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Ultra Miami 2026 Just Changed the Game with Phase 1 Lineup

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Ultra Music Festival is back with a vengeance for its 26th edition — and the Phase 1 lineup is pure chaos (in the best way possible). Nearly 80% of the artists are new compared to 2025, making this one of the most ambitious lineups the festival’s ever pulled off.

 

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Leading the shock factor: the first-ever, world-exclusive Amelie Lens B2B Sara Landry performance. Yes, you read that right. Add in the U.S. debut of Adam Beyer B2B Joseph Capriati and an Ultra-exclusive Sebastian Ingrosso B2B Steve Angello, and it’s clear Ultra’s pulling no punches for 2026.

Mainstage powerhouses like John Summit, DJ Snake, Major Lazer, Hardwell, Armin van Buuren, and Vintage Culture return, while techno heavyweights Carl Cox, Eric Prydz, Miss Monique, Boris Brejcha, Eli Brown, Sasha_John Digweed, and Adriatique keep the underground thriving.

The lineup also dives deep into first-time festival sets — BZRP, ¥ØU$UK€ ¥UK1MAT$U, Marlon Hoffstadt, WANKDAT (Wooli & Crankdat), and the world debut of TIMELESS, a new project from Deorro, Mike Posner & MORTEN.

On the live side, expect debut performances from Black Tiger Sex Machine presents Connected Fighters, Levity presents Lasership, Of The Trees, Brutalismus 3000, and Snow Strippers, with returning icons ZHU, Madeon, Boys Noize, and Louis The Child rounding out the bill.

Sara Landry will also lead the first-ever HEKATE stage takeover, joined by new showcases from The Martinez Brothers’ Cuttin’ Headz and Berlin’s Live From Earth. Add in milestone moments for A State of Trance (25 years), Dirty Workz (20 years), and Steve Aoki’s ‘30 Years of Dim Mak’, and Ultra 2026 feels more like a dance music cultural summit than just a festival.

Following a sold-out 25th-anniversary edition that drew 165,000 fans and 30 million #ULTRALIVE views, Ultra returns to Bayfront Park (March 27–29, 2026) ready to raise the bar once again.

Tickets are on sale now!

Andrea Simon is a passionate content creator and seasoned raver who’s been immersed in the global dance music scene for nearly a decade. Based in Buffalo, NY, she regularly covers events across her hometown and nearby Toronto—two cities with growing electronic music communities. She’s danced her way through iconic festivals like Tomorrowland, Ultra Music Festival, and Amsterdam Dance Event—capturing content and making memories. Along the way, she’s connected with some of the biggest names in the game, including Martin Garrix, Armin van Buuren, and Loud Luxury. Whether she’s front row at a sunrise set or backstage with the artists shaping the scene, Andrea brings a sharp eye for storytelling and a deep love for the culture that unites us all on the dancefloor. Keep up with Andrea and her adventures: @heyitsandreah

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Martin Garrix & Ed Sheeran Release ‘Repeat It’ After 12 Years

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Martin Garrix and Ed Sheeran together during the early period of their long-awaited collaboration Repeat It.

Martin Garrix and Ed Sheeran’s Repeat It finally gets its official release after first being previewed at Ultra Music Festival Miami in 2015

Martin Garrix and Ed Sheeran are finally releasing Repeat It on Friday, May 15, in honor of Martin’s 30th birthday, bringing one of EDM’s longest-running unreleased IDs into an official release after more than a decade. The track first began in 2014, before Martin Garrix previewed it at Ultra Music Festival Miami in 2015, where fans came to know it as Rewind Repeat It. For years, the collaboration stayed caught between its festival-history status and the label complications connected to the period before Martin Garrix became independent. Now, after fan uploads, release petitions, renewed 2026 teasers, and an official confirmation from Martin Garrix, Repeat It is finally leaving its unreleased-ID status behind as the collaboration prepares for its official release on Friday, May 15.

