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Whethan Returns With WAREHOUSE.WAVS2 On SoundCloud

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Whethan wearing a black cap and black shirt against a concrete wall for his WAREHOUSE.WAVS2 SoundCloud release

Whethan Returns With WAREHOUSE.WAVS2 On SoundCloud as his viral remix series enters its second installment

Whethan returned with WAREHOUSE.WAVS2, the second installment of his viral remix series, released exclusively on SoundCloud before his EDC Las Vegas set at bassPOD on Sunday, May 17 from 2:30 AM to 3:30 AM. The project pulls from the records currently appearing in his live sets, with edits of A$AP Rocky’s Distorted Records, Breathe Carolina’s Blackout, Kaskade’s Move For Me, Turnstile’s BIRDS, The Pack’s Vans, and several early 2000s and 2010s rap staples. Following his return to bass and dubstep in 2025, WAREHOUSE.WAVS2 brings his current SoundCloud era into focus through live-tested flips, heavier production, internet-era references, and the underground pop-up culture now surrounding his shows.

Whethan Packs WAREHOUSE.WAVS2 With Rap Throwbacks, Dance Classics, And Heavier Edits

WAREHOUSE.WAVS2 brings together records Whethan has been playing in his recent live sets, with the tracklist moving across rap nostalgia, festival-era electronic music, hardcore influence, and heavier bass edits. A$AP Rocky’s Distorted Records, reworked with Dennett, gives the project one of its darker rap entries, while Breathe Carolina’s Blackout brings back a 2011 emo-electronic crossover record from the early EDM boom. Kaskade’s Move For Me adds a progressive house reference point, and Turnstile’s BIRDS pushes the tape toward the heavier crossover between hardcore and bass music. These choices make the project feel close to Whethan’s current live direction, where familiar records are being rebuilt for louder drops, SoundCloud circulation, and late-night sets.

The rap side gives WAREHOUSE.WAVS2 one of its strongest threads, especially through Huey’s Pop, Lock & Drop It, Rich Boy’s Throw Some D’s, Yung Joc’s It’s Goin Down, and Lloyd Banks and Juelz Santana’s Beamer, Benz Or Bentley. These records come from different points in 2000s and early 2010s club and street rap culture, which makes their placement next to Mike WiLL Made-It, Miley Cyrus, and Juicy J’s 23 feel tied to a specific era of party records, mixtape circulation, and internet discovery. The Pack’s Vans adds another blog-era reference, bringing in the late-2000s skate and internet wave that fits the tape’s SoundCloud-first format. Across the full tracklist, Whethan treats these records as source material for the bass and dubstep direction he returned to in 2025, turning recognizable hooks and cultural references into edits made for live sets, online clips, warehouse pop-ups, and his current heavier run.

Whethan’s Bass Return Is Turning Live Edits Into Real Demand

Whethan’s return to bass and dubstep has not stayed limited to SoundCloud clips or one-off set moments. Since moving back into heavier production in 2025, his remix videos and live edits have helped push a visible surge across Instagram, TikTok, and SoundCloud, with nearly 90,000 fans signed up through Laylo for shows, releases, and pop-ups. That kind of response gives WAREHOUSE.WAVS2 more context than a standard remix-series drop, because these tracks are connected to a run that has already moved from online attention into packed rooms, late-night edits, and faster demand around his shows.

That demand has also shown up offline, with sold-out headline dates across Los Angeles, Chicago, New York, and Denver, plus underground warehouse pop-ups around the country reaching capacity within minutes. His current festival run has expanded the same heavier direction onto larger stages, including appearances tied to Coachella’s Do LaB, EDC Las Vegas, Electric Forest, and Lollapalooza. With support from names including Subtronics, John Summit, GriZ, and DJ DIESEL, Whethan’s bass era is now moving across several parts of the scene at once: festival crowds, underground pop-ups, internet remix culture, and the SoundCloud-first audience that made WAREHOUSE.WAVS2 the right format for this chapter.

