Editorial
How The Music Industry Is Responding To The Rise Of AI
How streaming platforms, charts and music companies are responding to AI-generated music and introducing new protections for human artists
Artificial Intelligence has become an increasingly difficult subject for the music industry to ignore. AI-generated music, cloned voices and synthetic artist identities are becoming more common across streaming services and digital platforms. The industry once discussed AI mostly in terms of creative possibilities, but it now raises much bigger questions around ownership, transparency, royalties and the protection of human artists. No single industry-wide standard currently decides how platforms should treat AI-generated music.
That gap has left individual platforms and organisations to introduce their own responses. Apple Music, Spotify, Deezer, YouTube, ARIA, Billboard and Bandcamp have each taken different approaches to AI disclosure, recommendation systems, chart eligibility, artist impersonation and fraudulent streaming. These measures show how the music industry is beginning to establish clearer rules around AI, while also addressing what its rapid use could mean for the artists whose music, voices and identities sit at the centre of it.
Why AI-Generated Music Has Become an Industry-Wide Issue
AI-generated music has raised serious concerns across the electronic music industry, with producers increasingly questioning how tracks get created, credited and presented to listeners. Much of the criticism centers on platforms like Suno and Udio, particularly when tracks are released without clear disclosure or created using material connected to existing artists.
For producers who have spent years writing, producing and developing their own sound, this raises a bigger question: what happens when AI-generated releases compete for the same listeners, streams and opportunities while requiring far less human involvement in the creative process?
That question has become harder to ignore as more electronic music producers speak openly about what they are seeing. H4RRIS and Nihil Young have both called out tracks they believe were generated through Suno and presented as human-made releases, with Young also discussing how generative AI is affecting his work as a producer and engineer.
View this post on Instagram
Gareth Emery has raised a related concern, criticizing the use of existing music as training data and questioning whether artists have enough control over how their work is used to generate new tracks, vocals or artist identities. His decision to launch a label focused specifically on human-created music reflects how some producers are beginning to respond directly to that issue.
The Debate Extends Beyond the Music Itself
What makes the conversation more complicated is that the same technology is also being used in ways that go beyond the music itself. deadmau5 criticized a DJ earlier this year for using an AI-generated version of his likeness to promote music without permission, bringing artist identity and consent into the same discussion around AI-generated releases.
View this post on Instagram
Diplo, meanwhile, has taken a different approach altogether, speaking openly about using AI-generated vocals in his own productions. That contrast, between artists pushing back on unauthorized use and artists actively embracing the tools, shows that electronic music does not share one position on how AI should be used, and it sets up a broader question about where the industry goes from here.
How Different Platforms Are Responding to AI-Generated Music
As AI-generated music becomes more common across streaming and digital platforms, companies are starting to make clearer decisions around transparency, discovery, artist identity and fraudulent activity. These responses are not identical, but they show how platforms are beginning to set their own rules around what listeners should be told, how artists should be protected and how AI-generated releases should be treated once they enter the wider music ecosystem.
1. Apple Music
Before a release even reaches listeners, Apple Music is already changing how that music gets documented. Labels and distributors can now disclose when AI has generated a material portion of a recording, composition, artwork or music video, adding that information directly to the metadata supplied with the release. This gives rights holders a clearer way to document significant AI involvement from the start.
2. Spotify
For Spotify, the questions extend well beyond disclosure once music reaches the platform. AI Persona badges are being rolled out to identify profiles representing AI-generated identities, and those profiles are generally kept out of editorial and algorithmic recommendations. The platform has also strengthened protections around unauthorized voice cloning and music being falsely uploaded to existing artist profiles.
3. Deezer
As the issue shifts from transparency to how fully AI-generated music is distributed and monetized, Deezer has taken a stricter stance. The platform labels those tracks and removes them from editorial playlists and recommendation systems, while excluding fraudulent streams linked to AI-generated music from royalty calculations. The scale of the issue is significant too: Deezer reported that fully AI-generated tracks accounted for more than half of daily uploads at their June 2026 peak.