 

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How Martin Garrix and Ed Sheeran’s Repeat It All Started in 2014

Martin Garrix and Ed Sheeran were first linked to Repeat It in 2014, long before the track became known through live rips, fan uploads, and years of release speculation. The earliest public mention came during Miami Music Week, when Martin Garrix spoke about working with Ed Sheeran while he was still in the Spinnin’ Records period of his career. At that stage, the song was not being presented as a finished single. Reports around the Miami press event said the track still needed more work and would also need approval from Ed Sheeran’s label, which now reads like the first public sign of the release complications that followed it for years. It also places the collaboration in a very specific 2014 context: Martin Garrix was still close to the global breakout of Animals, while Ed Sheeran was entering the x era, before dance collaborations had become a regular part of pop release cycles.

The creative history behind Repeat It also points back to Los Angeles, where Martin Garrix later said he and Ed Sheeran met and began exchanging ideas. Ed Sheeran sent over a voice note with a melody, giving Martin Garrix a vocal idea to work around from the start. That detail matters because the track was not simply a festival instrumental with a pop vocal added later. It began through an exchange between a producer closely associated with big-room festival records and a songwriter whose work was centered on melody, phrasing, and direct lyric writing. Ed Sheeran later said he had finished his first EDM song with Martin Garrix, while Martin Garrix explained that people found the pairing strange at the time because their styles did not naturally align. That early contrast gave Repeat It a different place in both artists’ histories before fans heard it under its original ID name, Rewind Repeat It, at Ultra Music Festival Miami in 2015.

Why Rewind Repeat It Got Stuck Between Label Timing and Old Contract Issues

The reason Rewind Repeat It stayed unreleased was not simply that Martin Garrix and Ed Sheeran moved on from the song. The problem started much earlier, when the track still needed approval from Ed Sheeran’s label before it could come out. By 2017, Martin Garrix had explained that the collaboration had been planned as an official single, but the release became difficult because the labels could not agree on timing. Part of that issue came from Ed Sheeran’s own release schedule, with reports saying his side wanted to prioritize other Ed Sheeran songs first. For a track that was already being played in festival sets, that delay mattered because unreleased IDs rely heavily on timing. Once the original window passed, Rewind Repeat It was no longer just waiting for a date. It was caught between two artist calendars, two label systems, and a release plan that had already lost its first chance.

The situation became even harder because the song belonged to an earlier part of Martin Garrix’s career. Rewind Repeat It was made while Martin Garrix was still tied to the Spinnin’ Records era, before he became independent and launched the next phase of his career through his own label structure. By 2018, Martin Garrix was openly saying that he did not think the song would ever be released, with the issue being linked to old rights and contract complications from that period. That is why the long wait around Repeat It became different from a normal unreleased ID story. Fans kept asking for it because they had already heard the song, but the release was stuck behind business details that could not be solved by demand alone. The track stayed alive through live recordings, fan uploads, and petitions, but its official release needed the rights, label timing, and artist-side approvals to finally line up.

How Repeat It Finally Returned in 2026

The 2026 return of Repeat It did not begin with a standard single announcement. It started with Martin Garrix and Ed Sheeran being seen together again in New York City, where footage of them filming and walking backwards immediately pulled the old Rewind Repeat It connection back into focus. That detail mattered because it was not a random sighting between two artists who once worked together. The backwards movement tied directly to the song’s original title, and after years of old live rips carrying the track online, the New York clips gave fans the first real sign that the collaboration was being treated as an active release again.

The rollout became more direct after that. Martin Garrix previewed a new version during an Instagram Live in April, while reports said the track had been reworked from the 2015 Ultra Music Festival Miami version and shortened from Rewind, Repeat It to Repeat It. In early May, the teasing continued through social posts, the Repeat It (2026) audio name, and billboards in Santo Domingo that asked Ed Sheeran to release the song. The final confirmation came from Martin Garrix himself, who announced that Repeat It with Ed Sheeran would drop at midnight worldwide on Friday, May 15. After more than a decade of fan uploads, label delays, and unfinished release windows, the song is now returning as an official single instead of another clip passed around as one of EDM’s most requested IDs.

