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Mozart Remix Challenge #3 Opens for Mon Amour

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Two masked figures sit in a red-lit room filled with photos on the walls, with bold text reading Mozart Remix Challenge featuring Mon Amour across the center.

Win $3,000+ in prizes and get signed joining Mon Amour x Mozart Remix Challenge

Mozart has launched the Mozart Remix Challenge #3 in collaboration with Artists & Relations, LabelRadar, and French label Play Two, inviting producers worldwide to remix Mon Amour’s track “Amsterdam.” The contest is now open, with submissions accepted exclusively through the LabelRadar contest page and a final deadline set for 11:59 pm PST on May 22, 2026. Participants must use the official stems provided, with all entries reviewed directly through the platform.

The challenge offers more than $3,000 in prizes, including a one-year Mozart PRO subscription with access to its new SCOUT feature, alongside a full package of production tools from leading audio brands. The winning remix may also be considered for an official release on Play Two, adding a label-backed opportunity to the competition. The initiative also introduces producers to Mozart Studio 1.0, a generative audio workstation that integrates AI-assisted workflows with traditional VST-based production.

How the Remix Challenge Works and What to Follow

Participants must download the official stems and submit their remix exclusively through the LabelRadar contest page, with all entries required to follow the outlined submission process and deadline of 11:59 pm PST on May 22, 2026. Uploading the full remix to platforms such as Spotify or Deezer before the deadline will result in disqualification, keeping all official entries within the contest system until judging is complete. Producers can still share short snippets on social media using #mozartremixchallenge and #amsterdamremixcontest, allowing visibility while maintaining eligibility under the contest rules.

The judging panel includes Mon Amour alongside Play Two, with submissions reviewed based on overall quality, originality, and how each producer approaches “Amsterdam.”.

Inside Mozart Studio 1.0 and SCOUT

The challenge is tied directly to the rollout of Mozart Studio 1.0, which moves away from a standard DAW layout by combining generative tools with a VST-based workflow.
Alongside this, SCOUT acts as the connection layer that brings external plugins into Mozart without requiring a traditional session setup. It detects VST3 and AU plugins on a user’s machine and makes them accessible through a browser, which changes how sessions can be managed across devices. 

You can watch a video here to know more:

@Mozart Studio 1.0 – A Generative Audio Workstation with VSTs

You can try Mozart Studio for FREE here:

https://mozartai.com/

What You Can Win and When to Submit

The winning entry secures a one-year Mozart PRO subscription, including access to SCOUT, alongside a full package of production tools from IK Multimedia, MeldaProduction, Minimal Audio, Eventide, D16Group, KV331, Cableguys, and United Plugins. Beyond the software bundle, the remix may also be considered for an official release on Play Two, giving the competition a clear pathway from submission to potential label backing.

All entries must be submitted through LabelRadar before 11:59 pm PST on May 22, 2026, with early uploads to platforms such as Spotify or Deezer leading to disqualification.

Download the stems and make a submission here: https://www.labelradar.com/contests/amsterdamremixcontest/portal

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With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.