4. Bandcamp
Rather than working within a disclosure framework, Bandcamp has drawn a much firmer line than most platforms. It does not allow music generated wholly or substantially by AI and also prohibits AI being used to impersonate another artist or imitate their style. Its policy stands apart from the disclosure-focused approaches used elsewhere, since certain forms of AI-generated music are not permitted on the platform at all.
5. YouTube
When an artist’s image or identity gets reproduced without permission, the debate moves beyond the music itself entirely. YouTube has expanded likeness detection tools that allow eligible artists and entertainers to identify AI-generated videos using their face and request removal. This gives creators another layer of protection as generative AI becomes increasingly capable of copying the people behind the music as well as the music itself.
6. ARIA
With fully AI-generated music now entering the wider market, ARIA, the Australian Recording Industry Association, has introduced a clearer standard for what can qualify for official recognition. Recordings must be substantially human-made to enter the ARIA Charts or qualify for the ARIA Awards, excluding fully AI-generated releases from those categories.
7. Billboard
As AI-generated music begins appearing more frequently across the industry, Billboard has focused on making that use clearer to readers and chart audiences. The publication has committed to identifying AI-generated music when it appears in its charts and editorial coverage, keeping the emphasis on transparency instead of excluding those releases outright.
What Comes Next for AI and the Music Industry
The differences between Apple Music, Spotify, Deezer, Bandcamp and YouTube suggest the industry is still some way from a shared standard, with each platform setting its own rules around disclosure, discovery and artist protection in the meantime. That patchwork is likely to keep shifting as AI tools grow more capable and more artists, labels and listeners push for clearer answers.
Disclosure, consent, royalties and identity remain the core pressure points, and none of them are likely to be resolved by any single platform acting alone. As more of the industry weighs in, the direction these policies take could determine how much control artists retain over their music, their voices and their likenesses in an increasingly AI-driven landscape.
Subscribe to our Newsletter
As the second annual Valley of the Seven Stars approaches, bass music fans across the country are prepping their gear and locking in their set times. Taking over the Oak Ridge Estate in Arrington, Virginia from October 8–11, this gathering marks the long-awaited payoff of GRiZ’s two-year hiatus. The event has quickly earned a reputation as one of the bass community’s premier “homie” festivals, trading commercial refinement for deep curation and authentic energy. Whether you are hunting for ground-shaking low end or sunset grooves, here are the 7 most anticipated performances to highlight on your schedule:
7. Richard Finger
Set Time: Saturday, 4:50 PM – 5:50 PM
Operating entirely behind anonymous masks, Richard Finger has become one of bass music’s most intriguing underground phenomena. The mysterious duo popped onto the radar with relentless sound design and uncompromisingly heavy drops, rapidly earning a rotation in festival sets worldwide. While internet investigators continue trying to uncover their true identities, the project lets the sheer sound of low end rhythm do the talking. Catching them in the afternoon heat on Saturday is guaranteed to wake up the crowd.
6. Hedex
Set Time: Sunday, 8:30 PM – 9:30 PM
Hedex has been at the forefront of the modern drum and bass explosion. He has been taking jump-up rhythms out of underground UK clubs and pushing them onto major American festival stages. This performance serves as the official launch for his North American “Nu Era” tour. Known for quick double drops and explosive crowd control, his Sunday slot will deliver a shot of pure adrenaline just as festivalgoers enter the final night.
5. GRiZ (Chasing The Golden Hour)
Set Time: Saturday, 6:05 PM – 7:20 PM
GRiZ has always known how to curate a vibe, but his Chasing The Golden Hour (CTGH) concept holds a legendary place in the scene. It was originally conceived as a mixtape series built around vintage samples, mellow hip-hop beats, and live sax riffs. CTGH offers a soulful counterweight to his heavy dubstep headline sets. Following packed-out demand at past events, this sunset window is made for collective unwinding. It is the defining emotional anchor of the weekend, best experienced surrounded by friends on an open hill.
4. Mersiv
Set Time: Saturday, 8:30 PM – 9:30 PM
DJ & producer Anderson Gallegos, known professionally as Mersiv, has carved out a dedicated subculture with his trademark “Pretty Dark Loud” sound design. Mersiv crafts sets that feel simultaneously meditative and heavy by combining hypnotic downtempo atmospheres with distortion-heavy basslines. Dropping into Saturday prime time, his set will steer the valley into its deepest, most psychedelic sonic territory.
