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The Forgotten’s Hit Single ‘Dreams’ Receives 5-Track Remix EP!

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Released in October of last year to much critical acclaim, The Forgotten’s hit single ‘Dreams’ returns to the release radar with five enthralling new reinterpretations. This time around, the enigmatic talent has enlisted remix duties from Tokyo Rose, ERM, Ash Milez, MYKOOL, and BUNNY via the esteemed imprint and brand Tasty Network. The latest to come from The Forgotten follows up their recent string of highly-successful singles this year such as ‘Akira’, ‘Feel New’, ‘Robots’, ‘Rebels’, and ‘Maniac’. Out now via Tasty, the 5-track ‘Dreams’ remix EP is available to listen to across all streaming platforms.

Kicking things off, Tokyo Rose and The Forgotten join forces in transforming the source material into a completely new sonic masterpiece. The fresh take from both talents features a brooding quality, building a palpably raw tension with each passing second. The remix is instilled with a new edgier tone that effortlessly highlights the rich lyricism present in its entirety. Trance sensibilities are audibly sprinkled throughout, giving the track a newfound rapturous ambiance.

ERM takes the reins next, and pivots stylistically with a more hard-hitting intensity. The vocal takes front-and-center for the beginning half before the hefty bass drops hits in full-force. Propelling the listener through its nearly four-minute runtime, the remix is characterized by rolling basslines and a propulsive energy that doesn’t ever let up. In all, ERM’s new take completely reimagines the original track into a completely new electronic dance music masterpiece.

Ash Milez’s remix immediately begins with an elongated, futuristic soundscape. The low-pitched vocal cut is eventually introduced into the sonic space, and evokes a sense of sheer wonder. The mellow beat drop features shimmering, glitchy-sounding elements paired alongside a driving melody. Each of these perfectly showcase Milez’s highly impressive production prowess from start-to-finish.

MYKOOL completely upends the original track by transforming the tune into a certified drum and bass rinser. The propulsively driving offering maintains its high-octane flair with ease, and also features distorted instrumentation that adds to the overall lively sonic raucousness this new remix champions.

Lastly, BUNNY finishes the 5-track remix EP with their new version of ‘Dreams’. The new remix harkens back to the hard rock days of the early-2000’s, and places a strong emphasis on the guitar riffs and overall rock-and-roll vibe. Opting for a more cerebral approach, BUNNY’s remix features uncompromising production throughout its approximately three-and-a-half minutes.

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EDM Music

BETH Turns Up the Energy With New Single ‘Wait’

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Scottish DJ and producer BETH posing with her hands under her chin in a black track jacket against a blue backdrop

Scottish producer BETH returns on The Cross Records with new single Wait, following a breakout 2026 of festival slots, Ibiza dates and Radio 1 support.

In the space of a year, BETH has gone from respected up and comer to a genuine festival act. Her debut on The Cross Records, “Keep It Movin’,” is closing in on 1 million streams, and she’s kept up a steady run of releases on labels like TSHA’s Jackfruit, Eats Everything’s Edible, and Melon Bomb Records, along with a well received remix of Karen Harding’s “Island.” That output has earned her support on BBC Radio 1, with plays from Sarah Story and Arielle Free.

Her live schedule has kept pace too. This year she’s played TRNSMT Festival, Sub Club, Cabaret Voltaire, and SWG3 in Scotland, Mas Que Nada in London, and Lakota in Bristol, plus Ibiza dates at Hï, Cova Santa, and Pikes.

“Wait” marks a step forward in her production. Where “Keep It Movin'” leaned into sultry, harmonic melodies, “Wait” goes bigger and brighter, built around euphoric piano chords, a driving 90s inspired break, and deep reese bass. It’s a feel good summer record from an artist whose rise shows no signs of slowing down.

Listen to “Wait” here: https://thecrossrecords.lnk.to/wait

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EDM Music

Deadlynoiz Breaks Bass House Boundaries In New Single ‘Rock The House’

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The ever-evolving Deadlynoiz is back with another new single ‘Rock The House’ adding to his stacked 2026 repertoire.

Stepping into the world of bass house for this track, Deadlynoiz has produced a hugely impactful hit brimmed with his hallmark strengths. ‘Rock The House’ is a fantastic showcase of his ability to design and blend together a myriad of creative synths to deliver powerful soundscapes. The track keeps pumping from start to finish but is dynamic in its energy shifting from the more melodic verses to the aggressive, bass face inducing choruses. Deadlynoiz is consistently looking to evolve his productions and has leaned into more experimental territories here with emphatic results.

His development as an artist is evident from both his productions and his accolades as he’s attracted the attention of LVLD Music. He’s dropped a slew of hits with them and is continuing to develop their relationship with the release of ‘Rock The House’ on their label. Since it’s release the track has already raked in thousands of streams and he’s pushed onto releasing even more music in ‘Magic’ and ‘Block.’ Now bringing in over 20,000 streams a month on Spotify it’s clear that Deadlynoiz’s hard work is paying off as his fanbase continues to grow.

‘Rock The House’ is another step forward in Deadlynoiz’s evolution in sound and development as an artist. With every release he’s proving his abilities in the studio and with the rate he’s working at, there’s plenty more to come.

You can follow Deadlynoiz on their socials below:

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EDM Music

Scarper Drops ‘Off-Cuts (2014-2021)’ Compilation

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Scarper in an orange graphic T-shirt looking to the side in front of a dark metal grille

Scarper releases ‘Off-Cuts (2014-2021)’, a collection of eight unreleased tracks from the era behind his debut album ‘Warmer Squares’ and ‘E-Funk’.

UK artist Scarper has released ‘Off-Cuts (2014-2021)’, a hand-picked collection of eight previously unreleased tracks pulled from the same period that produced his critically acclaimed debut album ‘Warmer Squares’ and his 2020 dancefloor tune ‘E-Funk’, which has been experiencing a resurgence thanks to a recent physical release on a new imprint.

The project is exactly what it sounds like, Scarper going back through his studio archives and finding the demos, jams, and ideas from that era that were good enough to polish up and put out. “I realised I had quite a few demos, jams and ideas on my laptop from that period, some of which were decent enough to polish up and get out into the world,” he said. “It’s a snapshot of where I was musically at the time, so I thought I’d package them together as a retrospective rather than a proper release, giving people something to enjoy while I crack on with the next project.”

The eight tracks cover a lot of ground, from the epic opening chords of ‘Skynet’ to the acid squelches of ‘Steppe’ and the string arrangements of ‘Halocline’. It is the kind of release that rewards the people who have been paying attention, and sits comfortably alongside some of his best work.

Scarper has built his career almost entirely on his own terms, releasing through his own imprint Plexus Records and picking up support from Orbital, Laurent Garnier, Carl Craig, Rinse FM, BBC 6 Music, Mixmag, and DJ Mag along the way.

‘Off-Cuts (2014–2021)’ is out now on Plexus Records.

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