Why Repeat It Matters Beyond Its Release Date

For Martin Garrix and Ed Sheeran, Repeat It carries a history that makes the release feel different from a standard collaboration rollout, especially because the song has already lived through more than a decade of public attention before reaching its official release. It began with the 2014 studio work, became a fan-known ID after the 2015 Ultra Music Festival Miami preview, and then stayed in circulation through live rips, fan uploads, release petitions, and years of questions around whether the track would ever be cleared. That history gives Repeat It a specific place in Martin Garrix’s catalog, not just as a new single, but as a track tied to one of the most followed unreleased chapters from his festival-era rise.

The release also matters because the collaboration still reflects the unusual pairing that made people pay attention in the first place. When Martin Garrix and Ed Sheeran first worked on the song, Ed Sheeran was not regularly linked to EDM records, while Martin Garrix was still closely associated with big-room festival stages after Animals. In 2026, both artists are far beyond that original career moment, but Repeat It still carries the contrast that gave the track its early interest: Martin Garrix bringing the production into his dance music world and Ed Sheeran bringing the topline and vocal writing that made the song feel different from a typical unreleased festival ID. That is why its official release is not only about finally getting the file onto streaming platforms, but about closing a release story that fans have been following since Ultra Music Festival Miami in 2015.

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Tomorrowland Thailand 2026 Confirmed Artists So Far

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Festival attendee waving a Thai flag as Tomorrowland Thailand 2026 confirmed artists begin to be announced

Tomorrowland Thailand 2026 Confirmed Artists So Far include Swedish House Mafia, Martin Garrix, Afrojack, and more

As we gear up for the historic debut of Tomorrowland Thailand from December 11 to 13, 2026, the first confirmed artists are already setting the frame for one of Asia’s most closely watched festival debuts. Ahead of the complete lineup announcement, Tomorrowland has shared an early group of confirmed names for the Thailand edition, including Swedish House Mafia, Martin Garrix, Afrojack, Lost Frequencies, NERVO, and Dimitri Vegas. Unlike the usual Tomorrowland lineup reveal, where the full artist list is released alongside stage hosts and wider festival details, the Thailand confirmations have been shared through separate official moments. Axwell mentioned the Swedish House Mafia appearance during a One World Radio interview, while other names were introduced through Tomorrowland and Tomorrowland Thailand posts, giving the debut edition a more gradual artist reveal before the full lineup is published.

Swedish House Mafia Are Set For Their First Thailand Show As A Trio

Among the first Tomorrowland Thailand 2026 confirmed artists, Swedish House Mafia carries the clearest headline value because the December booking would bring Axwell, Sebastian Ingrosso, and Steve Angello to Thailand together under the Swedish House Mafia name for the first time. All three members have played in the country across separate appearances, and Axwell Λ Ingrosso previously performed in Thailand as a duo, but the trio has never performed here together as Swedish House Mafia. That gives the confirmation more local context for Thai audiences who have followed the members’ individual and duo appearances over the years. The confirmation came through a conversational exchange on One World Radio, when the host asked Axwell where the group was going next in the Tomorrowland world. Axwell first pointed to Asia, then narrowed it down to Thailand, saying, “I think it might be somewhere in the Asian regions. Uh more like Thailand actually,” before adding, “We’re going to be there in December.” When the host asked if that meant Tomorrowland Thailand, Axwell replied, “Yeah. Yeah. That’s the thing.” The host then repeated the point back for clarity, saying Swedish House Mafia’s next stop in the Tomorrowland world would be Tomorrowland Thailand, with Axwell later adding that he had seen Wisdom Valley, loves going to Thailand, loves Tomorrowland, and said, “So let’s mix the two.”

