2. Cage
Probably the most interesting room of the three, and our personal favourite, ‘Cage’ delivers an experience like no other. Its design feels unique and fresh out of the box, while still maintaining a lush feel. Throughout the opening night, the room was lit up with orange lighting, creating a somewhat comfortable atmosphere amid all the chaos going on.
Credit: David Dumitru
‘Cage’ also has a few sofas placed around the room, helping complete its luxurious feel. The cherry on top, however, is the fact that the space will often welcome DJs playing on vinyl. We had the chance to witness this live, and let me tell you, seeing the artists flip and swap records behind the decks totally elevates the experience.
Credit: David Dumitru
3. Clubroom
With a large light panel on the ceiling covering the centre of the dancefloor, ‘Clubroom’ is an ode to MiNT Warehouse, the brand’s second ever venue. Sharing similar characteristics, the room brings the MiNT Warehouse spirit to MiNT XL, carrying over the energetic vibes that have become a trademark of the brand.
While the room has a great design from a production perspective, the air conditioning isn’t felt as well in some corners, often making it a very hot space.
Credit: David Dumitru
4. Terrace
An open-air space with a nice view of some of Leeds city centre’s tallest buildings, the terrace is a well-arranged spot for those who want to unwind a little and take a breath of fresh air. Located close to the ‘Ballroom’, the path to the terrace can, however, become very busy at times.
Credit: David Dumitru
The Music at MiNT XL
The venue opened with the brand’s own event series, ‘system.’, taking over the decks. Across the three rooms, a well-curated line-up delivered the soundtrack to MiNT’s new beginning.
From the perspective of EDM House Network, our highlights were Foehn & Jerome at the ‘Cage’, Craig Richards B2B Francesco Del Garda at the ‘Ballroom’, and then back to the ‘Cage’ for a vinyl session with Fumiya Tanaka.
Credit: @elliotyoungphoto
Beyond the opening night, a wide range of renowned DJs are set to follow at MiNT XL, with the likes of Ewan McVicar, Riordan, Morgan Seatree and a Worried About Henry (WAH) takeover among those already announced. While so far only electronic music events make up the calendar, organisers have said they are excited to expand into new genres and live music.
Atmosphere Inside The Venue
MiNT XL operates a no-phones policy at all events, meaning attendees can fully immerse themselves into the music. Having experienced an event with such policy for the first time, it was impressive to see how big of a change it makes.
Seeing people living in the moment and having fun truly gave everyone a taste of what some mean when they say ‘raving was better in the 90s’. The no-phones policy genuinely made the night feel like a time machine that teleported us back to a time when people used to socialise and not chase Instagram clout at raves.
Credit: @elliotyoungphoto
With three state-of-the-art rooms, a 2,500-capacity venue, a sound system that blows the roof off and a no-phones policy, MiNT XL has real potential to become one of the best nightclubs in the entire UK. The opening party was not just the green light for a new venue in Leeds, but felt more like a statement that MiNT XL is here, and for good.
The club season is only just getting started, with a packed list of upcoming events already lined up at MiNT XL.
Friday 9 October – Marsolo Invites: Marsolo + more TBA
Saturday 10 October – Airspace: Notion, Kyle Starkey, Camille Doe + more
Saturday 17 October – Mint XL Presents: Cam Stockman b2b Tommy Phillips
Friday 30 October – Airspace: Riordan, Stef Davidse + more
Saturday 31 October – Ewan McVicar Presents: Halloween – Ewan McVicar, Special Request, Olive F
Saturday 7 November – Mint XL Presents: ALISHA, Robbie Doherty + more
Saturday 14 November – Mint XL Presents: Morgan Seatree + more TBA
Friday 20 November – Framework Presents: Ben UFO, Papa Nugs + more
Saturday 21 November – Jampacked Would Tour Leeds Edition: Jamback, Anil Aras, A For Alpha
Saturday 19 December – Framework x Mugpie Presents: Christian AB, Unai Trotti + more
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EDM Festivals October 2026: Festivals We Can’t Miss worldwide as major events fill the month across North America, Asia, Europe, and South America
October 2026 brings another busy month for the EDM festival calendar, with events taking place across North America, Asia, Europe, Africa, and South America. In the US, 808 Festival, Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, Niteharts, Head Trip, III Points Miami, Escape Psycho Circus, BOO! Seattle, BOO! Arizona, and Hocus Pocus Miami fill the month. Meanwhile, EDC Korea and Chill O’posite Festival add major dates in Asia and Africa. No Art Lisbon and AMF represent Europe, while EDC Colombia and Ritvales bring two large weekends to South America. Here’s a full look at the EDM festivals taking place throughout October 2026.