WAREHOUSE.WAVS2 Keeps Whethan’s Remix Series Close To The Fans

WAREHOUSE.WAVS2 keeps the remix series connected to the audience already following Whethan’s edits online and hearing them at shows. The project stays close to the way this run has been moving in real time, with flips appearing in sets, clips spreading online, and listeners going to SoundCloud to find the versions they have been hearing in those moments. That format fits the second installment because it keeps the series direct, fast, and connected to the culture around his heavier production.

For Whethan, the release also shows how his current bass and dubstep direction is being carried by more than official singles alone. WAREHOUSE.WAVS2 gives fans access to the edits that have been part of this recent run, while keeping the rawer remix format intact. It is a SoundCloud-first project built around immediacy, crowd response, and the kind of live-tested records that have become central to his return to heavier music. WAREHOUSE.WAVS2 is available now exclusively on SoundCloud.

With 13 years in the EDM scene, Preetika has built a strong presence around festivals, club culture, and electronic music. Based in Bangkok, she covers all things EDM in Thailand and beyond, with a focus on both local and international talent. She has attended major festivals including Tomorrowland, Ultra Japan, and Creamfields Hong Kong. Since working as a writer for EDM House Network, she has interviewed artists such as Blasterjaxx, James Hype, W&W, R3HAB, Alok, and many others. Her experience and consistent presence in the scene make her a trusted voice for EDM coverage.

EDM Festival News

EDC Korea Reveals Its Lineup For October 2026

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A packed crowd watching the EDC Korea mainstage at night, with bright fireworks above a large colorful stage at Inspire Entertainment Resort in Incheon.

EDC Korea reveals October 2026 lineup featuring Tiësto, DJ Snake, Fisher and Sara Landry, who are set to play at Inspire Entertainment Resort in Incheon

Global dance music experience curator Insomniac, in partnership with One Pulse Group, has announced the artist lineup for the 2026 edition of EDC Korea. Taking place from October 3 to 4, 2026, the festival returns to Incheon for its third edition at Inspire Entertainment Resort, where more than 70 artists will perform across four stages. This year’s lineup includes Tiësto, DJ Snake, Fisher, Sara Landry, Alok, ILLENIUM B2B DABIN, Subtronics, SVDDEN DEATH, Vini Vici, W&W, TroyBoi, Aly & Fila, Cosmic Gate, KREAM, R3HAB and more. The October dates also place the festival during Korea’s National Foundation Day and China’s National Golden Week, giving regional fans a more convenient travel window while bringing the festival into cooler weather.

A Closer Look At The EDC Korea 2026 Lineup

The EDC Korea 2026 lineup brings together some of the biggest names currently touring across the international festival circuit, with Tiësto, DJ Snake, Fisher, Alok, R3HAB and W&W all set to play in Incheon this October. Tiësto and DJ Snake give the announcement immediate global weight, while Fisher brings the kind of house booking that has become a major pull at large scale electronic festivals in recent years. Alok adds another major mainstage name with a strong international following, while W&W and R3HAB keep the lineup connected to the big room and festival sound that has long been part of the EDC identity. One of the most notable bookings is ILLENIUM B2B DABIN, which brings together two artists with deep ties to melodic bass and a very loyal Asian fanbase, making it one of the sets likely to draw heavy attention when the festival takes over Inspire Entertainment Resort.

 

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Beyond the first wave of headline names, the lineup also goes deep into bass music, techno, trance and hard dance, giving the 2026 edition more range across its four stages. Subtronics, SVDDEN DEATH, KAYZO, Wooli, Level Up, Jessica Audiffred, ALLEYCVT and BOU bring a heavy bass presence, while Sara Landry, 999999999, Nico Moreno, OGUZ, Lilly Palmer, Charlie Sparks and Marie Vaunt place techno and hard techno firmly into the festival’s programming. Trance also has a strong role through Aly & Fila, Cosmic Gate, Nifra and Vini Vici, while Ben Nicky presents XTREME, Brennan Heart, Coone and Anime bring harder sounds into the weekend. The Korean and regional side of the lineup is also part of the announcement, with Cheez & Yuka, DAVICO B3B DEMUK B3B DEPARTS, Casepeat x Purple Rabbit, HOHO ONE, Paul Eun, Sungyoo, Youna and Zena appearing alongside the international names, giving EDC Korea a lineup that speaks to both overseas festival travelers and fans already connected to the local scene.