3. Seth David (R&Bass)
Set Time: Friday, 1:00 AM – 2:00 AM (After Hours)
Returning to the Seven Stars lineup for a second run, Seth David brings his signature R&Bass sound to the Satellite Stage. The project fuses classic 90s and 2000s R&B vocals with sub-bass frequencies. This set gives night owls a refreshing alternative to the standard festival sound anding directly in the after-hours slot,
2. Distinct Motive
Set Time: Sunday, 6:50 PM – 7:50 PM
Hailing from Ontario, Distinct Motive has spearheaded the revival of pure 140 BPM sound system culture in North America. His productions emphasize sub-bass, surgical mixing, and deep roots in old-school UK dubstep. Since his anthem “Wait A Minute” dominated stages everywhere, his profile has skyrocketed. Sunday evening marks his debut on the mainstage, bringing chest-rattling low frequencies to the festival’s largest sound system.
1. Kaleena Zanders
Set Time: Thursday, 8:00 PM – 9:00 PM
Revered as one of modern dance music’s most captivating vocal powerhouses, Kaleena Zanders channels gospel roots through classic house grooves. With major collaborative releases alongside fellow headliners, her live sets go far beyond ordinary DJ performances. Slotted into Thursday evening, she will set an uplifting, soulful tone for the entire cosmic campout before the heavier bass takes over.
With four days of music spread across The Valley, pacing is going to be everything. Set conflicts are inevitable when a lineup has this much variety. Be sure to leave room in your schedule to wander between stages and stumble onto artists outside your radar.
Grab the official festival app to stay updated on any last-minute schedule shifts and look out for your crew.
View this post on Instagram
Subscribe to our Newsletter
MiNT XL opens its doors in Leeds with a sold-out party for 2,500 ravers, as Craig Richards, Enzo Siragusa and Sonja Moonear launch the new nightclub
MiNT XL officially opened its doors on Friday, 25 September, with a sold-out opening party featuring names like Craig Richards, Enzo Siragusa and Sonja Moonear. 2,500 ravers gathered in the heart of Leeds city centre to experience the latest addition to the city’s rich rave culture, marking a memorable beginning for MiNT XL.
Taking over the former nightclub, PRYZM Leeds, MiNT set themselves the challenge of giving the venue a new identity through their own production and iconic signature. In an interview with EDM House Network earlier this year, MiNT marketing manager, Mikey McMahon said they wanted people to walk into MiNT XL and feel like they were part of something forward-thinking. There is no doubt they have achieved this, with the opening night already setting MiNT XL apart from other venues in Leeds.
Credit: David Dumitru
Exploring The Venue’s Layout
Arriving at the venue, you could feel the excitement in the air as people made their way into the club. Music was bumping through the walls and the night was just getting started. Walking inside, the dark environment immediately made it feel like a rave and not a regular nightclub.
Heading up the stairs from the entrance, we reached the main hall of the venue, which houses two of the three rooms at MiNT XL, as well as an open-air terrace. The ‘Clubroom’ was the first room people encountered on the floor, while the main room, also known as the ‘Ballroom’, sits to the left of the hall.
The second floor is a great extension of what the main floor has to offer, hosting the venue’s third room, ‘Cage’, as well as an additional bar with sofas and seating for those wanting a quick break from the dancefloor. The VIP area is also located on this floor, providing a comfortable chill-out space with its own bar and seating area.
Credit: David Dumitru
The Rooms at MiNT XL
1. Ballroom
The largest of the three rooms, the ‘Ballroom’ is a warehouse type of space hosting the headlining names on MiNT XL’s line-ups. Some of the lighting features that stood out as soon as we walked into the room included the large ring structure above the dancefloor, as well as the linear rigs placed horizontally across the ceiling, which rotate to create a wave-like effect through light.
Another standout piece of the room is the newly installed Funktion-One Vero sound system, delivering bass that pumps through your body and an overall premium sound quality. The same system can also be found in the other two rooms, where its impact is even greater due to their smaller capacities.