808 Festival
Dates: October 2–3, 2026
Location: BITEC, Bangkok, Thailand
808 Festival returns to BITEC in Bangkok from October 2–3, 2026 for two days across two stages. The Phase Two lineup includes ILLENIUM, SLANDER B2B NGHTMRE, W&W, Argy, Ben Nicky, 999999999, Mesto, and KAAZE. Meanwhile, JUSTUS, RIVO, Dorian, Ian Asher, and Mary Droppinz are also confirmed. Several special performances are scheduled, including Adam Beyer B2B Chris Avantgarde and Nifra B2B Will Atkinson. Giorgia Angiuli will also perform live. More artists are still due to be announced before the festival returns to Bangkok in October.
Breakaway Utah
Dates: October 2–3, 2026
Location: America First Field, Sandy, Utah
Breakaway Utah brings the Breakaway Music Festival series to America First Field in Sandy, Utah, from October 2–3, 2026. Friday features John Summit, Tiësto, Max Styler, Jackie Hollander, Ray Volpe, LAYZ B2B TYNAN, and Trivecta. Hershe, Heyz, Roddy Lima, Soraya, and Obayashi also appear on the first day. Saturday then brings Chris Lake, Audien, Bonnie X Clyde, Frank Walker, Kasablanca, and Mojave Grey. In addition, Kaskade will play a sunset set, while Gorgon City B2B MPH adds another collaborative performance.
We Belong Here Central Park
Dates: October 2–4, 2026
Location: Wollman Rink, Central Park, New York City, New York
We Belong Here Central Park heads back to Wollman Rink in Central Park from October 2–4, 2026. Friday opens with MEDUZA³ and a sunset set from LP Giobbi. On Saturday, Ben Böhmer plays a sunset set before Stephan Bodzin performs live. Sunday closes the weekend with Steve Angello and a sunset club set from Bob Moses. Elsewhere on the lineup, Ashibah, Eve Lauren, and Tripolism are also confirmed. The wider program includes Aftours, Amanda Simpson, Anthony Romano, Malcolm Zeller, Sanvero, Sebi Luca, and several more artists.
EDC Korea
Dates: October 3–4, 2026
Location: INSPIRE, South Korea
EDC Korea returns to INSPIRE on October 3–4, 2026, with house, trance, techno, bass, and hard dance across the weekend. Saturday includes DJ Snake, ILLENIUM B2B Dabin, Ben Nicky Presents Xtreme, Brennan Heart, Coone, and Dimension. R3HAB, Sara Landry, Subtronics, and SVDDEN DEATH are also confirmed. Meanwhile, Bassrush Experience and an Insomniac Records Takeover appear on the Saturday program. Sunday features 999999999, Alok, Aly & Fila, Argy, FISHER, Kayzo, Nifra, and Tiësto. TOKiMONSTA, Vini Vici, W&W, and Wooli also join the second day.
Experts Only at the Gorge
Dates: October 3–4, 2026
Location: Gorge Amphitheatre, Washington
Experts Only at the Gorge brings John Summit’s Experts Only brand to Gorge Amphitheatre in Washington on October 3–4, 2026. John Summit leads the weekend alongside Cassian, Daniel Allan, Devault, Hamdi, Jackie Hollander, and KETTAMA. Before the main event begins, the EO Base Camp Pre-Party is scheduled for October 2. Layton Giordani is currently confirmed for that party, with additional names still to come. Across the full weekend, the music covers house, techno, and bass with a compact lineup centred on the Experts Only roster and its regular collaborators.
Starlight Festival
Dates: October 8–11, 2026
Location: Giza and Cairo, Egypt
Starlight Festival brings four days of events to Giza and Cairo from October 8–11, 2026. The main festival is held near The Pyramids of Giza on October 9–10. A welcome party takes place in Cairo on October 8, followed by a farewell party on October 11. The first main day features Adriatique, Indira Paganotto, Pete Tong, Vintage Culture, and WhoMadeWho with a hybrid DJ set. Awen, BiiA, Charlie Sparks, and Coco & Breezy are also confirmed. On day two, Charlotte de Witte, Michael Bibi, and Enrico Sangiuliano lead the lineup. Meanwhile, Deer Jade, Fiona Kraft, Floyd Lavine, Layla Benitez, and Olympe also perform.