Insomniac Stage Takeovers At EDC Korea 2026

The 2026 edition will also feature curated stage takeovers from several Insomniac brands, with Basscon, Bassrush Experience, Dreamstate Presents, Electrik Seoul, Insomniac Records and Mutate all included in the announcement. Basscon brings hard dance into the weekend, linking directly with artists such as Ben Nicky presents XTREME, Brennan Heart, Coone and Anime, while Bassrush Experience fits the heavier bass side of the lineup through Subtronics, SVDDEN DEATH, KAYZO, Wooli, Level Up, Jessica Audiffred and ALLEYCVT. Dreamstate Presents gives trance a dedicated stage presence at EDC Korea 2026, with Aly & Fila, Cosmic Gate, Nifra and Vini Vici already part of the lineup. Electrik Seoul also gives the Korean edition a brand connected to the local market, while Insomniac Records and Mutate bring more of the wider Insomniac festival world into Incheon.

Across four stages at Inspire Entertainment Resort, these takeovers make the weekend feel closer to the wider EDC format, where each stage usually carries its own sound and audience. The names announced for Basscon, Bassrush Experience and Dreamstate Presents also show how much of the festival has been planned around genre identity, not only around the biggest names at the top of the poster. For a lineup that moves from Tiësto, DJ Snake and Fisher to Sara Landry, Subtronics, Aly & Fila and ILLENIUM B2B DABIN, the stage takeovers give each part of the festival more context once the weekend begins. It also keeps EDC Korea tied to Insomniac’s international festival language while giving the Incheon edition space for Korean and regional artists through names such as Electrik Seoul, Cheez & Yuka, Paul Eun, Sungyoo, Youna and Zena.

Tickets And Festival Details

Two day GA and VIP tickets for EDC Korea 2026 are now on sale through the official EDC Korea website. The festival will take place from October 3 to 4, 2026 at Inspire Entertainment Resort in Incheon, bringing the event back for its third edition with more than 70 artists across four stages. The move to October gives the festival a different seasonal position in Korea, with cooler weather and dates that also sit around Korea’s National Foundation Day and China’s National Golden Week.

For EDC Korea, the 2026 edition now has its main framework in place, from the headline names and genre focused bookings to the Insomniac stage takeovers spread across the weekend. With Tiësto, DJ Snake, Fisher, Sara Landry, ILLENIUM B2B DABIN, Subtronics, SVDDEN DEATH, Alok and more included in the lineup, the October event gives Incheon one of its biggest dance music weekends of the year.

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Oliver Tree Dies in Rio de Janeiro Helicopter Crash While on World Tour

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Oliver Tree, the singer and EDM collaborator, standing facing the camera wearing his signature black bowl cut wig, small dark sunglasses, and a bold red and blue swirling patterned long jacket, photographed against a grey and black background.

Singer and EDM collaborator Oliver Tree has died following a mid-air helicopter collision in Rio de Janeiro, Brazil, on the morning of Sunday, June 14, along with five others.

Singer and EDM collaborator Oliver Tree has died following a mid-air helicopter collision in Rio de Janeiro, Brazil, on the morning of Sunday, June 14. The crash, which occurred in the Recreio dos Bandeirantes neighborhood in the southwest zone of the city, claimed six lives in total. The news was confirmed by the Civil Police of Rio de Janeiro.