Credit: @elliotyoungphoto
2. Cage
Probably the most interesting room of the three, and our personal favourite, ‘Cage’ delivers an experience like no other. Its design feels unique and fresh out of the box, while still maintaining a lush feel. Throughout the opening night, the room was lit up with orange lighting, creating a somewhat comfortable atmosphere amid all the chaos going on.
Credit: David Dumitru
‘Cage’ also has a few sofas placed around the room, helping complete its luxurious feel. The cherry on top, however, is the fact that the space will often welcome DJs playing on vinyl. We had the chance to witness this live, and let me tell you, seeing the artists flip and swap records behind the decks totally elevates the experience.
Credit: David Dumitru
3. Clubroom
With a large light panel on the ceiling covering the centre of the dancefloor, ‘Clubroom’ is an ode to MiNT Warehouse, the brand’s second ever venue. Sharing similar characteristics, the room brings the MiNT Warehouse spirit to MiNT XL, carrying over the energetic vibes that have become a trademark of the brand.
While the room has a great design from a production perspective, the air conditioning isn’t felt as well in some corners, often making it a very hot space.
Credit: David Dumitru
4. Terrace
An open-air space with a nice view of some of Leeds city centre’s tallest buildings, the terrace is a well-arranged spot for those who want to unwind a little and take a breath of fresh air. Located close to the ‘Ballroom’, the path to the terrace can, however, become very busy at times.
Credit: David Dumitru
The Music at MiNT XL
The venue opened with the brand’s own event series, ‘system.’, taking over the decks. Across the three rooms, a well-curated line-up delivered the soundtrack to MiNT’s new beginning.
From the perspective of EDM House Network, our highlights were Foehn & Jerome at the ‘Cage’, Craig Richards B2B Francesco Del Garda at the ‘Ballroom’, and then back to the ‘Cage’ for a vinyl session with Fumiya Tanaka.
Credit: @elliotyoungphoto
Beyond the opening night, a wide range of renowned DJs are set to follow at MiNT XL, with the likes of Ewan McVicar, Riordan, Morgan Seatree and a Worried About Henry (WAH) takeover among those already announced. While so far only electronic music events make up the calendar, organisers have said they are excited to expand into new genres and live music.
Atmosphere Inside The Venue
MiNT XL operates a no-phones policy at all events, meaning attendees can fully immerse themselves into the music. Having experienced an event with such policy for the first time, it was impressive to see how big of a change it makes.
Seeing people living in the moment and having fun truly gave everyone a taste of what some mean when they say ‘raving was better in the 90s’. The no-phones policy genuinely made the night feel like a time machine that teleported us back to a time when people used to socialise and not chase Instagram clout at raves.
Credit: @elliotyoungphoto
With three state-of-the-art rooms, a 2,500-capacity venue, a sound system that blows the roof off and a no-phones policy, MiNT XL has real potential to become one of the best nightclubs in the entire UK. The opening party was not just the green light for a new venue in Leeds, but felt more like a statement that MiNT XL is here, and for good.
The club season is only just getting started, with a packed list of upcoming events already lined up at MiNT XL.
Friday 9 October – Marsolo Invites: Marsolo + more TBA
Saturday 10 October – Airspace: Notion, Kyle Starkey, Camille Doe + more
Saturday 17 October – Mint XL Presents: Cam Stockman b2b Tommy Phillips
Friday 30 October – Airspace: Riordan, Stef Davidse + more
Saturday 31 October – Ewan McVicar Presents: Halloween – Ewan McVicar, Special Request, Olive F
Saturday 7 November – Mint XL Presents: ALISHA, Robbie Doherty + more
Saturday 14 November – Mint XL Presents: Morgan Seatree + more TBA
Friday 20 November – Framework Presents: Ben UFO, Papa Nugs + more
Saturday 21 November – Jampacked Would Tour Leeds Edition: Jamback, Anil Aras, A For Alpha
Saturday 19 December – Framework x Mugpie Presents: Christian AB, Unai Trotti + more
Subscribe to our Newsletter
EDM Festivals October 2026: Festivals We Can’t Miss worldwide as major events fill the month across North America, Asia, Europe, and South America
October 2026 brings another busy month for the EDM festival calendar, with events taking place across North America, Asia, Europe, Africa, and South America. In the US, 808 Festival, Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, Niteharts, Head Trip, III Points Miami, Escape Psycho Circus, BOO! Seattle, BOO! Arizona, and Hocus Pocus Miami fill the month. Meanwhile, EDC Korea and Chill O’posite Festival add major dates in Asia and Africa. No Art Lisbon and AMF represent Europe, while EDC Colombia and Ritvales bring two large weekends to South America. Here’s a full look at the EDM festivals taking place throughout October 2026.