NERVO Announced Their Tomorrowland Thailand Set On The Tomorrowland Winter MainStage

NERVO were one of the first names confirmed for Tomorrowland Thailand 2026, with the announcement made during their Tomorrowland Winter MainStage set instead of through a standard lineup graphic. Mim Nervo set up the reveal by telling the crowd that “there’s something new happening” before she and Liv Nervo turned around to show the message printed across their shirts: “She Is Playing At Tomorrowland Thailand.” The moment was later shared by Tomorrowland Thailand as the first artist reveal for the 2026 line-up, placing NERVO in the earliest group of artists confirmed for the festival’s debut edition from December 11 to 13, 2026. Their booking also connects the Thailand launch to Tomorrowland’s wider history, since NERVO have been regular names across the festival’s stages over the years and were part of The Way We See The World, the 2011 Tomorrowland anthem with Afrojack and Dimitri Vegas & Like Mike.

Dimitri Vegas & Like Mike Were Confirmed After A Tomorrowland Winter Stage Moment

Dimitri Vegas & Like Mike were confirmed for Tomorrowland Thailand 2026 after another Tomorrowland Winter stage reveal, this time during Dimitri Vegas set. Although Dimitri Vegas was the one performing in the clip, the announcement pointed to the duo’s Thailand booking, with the message “See You In Thailand” appearing near the decks as he gestured toward it. The follow-up post from Tomorrowland Thailand then confirmed Dimitri Vegas & Like Mike for the 2026 edition, placing them among the first names announced for the festival’s debut in December. Their place on the early list makes sense given how closely they are tied to Tomorrowland, where they have been staple MainStage names for years and have helped carry the festival’s big-room identity across multiple editions. The next detail to watch is whether Smash The House will also appear in the stage host program when Tomorrowland Thailand releases the complete lineup and stage host details.

Lost Frequencies Was Confirmed Through A Tomorrowland Winter Travel Guide Reveal

Lost Frequencies was confirmed as one of the first Tomorrowland Thailand 2026 confirmed artists through a Tomorrowland Winter reveal centered on a Thailand travel guide. The moment pointed directly to the Belgian artist’s next Tomorrowland destination, with the later Tomorrowland Thailand post confirming that he will perform at the festival’s debut edition from December 11 to 13, 2026. His place in the early artist list carries a strong connection to the festival’s Belgian roots, as Lost Frequencies has become one of the country’s most internationally recognized electronic acts while remaining a regular name across Tomorrowland over the years. His previous Tomorrowland Belgium MainStage sets have often brought out the more melodic, vocal-led side of the festival, from crossover records to singalong moments that translate well beyond the EDM core. For Tomorrowland Thailand, that history gives his booking a familiar link to the main festival in Boom, and it leaves a lot of anticipation around how that same Lost Frequencies magic will translate to Wisdom Valley in December.

Afrojack Was Confirmed Through A Tomorrowland Thailand Studio Intro Reveal

Afrojack was confirmed for Tomorrowland Thailand 2026 through a studio-based reveal, marking a different type of announcement from the earlier Tomorrowland Winter moments. In the clip, the Dutch producer was shown working on an intro before the camera revealed the project name saved as Tomorrowland Thailand intro v1, turning the studio session into the confirmation. His place among the first Tomorrowland Thailand 2026 confirmed artists fits closely with the festival’s history, as Afrojack has been a staple name at Tomorrowland for years and remains one of the most recognizable Dutch artists connected to its MainStage sound. The confirmation also links back to several early names already announced for Thailand, including NERVO and Dimitri Vegas & Like Mike, with all three connected through The Way We See The World, the 2011 Tomorrowland theme. For the Thailand debut, Afrojack’s reveal adds another long-running Tomorrowland figure to the list while raising interest around whether the intro he was working on will be used for his own set or for a wider festival moment in December.