Chill O’posite Festival
Dates: October 8–10, 2026
Location: Dahab, Egypt
Chill O’posite Festival brings electronic music, live performances, and hybrid sets to Dahab from October 8–10, 2026. The lineup includes 47 Soul, AIWAA, and Aly Fathalla performing live. Blacky, Jad Halal, Nico Morano, Sama’ Abdulhadi, Tia, and Tony L Issac are also confirmed. Several B2B sets appear across the three days. These include BĪSU B2B Welson, Borio B2B Shika, and Kotoe B2B Madmotormiquel. Meanwhile, Chitati, Karamell, Menna Hussein, Molotof, Netam, and Nubatronic add more live performances to the program.
Niteharts
Dates: October 9–11, 2026
Location: Snapdragon Stadium, San Diego, California
Niteharts will run for three days at Snapdragon Stadium in San Diego from October 9–11, 2026. Presented by ISOxo and Knock2, the festival covers bass, trap, electronic, and alternative music. The lineup includes Knock2 B2B DJ Snake, ISOxo, ISOKNOCK, RL Grime, Hamdi, 2hollis, and LYNY. Porter Robinson will also perform a DJ set. Elsewhere, Flava D, Jane Remover, Frost Children, Devault, Underscores, and Daine are confirmed. Nitepunk, Control Freak, Borne, Yaego, and Thaiboy Digital & Swedm® also appear across the weekend.
Head Trip
Dates: October 10–11, 2026
Location: Empire Polo Club, Indio, California
Head Trip makes its debut at Empire Polo Club in Indio on October 10–11, 2026. Saturday features Calvin Harris, Under Construction: FISHER + Chris Lake, and Peggy Gou B2B Four Tet. Seth Troxler B2B Ben Sterling is also confirmed for the first day. Sunday follows with Swedish House Mafia, Skrillex, and Dom Dolla B2B KETTAMA. The Blessed Madonna and DJ Harvey also perform on Sunday. Meanwhile, Floating Points’ Sunflower Sound System will be featured throughout the weekend. Presented by Goldenvoice, the new two-day festival adds another major electronic music event to Indio’s calendar.
EDC Colombia
Dates: October 10–11, 2026
Location: Unidad Deportiva Atanasio Girardot, Medellín, Colombia
EDC Colombia holds its inaugural edition in Medellín on October 10–11, 2026, at Unidad Deportiva Atanasio Girardot. Saturday features Above & Beyond, Alesso, Alok, ARTBAT, Astrix, Chase & Status, and deadmau5. ILLENIUM, Jamie Jones, Maceo Plex, Miss Monique, and Richie Hawtin are also confirmed. In addition, Dreamstate Presents and Factory93 Presents appear on the festival program. Sunday includes 999999999, Afrojack B2B Green Velvet, Armin van Buuren, Boris Brejcha, and CamelPhat. Kaskade, Nico Moreno, Restricted, Subtronics, Sullivan King, and Vintage Culture also perform on day two.
No Art Lisbon
Dates: October 10, 2026
Location: Passeio Marítimo de Algés, Lisbon, Portugal
Following a sold-out edition last year, No Art Lisbon is back in the Portuguese capital on October 10, 2026. The one-day lineup includes Adriatique, ANOTR, Jennifer Loveless, Klin Klop, and SG Lewis. Franky Rizardo B2B Mau P adds a collaborative set to the program. With six acts currently listed, the event keeps its schedule more focused than many of October’s multi-day festivals. The Lisbon date also adds another European stop to No Art’s 2026 calendar.
AMF
Dates: October 24, 2026
Location: Johan Cruijff ArenA, Amsterdam, Netherlands
AMF returns to Johan Cruijff ArenA in Amsterdam, Netherlands, on October 24, 2026, for its annual one-night event during Amsterdam Dance Event. The 2026 lineup currently features Afrojack, Amelie Lens, Armin van Buuren, ARTBAT, D-Block & S-te-Fan, Korolova, and Marlon Hoffstadt, with more artists still to be announced. David Guetta is also confirmed to bring The Monolith to the AMF stage, adding his large-scale live production to this year’s edition. The festival is scheduled from 8 PM until the early hours of the following morning, continuing AMF’s long-running place on the final Saturday of Amsterdam Dance Event and bringing several different sides of electronic music together inside one of Amsterdam’s largest venues.