808 Festival
Dates: October 2–3, 2026
Location: BITEC, Bangkok, Thailand
808 Festival returns to BITEC in Bangkok from October 2–3, 2026 for two days across two stages. The Phase Two lineup includes ILLENIUM, SLANDER B2B NGHTMRE, W&W, Argy, Ben Nicky, 999999999, Mesto, and KAAZE. Meanwhile, JUSTUS, RIVO, Dorian, Ian Asher, and Mary Droppinz are also confirmed. Several special performances are scheduled, including Adam Beyer B2B Chris Avantgarde and Nifra B2B Will Atkinson. Giorgia Angiuli will also perform live. More artists are still due to be announced before the festival returns to Bangkok in October.
Breakaway Utah
Dates: October 2–3, 2026
Location: America First Field, Sandy, Utah
Breakaway Utah brings the Breakaway Music Festival series to America First Field in Sandy, Utah, from October 2–3, 2026. Friday features John Summit, Tiësto, Max Styler, Jackie Hollander, Ray Volpe, LAYZ B2B TYNAN, and Trivecta. Hershe, Heyz, Roddy Lima, Soraya, and Obayashi also appear on the first day. Saturday then brings Chris Lake, Audien, Bonnie X Clyde, Frank Walker, Kasablanca, and Mojave Grey. In addition, Kaskade will play a sunset set, while Gorgon City B2B MPH adds another collaborative performance.
We Belong Here Central Park
Dates: October 2–4, 2026
Location: Wollman Rink, Central Park, New York City, New York
We Belong Here Central Park heads back to Wollman Rink in Central Park from October 2–4, 2026. Friday opens with MEDUZA³ and a sunset set from LP Giobbi. On Saturday, Ben Böhmer plays a sunset set before Stephan Bodzin performs live. Sunday closes the weekend with Steve Angello and a sunset club set from Bob Moses. Elsewhere on the lineup, Ashibah, Eve Lauren, and Tripolism are also confirmed. The wider program includes Aftours, Amanda Simpson, Anthony Romano, Malcolm Zeller, Sanvero, Sebi Luca, and several more artists.
EDC Korea
Dates: October 3–4, 2026
Location: INSPIRE, South Korea
EDC Korea returns to INSPIRE on October 3–4, 2026, with house, trance, techno, bass, and hard dance across the weekend. Saturday includes DJ Snake, ILLENIUM B2B Dabin, Ben Nicky Presents Xtreme, Brennan Heart, Coone, and Dimension. R3HAB, Sara Landry, Subtronics, and SVDDEN DEATH are also confirmed. Meanwhile, Bassrush Experience and an Insomniac Records Takeover appear on the Saturday program. Sunday features 999999999, Alok, Aly & Fila, Argy, FISHER, Kayzo, Nifra, and Tiësto. TOKiMONSTA, Vini Vici, W&W, and Wooli also join the second day.
Experts Only at the Gorge
Dates: October 3–4, 2026
Location: Gorge Amphitheatre, Washington
Experts Only at the Gorge brings John Summit’s Experts Only brand to Gorge Amphitheatre in Washington on October 3–4, 2026. John Summit leads the weekend alongside Cassian, Daniel Allan, Devault, Hamdi, Jackie Hollander, and KETTAMA. Before the main event begins, the EO Base Camp Pre-Party is scheduled for October 2. Layton Giordani is currently confirmed for that party, with additional names still to come. Across the full weekend, the music covers house, techno, and bass with a compact lineup centred on the Experts Only roster and its regular collaborators.