Martin Garrix Was Confirmed Through A Bangkok Tuk-Tuk Reveal

Martin Garrix is the latest name confirmed among the Tomorrowland Thailand 2026 confirmed artists, with his announcement moving the rollout from Tomorrowland Winter moments to Bangkok itself. The reveal showed Martin Garrix inside a tuk-tuk in Bangkok, with the Tomorrowland Reflection of Love stage visible on his shirt, tying the announcement directly to Thailand and to one of Tomorrowland’s most recognizable stage concepts. His confirmation gives the debut edition another artist closely connected to Tomorrowland’s modern MainStage history, from repeated appearances in Boom to festival moments that have made tracks like High On Life, Pizza, and Scared To Be Lonely part of the wider Tomorrowland catalog for many listeners. For Tomorrowland Thailand, his Bangkok reveal also feels like the strongest local visual so far, because it places the announcement inside the city instead of using a clue from another festival setting.

 

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What To Watch For Next In The Tomorrowland Thailand 2026 Lineup

With the first Tomorrowland Thailand 2026 confirmed artists now revealed, the next major piece is how the full lineup will be arranged across the festival’s stage structure. Tomorrowland Thailand has already confirmed six stages for its debut edition, including the Mainstage, CORE, and Freedom, while the remaining stages have not been announced yet. That makes the next update important because it should show whether Thailand follows a familiar Tomorrowland structure with major MainStage names, label-linked stage hosts, and deeper programming across CORE and Freedom, or whether the debut edition introduces more Thailand-specific stage concepts alongside the global festival brands.

That also opens the door for more speculation around frequent Tomorrowland artists without treating anyone as confirmed. Names like Armin van Buuren, Alesso, Hardwell, Steve Aoki, Timmy Trumpet, Don Diablo, Meduza, MORTEN, Tale Of Us, Anyma, Adriatique, Agents Of Time, Solomun, and Keinemusik are the kinds of acts people will naturally watch for because they have appeared across major Tomorrowland editions or fit the confirmed stage worlds of Mainstage, Freedom, and CORE. For now, the early announcements show that Tomorrowland Thailand is starting with artists strongly connected to the festival’s history, but the full lineup and stage host reveal will be where the December debut at Wisdom Valley becomes much easier to understand.

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REZZ Cancels 2026 Shows And Takes Touring Hiatus

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REZZ performing behind the decks with her signature LED glasses before canceling her remaining 2026 shows and taking a touring hiatus

REZZ Cancels 2026 Shows And Takes Touring Hiatus after health concerns lead her to step back from live performances

REZZ has canceled her remaining 2026 shows and is taking an indefinite hiatus from touring, turning a health-related decision into a wider conversation about the physical demands placed on electronic music artists. The announcement comes less than a month after she canceled her Coachella Weekend 2 set following her Weekend 1 performance at the Sahara Tent, where she said her body had been signaling that she needed to put her health first. Her remaining schedule included major festival and headline dates such as Breakaway Ohio, Beyond Wonderland at the Gorge, Tomorrowland, Chasing Summer, ÎleSoniq, and REZZ ROCKS VIII at Red Rocks Amphitheatre, making the cancellation one of the more visible touring pauses in dance music this year. The timing also matters because REZZ had recently released A Shift In Perspective, a six-track EP through HypnoVizion, showing that this is not a story about her stepping away from music itself. It is a story about the separation between creating music and carrying the physical load of touring, especially when festival schedules, travel, late-night performance hours, and recovery time can start working against an artist’s health.