Escape Psycho Circus
Dates: October 30–31, 2026
Location: Southern California
Escape Psycho Circus returns to Southern California on October 30–31, 2026, for two nights of electronic music across five stages. Friday’s The Big Top lineup includes Benny Benassi, Cascada, Cloonee, Dimitri Vegas & Like Mike, KREAM, MORTEN, NERVO, and Steve Aoki, while Bassrush hosts Sewer District with Excision, Getter, Kai Wachi, and Level Up. Feeding Grounds brings harder styles with AniMe, Coone B2B DJ Isaac, Darren Styles, Frontliner, Lady Faith B2B LNY TNZ, and Showtek, while The Cage features Adam Ten, DJ Tennis, Jamie Jones B2B Franky Rizardo, and Joseph Capriati B2B SOSA. Saturday continues with Alok, Disco Lines, Galantis, Ian Asher, JOYRYDE, Maddix, and Zedd at The Big Top, alongside Adventure Club, Dabin, Dr. Fresch, Liquid Stranger, 999999999, Funk Assault, Indira Paganotto, Nina Kraviz, Richie Hawtin, Avalon Emerson, Champion, DJ Heartstring, and Malugi across the other stages. With house, bass, hard dance, and techno spread across the Halloween weekend, Escape Psycho Circus closes October with one of Insomniac’s biggest seasonal festivals.
BOO! Seattle
Dates: October 30–31, 2026
Location: WAMU Theater, Seattle, Washington
BOO! Seattle returns to WAMU Theater in Seattle, Washington, on October 30–31, 2026, with three themed stages and more than 50 DJs and performers across Halloween weekend. Friday’s lineup includes AMP, Casey Club, Champion, DJ Heather, Elderbrook with a DJ set, Gramatik, GRiZ, James Hype, Levity, LYNY, OMNOM, Ravenscoon, TroyBoi, Walker & Royce, and Westend. Saturday continues with A Little Sound, AZYR, Cloonee, Getter, Hannah Laing, Hershe, It’s Murph, Kayzo, Morgan Seatree, Sara Landry, Subtronics, Taiki Nulight, Taylor Torrence, Wuki, and YDG. With house, bass, techno, and harder electronic styles spread across two nights, BOO! Seattle gives the Pacific Northwest another major Halloween festival option at the end of October.
BOO! Arizona
Dates: October 30–31, 2026
Location: WestWorld of Scottsdale, Scottsdale, Arizona
BOO! Arizona takes place at WestWorld of Scottsdale in Scottsdale, Arizona, on October 30–31, 2026, with two themed stages across Halloween weekend. Friday’s lineup includes 2DY4, Capochino, Deorro, Fieldz B2B Mile32, Hydes, Kompany, Maddix, Marie Vaunt, PEEKABOO, Restricted, Sippy, Virtual Riot, Zedd, and Zoe Gitter. Saturday continues with ACRAZE, Aja Cruz, Alyssa Jolee, The Chainsmokers, Dombresky, Gravagerz, Heyz, James Hype, Jay Prior, JSTJR, Level Up, Luci, Papajan, Samplifire, Seven Lions, and TRYM. With house, bass, techno, and harder electronic styles spread across both nights, BOO! Arizona gives Scottsdale another large Halloween weekend event at the end of October.
Hocus Pocus Miami
Dates: October 30–November 1, 2026
Location: Factory Town, Miami, Florida
Hocus Pocus Miami returns to Factory Town in Miami, Florida, from October 30–November 1, 2026, for three nights across five stages during Halloween weekend. The lineup includes Chase & Status, ChaseWest, Cassian, Gorgon City, Indira Paganotto, Jamie Jones, Joseph Capriati, Kerri Chandler, Layton Giordani, Marco Strous, MEDUZA, Odd Mob, Prospa, Purple Disco Machine, Seth Troxler, Skream, William Kiss, and Yanamaste. Several collaborative sets are also listed, including Funk Assault (Chlär B2B Alarico) and Vic Prydz >>> Franky Rizardo, while Apollonia, Ayybo, Azzecca, Beltran, Berbrakka, Chris Stussy, Cole Knight, Danny Daze, DJ Boring, Hudson Mohawke, Jayda G, Malugi, Mary Droppinz, Salomé Le Chat, Slam, and VTSS appear elsewhere across the three-night program. With house, techno, bass, and underground electronic music spread throughout Factory Town, Hocus Pocus Miami extends the Halloween festival calendar into the first night of November.