Starlight Festival
Dates: October 8–11, 2026
Location: Giza and Cairo, Egypt
Starlight Festival brings four days of events to Giza and Cairo from October 8–11, 2026. The main festival is held near The Pyramids of Giza on October 9–10. A welcome party takes place in Cairo on October 8, followed by a farewell party on October 11. The first main day features Adriatique, Indira Paganotto, Pete Tong, Vintage Culture, and WhoMadeWho with a hybrid DJ set. Awen, BiiA, Charlie Sparks, and Coco & Breezy are also confirmed. On day two, Charlotte de Witte, Michael Bibi, and Enrico Sangiuliano lead the lineup. Meanwhile, Deer Jade, Fiona Kraft, Floyd Lavine, Layla Benitez, and Olympe also perform.
Chill O’posite Festival
Dates: October 8–10, 2026
Location: Dahab, Egypt
Chill O’posite Festival brings electronic music, live performances, and hybrid sets to Dahab from October 8–10, 2026. The lineup includes 47 Soul, AIWAA, and Aly Fathalla performing live. Blacky, Jad Halal, Nico Morano, Sama’ Abdulhadi, Tia, and Tony L Issac are also confirmed. Several B2B sets appear across the three days. These include BĪSU B2B Welson, Borio B2B Shika, and Kotoe B2B Madmotormiquel. Meanwhile, Chitati, Karamell, Menna Hussein, Molotof, Netam, and Nubatronic add more live performances to the program.
Niteharts
Dates: October 9–11, 2026
Location: Snapdragon Stadium, San Diego, California
Niteharts will run for three days at Snapdragon Stadium in San Diego from October 9–11, 2026. Presented by ISOxo and Knock2, the festival covers bass, trap, electronic, and alternative music. The lineup includes Knock2 B2B DJ Snake, ISOxo, ISOKNOCK, RL Grime, Hamdi, 2hollis, and LYNY. Porter Robinson will also perform a DJ set. Elsewhere, Flava D, Jane Remover, Frost Children, Devault, Underscores, and Daine are confirmed. Nitepunk, Control Freak, Borne, Yaego, and Thaiboy Digital & Swedm® also appear across the weekend.
Head Trip
Dates: October 10–11, 2026
Location: Empire Polo Club, Indio, California
Head Trip makes its debut at Empire Polo Club in Indio on October 10–11, 2026. Saturday features Calvin Harris, Under Construction: FISHER + Chris Lake, and Peggy Gou B2B Four Tet. Seth Troxler B2B Ben Sterling is also confirmed for the first day. Sunday follows with Swedish House Mafia, Skrillex, and Dom Dolla B2B KETTAMA. The Blessed Madonna and DJ Harvey also perform on Sunday. Meanwhile, Floating Points’ Sunflower Sound System will be featured throughout the weekend. Presented by Goldenvoice, the new two-day festival adds another major electronic music event to Indio’s calendar.
EDC Colombia
Dates: October 10–11, 2026
Location: Unidad Deportiva Atanasio Girardot, Medellín, Colombia
EDC Colombia holds its inaugural edition in Medellín on October 10–11, 2026, at Unidad Deportiva Atanasio Girardot. Saturday features Above & Beyond, Alesso, Alok, ARTBAT, Astrix, Chase & Status, and deadmau5. ILLENIUM, Jamie Jones, Maceo Plex, Miss Monique, and Richie Hawtin are also confirmed. In addition, Dreamstate Presents and Factory93 Presents appear on the festival program. Sunday includes 999999999, Afrojack B2B Green Velvet, Armin van Buuren, Boris Brejcha, and CamelPhat. Kaskade, Nico Moreno, Restricted, Subtronics, Sullivan King, and Vintage Culture also perform on day two.
No Art Lisbon
Dates: October 10, 2026
Location: Passeio Marítimo de Algés, Lisbon, Portugal
Following a sold-out edition last year, No Art Lisbon is back in the Portuguese capital on October 10, 2026. The one-day lineup includes Adriatique, ANOTR, Jennifer Loveless, Klin Klop, and SG Lewis. Franky Rizardo B2B Mau P adds a collaborative set to the program. With six acts currently listed, the event keeps its schedule more focused than many of October’s multi-day festivals. The Lisbon date also adds another European stop to No Art’s 2026 calendar.