What REZZ Actually Said About Her Health

The first public sign of the health-related pause came after REZZ played Coachella Weekend 1 at the Sahara Tent on April 11, then canceled her Weekend 2 appearance a few days later. In her statement, she said her body had been warning her that she needed a real break, but she continued to push because she thought it would be fine. That detail matters because health problems in touring do not always begin with one canceled show or one difficult weekend. They can build while an artist continues through rehearsals, flights, festival slots, production planning, late-night performance hours, and the pressure of showing up for one of the biggest festival bookings of the year. REZZ did not share specific medical details, but she made the reason clear when she said her health had to come first and that healing would take time. She also told fans that her Coachella Weekend 1 performance would be uploaded to YouTube, which added an important distinction: the completed set could still reach fans, but performing again the following weekend was no longer possible.

The later cancellation of her remaining 2026 shows turned that first decision into a full touring pause, with the affected calendar reaching across North America and Europe. Reports listed Breakaway Ohio, Beyond Wonderland at the Gorge, Tomorrowland, Chasing Summer in Calgary, ÎleSoniq in Montreal, and REZZ ROCKS VIII at Red Rocks Amphitheatre among the canceled dates, while Red Rocks has also listed the October 3 REZZ ROCKS VIII show as canceled with refunds being issued through AXS or the original point of purchase. In her follow-up statement, REZZ said the past few months had forced her to stop, and that continuing with touring and the stress around it would be detrimental to her health any time soon. That is the key part of the story because it separates REZZ as a musician from REZZ as a touring artist. The timing also makes that distinction clearer: she had recently released A Shift In Perspective through HypnoVizion, while also stepping away from the live schedule attached to her year. For the electronic music industry, that matters because the music can continue even when the body can no longer carry the travel, performance, pressure, and recovery cycle behind it.

Why Touring Can Become A Health Issue For Artists

Touring can look simple from the outside because the public usually sees the set time, the visuals, the crowd, and the festival poster. Behind that, a major electronic music schedule can mean late performances, early flights, irregular hotel check-ins, changing time zones, and limited recovery between bookings. The CDC describes jet lag as a circadian rhythm disruption that can cause sleep problems, daytime sleepiness, cognitive impairment, general malaise, and gastrointestinal symptoms, which matters when an artist is expected to perform with focus after travel. In that context, REZZ canceling shows for health reasons fits a larger touring reality: the issue is not only one performance, but the repeated travel and recovery cycle around it.

The live side of the job adds a different kind of strain because electronic music artists work inside loud, late-night performance environments for much of the year. NIOSH notes that overexposure to sound is common among musicians, with both intensity and duration affecting hearing risk, which is especially relevant in a scene built around clubs, festivals, monitors, and large-scale sound systems. BAPAM, a performing arts medicine organization, also treats touring health as a practical issue, with guidance covering rest, food, hydration, medication, travel planning, and changes to routine for performers working away from home. That does not mean every artist faces the same health issue, and REZZ has not shared specific medical details, but it explains why a touring hiatus can be a serious health decision while the music itself continues.

What Comes Next For REZZ After Her Touring Hiatus

For now, there is no confirmed timeline for when REZZ will return to touring, and that uncertainty should be treated with care instead of pressure. Her decision to cancel the rest of her 2026 shows shows how serious the physical side of touring can become, especially when travel, late set times, sound exposure, limited sleep, and recovery gaps keep repeating across a calendar. Since this is also Mental Health Awareness Month, her hiatus is a reminder that wellbeing is not only about the mind or only about the body. Stress can affect sleep, exhaustion can affect mood, pain can affect focus, and recovery becomes harder when the schedule does not allow the body to slow down properly.

Across the electronic music scene, artists are often expected to keep appearing on posters, flights, festival stages, and social feeds, but health does not always follow the same timeline as a tour announcement. The best outcome is that REZZ gets the time she needs, continues releasing music when she is ready, and only returns to live shows when touring no longer works against her recovery. Her hiatus also gives fans and the wider industry a reason to think more seriously about how much physical strain can sit behind a performance calendar. For fans, the most supportive response is simple: respect the pause, wish her well, and remember that an artist stepping away from the stage can also be choosing the conditions that allow the music to continue.

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