Ritvales
Dates: October 31–November 1, 2026
Location: Parque Norte, Medellín, Colombia
Ritvales returns to Parque Norte in Medellín, Colombia, from October 31–November 1, 2026, for two days covering techno, trance, house, melodic electronic music, and live performances. Saturday’s lineup includes Aly & Fila, Anetha, Ayybo, Carl Cox with an extended set, Ciaran McAuley, Dubfire, Guy J, Kobosil, LAVERN, Mauro Picotto, Paul van Dyk with an extended set, Somewhen, SPFDJ, Sven Väth, Tripolism, and WhoMadeWho with a hybrid DJ set. Sunday continues with Adam Beyer, Ben Böhmer live, Cloonee, Collabs 3000 (Chris Liebing B2B Speedy J), Crystal Waters live, Eli Brown, HI-LO B2B XXXXXX, I Hate Models, Klangkuenstler, Lilly Palmer, Massano, Marcel Dettmann, Oliver Heldens, Seth Troxler, Stephan Bodzin live, Supergloss, Victor Ruiz, and X CLUB. Stage hosts across the weekend include 44, Carl Cox Invites, and SHINE Ibiza, giving Ritvales one of the broader electronic lineups spanning the final day of October and the first day of November.
From major North American festivals including Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, III Points Miami, Escape Psycho Circus, and BOO! Seattle to international events such as 808 Festival, EDC Korea, Starlight Festival, EDC Colombia, AMF, and Ritvales, October 2026 brings electronic music festivals to cities across North America, Asia, Europe, Africa, and South America. Halloween events, city festivals, multi-day weekends, and one-day shows fill the month, with lineups covering house, techno, trance, bass, drum & bass, hard dance, melodic electronic music, and more.
Visit our EDM Festival News section to stay updated on the latest announcements and lineup releases.
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The Amplified Pianist releases “Icer’s Theme (Trance Mix),” a cinematic track telling the story of a man transformed into a cyborg.
Taking narrative-driven music to the next level, The Amplified Pianist releases ‘Icer’s Theme (Trance Mix)’, a track that tells a futuristic yet powerful story through its emotional and cinematic sound.
While the release is entirely instrumental, its elements tell the tale of a man who becomes a superhuman cyborg as part of a scientific experiment, in an attempt to secure his family’s future, at the cost of his own humanity.
The contrast between trance and piano reflects Icer’s transformation, showing that although technology takes over, a part of his human nature remains deeply rooted in his soul.
Speaking about the release’s perspective, The Amplified Pianist says: “Piano and strings represent the humanity that remains beneath the machine, while driving progressive-trance rhythms, evolving synths, and mechanical textures embody his irreversible transformation.”
In the beginning, the song follows Icer’s journey towards becoming a cyborg, while the breakdown unveils the man behind the steel. Classical piano notes express emotion and give character to the story, reflecting the initial motivation behind Icer’s decision to take part in the experiment.
Once human, his transformation becomes unavoidable, and the track shifts its focus to the dystopian part of the story. Building towards the main drop, trance synths slowly take over the production, preparing for the climax as Icer’s transformation reaches its endpoint. Heavy kicks, rolling basslines and orchestral electronic leads drive an aggressive drop, marking the success of the experiment the protagonist is part of.
Although Icer’s identity is now defined by steel and mechanical gestures, the track’s story returns to the human side that remains beneath the transformation.
“At the heart of the track is a recurring three-note motif, Icer’s musical identity. It persists through every stage of the transformation—a reminder that no matter how completely the machine takes over, something human remains underneath,” explains The Amplified Pianist.
The Amplified Pianist: What’s To Follow ‘Icer’s Theme (Trance Mix)’
Having recently released ‘Icer’s Theme (Trance Mix)’, the Paris-based DJ and producer has a busy schedule for the months ahead. His next release, ‘Shockwave’, is set to drop on 23 October and is a collaboration with trance producer JARR Head. Similar to ‘Icer’s Theme (Trance Mix)’, the upcoming release features classic trance elements within its story-like structure.
Beyond ‘Shockwave’, The Amplified Pianist is also working on six other projects, including a trance remix of Mozart’s ‘Eine Kleine Nachtmusik’ and a collaboration with Stretch, Tomorrowland’s mainstage MC.
To get a taste of what The Amplified Pianist has in store next, stream ‘Icer’s Theme (Trance Mix)’ now, available worldwide on major platforms.
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