AMF
Dates: October 24, 2026
Location: Johan Cruijff ArenA, Amsterdam, Netherlands
AMF returns to Johan Cruijff ArenA in Amsterdam, Netherlands, on October 24, 2026, for its annual one-night event during Amsterdam Dance Event. The 2026 lineup currently features Afrojack, Amelie Lens, Armin van Buuren, ARTBAT, D-Block & S-te-Fan, Korolova, and Marlon Hoffstadt, with more artists still to be announced. David Guetta is also confirmed to bring The Monolith to the AMF stage, adding his large-scale live production to this year’s edition. The festival is scheduled from 8 PM until the early hours of the following morning, continuing AMF’s long-running place on the final Saturday of Amsterdam Dance Event and bringing several different sides of electronic music together inside one of Amsterdam’s largest venues.
Escape Psycho Circus
Dates: October 30–31, 2026
Location: Southern California
Escape Psycho Circus returns to Southern California on October 30–31, 2026, for two nights of electronic music across five stages. Friday’s The Big Top lineup includes Benny Benassi, Cascada, Cloonee, Dimitri Vegas & Like Mike, KREAM, MORTEN, NERVO, and Steve Aoki, while Bassrush hosts Sewer District with Excision, Getter, Kai Wachi, and Level Up. Feeding Grounds brings harder styles with AniMe, Coone B2B DJ Isaac, Darren Styles, Frontliner, Lady Faith B2B LNY TNZ, and Showtek, while The Cage features Adam Ten, DJ Tennis, Jamie Jones B2B Franky Rizardo, and Joseph Capriati B2B SOSA. Saturday continues with Alok, Disco Lines, Galantis, Ian Asher, JOYRYDE, Maddix, and Zedd at The Big Top, alongside Adventure Club, Dabin, Dr. Fresch, Liquid Stranger, 999999999, Funk Assault, Indira Paganotto, Nina Kraviz, Richie Hawtin, Avalon Emerson, Champion, DJ Heartstring, and Malugi across the other stages. With house, bass, hard dance, and techno spread across the Halloween weekend, Escape Psycho Circus closes October with one of Insomniac’s biggest seasonal festivals.
BOO! Seattle
Dates: October 30–31, 2026
Location: WAMU Theater, Seattle, Washington
BOO! Seattle returns to WAMU Theater in Seattle, Washington, on October 30–31, 2026, with three themed stages and more than 50 DJs and performers across Halloween weekend. Friday’s lineup includes AMP, Casey Club, Champion, DJ Heather, Elderbrook with a DJ set, Gramatik, GRiZ, James Hype, Levity, LYNY, OMNOM, Ravenscoon, TroyBoi, Walker & Royce, and Westend. Saturday continues with A Little Sound, AZYR, Cloonee, Getter, Hannah Laing, Hershe, It’s Murph, Kayzo, Morgan Seatree, Sara Landry, Subtronics, Taiki Nulight, Taylor Torrence, Wuki, and YDG. With house, bass, techno, and harder electronic styles spread across two nights, BOO! Seattle gives the Pacific Northwest another major Halloween festival option at the end of October.
BOO! Arizona
Dates: October 30–31, 2026
Location: WestWorld of Scottsdale, Scottsdale, Arizona
BOO! Arizona takes place at WestWorld of Scottsdale in Scottsdale, Arizona, on October 30–31, 2026, with two themed stages across Halloween weekend. Friday’s lineup includes 2DY4, Capochino, Deorro, Fieldz B2B Mile32, Hydes, Kompany, Maddix, Marie Vaunt, PEEKABOO, Restricted, Sippy, Virtual Riot, Zedd, and Zoe Gitter. Saturday continues with ACRAZE, Aja Cruz, Alyssa Jolee, The Chainsmokers, Dombresky, Gravagerz, Heyz, James Hype, Jay Prior, JSTJR, Level Up, Luci, Papajan, Samplifire, Seven Lions, and TRYM. With house, bass, techno, and harder electronic styles spread across both nights, BOO! Arizona gives Scottsdale another large Halloween weekend event at the end of October.