Oliver Tree was in Brazil as part of his ongoing world tour, having performed in São Paulo on June 6. His next scheduled date was set for Lisbon, Portugal on July 13, marking the start of the European leg of the tour. His last Instagram post, shared on Saturday the 13th, showed him in a studio with other artists.

What Happened in Rio de Janeiro

Two helicopters collided in the air before crashing into an electric vehicle yard on Avenida das Américas in Recreio dos Bandeirantes on Sunday morning, according to preliminary information from the Fire Department. The impact set approximately 20 parked cars alight. Six people were killed in total: five aboard one helicopter and the pilot of the second aircraft.

The confirmed victims are Oliver Tree Nickel (passenger), Lucas Vignale (passenger), Gaspar Prim (passenger), Lucas Brito Chaves (passenger), Alexandre Souza (pilot), and Charles Marsillac (pilot). Among those killed was Gaspar Prim, known online as Gaspi, an Argentine YouTuber with nearly 7.5 million followers.

The case is being handled by the 42nd Police District in Recreio dos Bandeirantes. Brazil’s Air Force, through its Aeronautical Accident Investigation and Prevention Center (CENIPA), has been deployed to the site to conduct the initial investigation. Brazil’s National Civil Aviation Agency (ANAC) has also confirmed it is looking into the circumstances involving the aircraft and pilots.

Oliver Tree’s Impact on Music

Oliver Tree had built one of the more distinctive careers in modern music, blending alternative, pop, hip-hop, and electronic influences into a sound that defied easy categorization. He had nearly 20 million followers across social media and more than 11 million monthly listeners on Spotify, with tracks accumulating over 700 million streams on the platform. His collaborations across the electronic music world made him a familiar name in the EDM space, and his personality and visual identity made him impossible to ignore regardless of genre.

Our thoughts are with his family, his collaborators, his fans, and everyone affected by this tragedy.

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Martin Garrix Teases Brand New Collab With Madonna

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Martin Garrix has teased a brand new collaboration with Madonna titled Bizarre, premiering the track at his New York show ahead of her upcoming album release in 18 days.

Martin Garrix appears to have teased a brand new collaboration with Madonna, with the track reportedly set to feature on her upcoming album due in 18 days. Garrix premiered the song at his New York show, where the vocals were widely noted to sound like Madonna, before confirming the collaboration at the afterparty. The track is titled “Bizarre,” a name that also appears on Madonna’s forthcoming album tracklist. If confirmed, this would represent one of the most unexpected crossovers in recent dance music history.

Martin Garrix Premiered “Bizarre” at His New York Show

Garrix debuted the track during his New York show, where attendees noted the vocals sounded immediately recognizable as Madonna. He did not make any announcement about the collaboration during the main show itself, keeping the reveal for the afterparty, where he got on the mic and confirmed it was a collab with Madonna.

The timing lines up with Madonna’s upcoming album, which is due in 18 days and reportedly includes a track carrying the same title. The overlap between the two projects strongly suggests the versions are one and the same, though neither camp has issued a formal press release at the time of writing.

The Collab Fits Everything Garrix Has Said About His New Album

This follows a string of interviews in which Garrix said his new album would feature collaborations with artists he never thought he would work with. Madonna fits that framing exactly. She is one of the most iconic figures in pop music history with very little prior crossover into the electronic dance music world, making a collaboration with a DJ and producer of Garrix’s generation genuinely unexpected.

It also follows his high-profile collab with Ed Sheeran, which had been over a decade in the making and signaled that Garrix was thinking beyond the typical boundaries of the genre when putting together this album era. A Madonna feature, if confirmed, would take that approach even further.

What We Know So Far

At this stage, the collaboration has not been officially announced through press channels. What is known is that Garrix premiered the track live in New York, confirmed the collab at the afterparty, and that both his project and Madonna’s upcoming album share the title “Bizarre.” Madonna’s album is set to arrive in 18 days. No release date for the Garrix version has been confirmed independently, though the timing suggests the two could land together or very close to one another.

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