Hocus Pocus Miami
Dates: October 30–November 1, 2026
Location: Factory Town, Miami, Florida
Hocus Pocus Miami returns to Factory Town in Miami, Florida, from October 30–November 1, 2026, for three nights across five stages during Halloween weekend. The lineup includes Chase & Status, ChaseWest, Cassian, Gorgon City, Indira Paganotto, Jamie Jones, Joseph Capriati, Kerri Chandler, Layton Giordani, Marco Strous, MEDUZA, Odd Mob, Prospa, Purple Disco Machine, Seth Troxler, Skream, William Kiss, and Yanamaste. Several collaborative sets are also listed, including Funk Assault (Chlär B2B Alarico) and Vic Prydz >>> Franky Rizardo, while Apollonia, Ayybo, Azzecca, Beltran, Berbrakka, Chris Stussy, Cole Knight, Danny Daze, DJ Boring, Hudson Mohawke, Jayda G, Malugi, Mary Droppinz, Salomé Le Chat, Slam, and VTSS appear elsewhere across the three-night program. With house, techno, bass, and underground electronic music spread throughout Factory Town, Hocus Pocus Miami extends the Halloween festival calendar into the first night of November.
Ritvales
Dates: October 31–November 1, 2026
Location: Parque Norte, Medellín, Colombia
Ritvales returns to Parque Norte in Medellín, Colombia, from October 31–November 1, 2026, for two days covering techno, trance, house, melodic electronic music, and live performances. Saturday’s lineup includes Aly & Fila, Anetha, Ayybo, Carl Cox with an extended set, Ciaran McAuley, Dubfire, Guy J, Kobosil, LAVERN, Mauro Picotto, Paul van Dyk with an extended set, Somewhen, SPFDJ, Sven Väth, Tripolism, and WhoMadeWho with a hybrid DJ set. Sunday continues with Adam Beyer, Ben Böhmer live, Cloonee, Collabs 3000 (Chris Liebing B2B Speedy J), Crystal Waters live, Eli Brown, HI-LO B2B XXXXXX, I Hate Models, Klangkuenstler, Lilly Palmer, Massano, Marcel Dettmann, Oliver Heldens, Seth Troxler, Stephan Bodzin live, Supergloss, Victor Ruiz, and X CLUB. Stage hosts across the weekend include 44, Carl Cox Invites, and SHINE Ibiza, giving Ritvales one of the broader electronic lineups spanning the final day of October and the first day of November.
From major North American festivals including Breakaway Utah, We Belong Here Central Park, Experts Only at the Gorge, III Points Miami, Escape Psycho Circus, and BOO! Seattle to international events such as 808 Festival, EDC Korea, Starlight Festival, EDC Colombia, AMF, and Ritvales, October 2026 brings electronic music festivals to cities across North America, Asia, Europe, Africa, and South America. Halloween events, city festivals, multi-day weekends, and one-day shows fill the month, with lineups covering house, techno, trance, bass, drum & bass, hard dance, melodic electronic music, and more.
Visit our EDM Festival News section to stay updated on the latest announcements and lineup releases.
Subscribe to our Newsletter
-
EDM Music3 weeks agoNew EDM Friday Sep 18: HALŌ, HUGEL, Sara Landry & More
-
EDM Festival News3 weeks agoLost Lands Announces Full Set Times and Streaming Details
-
EDM Festival News3 weeks agoTomorrowland Winter 2027 Dates and Ticket Sales Announced
-
EDM Music2 weeks agoNew EDM Friday Sep 25: Charlotte de Witte, Armin van Buuren & More
-
EDM Music4 weeks agoNew EDM Friday Sep 11: David Guetta, Armin van Buuren, Skrillex & More
-
EDM news4 weeks agoTiësto Revives ‘In Concert’ for 2027 Stadium Show
-
EDM Festival News4 weeks agoDjakarta Warehouse Project Unveil First Lineup Phase For DWP 2026
-
EDM news3 weeks agoNoisia Announces Return with Amsterdam Comeback Show
